CALIFICACIÓN DE IMDb
5.5/10
1.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaFollow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Liam Dillon
- Amercian Officer
- (as Liam Dhillon)
Micky Williams
- Children's Dad
- (as Mickey Williams)
Opiniones destacadas
Every time I come across films of children being packed off to the countryside during WWII, 2 films invariably come to mind - Narnia, and Hope and Glory. Unfortunately, this neither has the fantastical element of Narnia, nor the magical perspective and childlike thrill of H&G.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
I gave up half way through & I rarely do that, some part of me has faith that things will improve, they really didn't!!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
There is nothing inherently wrong with this film, it is very sweet, quaint and positively intoxicating with its timeless charm of trains in the Yorkshire countryside. But the audience need something more to keep The film from being boring; it is simply not enough to recycle the same locations and the same plot points because from very early on this film just becomes a predictable tribute to the superior 1970s version.
An interesting point to note is how everyone from film critics to members of the public have complained about the secondary theme regarding racial inequality. Nobody was expecting nor wanted this theme in the film and subsequently it is quite jarring and feels out of place according to many people. I for one argue that in order for a period film to be successful nowadays it has to carry social related issues such as racial inequality in order for it to be able to relate to the wider public. After all, we are now so much more aware of racial related issues, ignoring it is hard to do.
In spite of the beautiful shots there was a really terrible continuity errors that were next to unforgivable and the hammy acting. Of the children left much to be desired when it came down to the casting director's choices.
This film will mostly have a fondness towards it, but it's destined to be consigned to TV as a Sunday afternoon filler.
An interesting point to note is how everyone from film critics to members of the public have complained about the secondary theme regarding racial inequality. Nobody was expecting nor wanted this theme in the film and subsequently it is quite jarring and feels out of place according to many people. I for one argue that in order for a period film to be successful nowadays it has to carry social related issues such as racial inequality in order for it to be able to relate to the wider public. After all, we are now so much more aware of racial related issues, ignoring it is hard to do.
In spite of the beautiful shots there was a really terrible continuity errors that were next to unforgivable and the hammy acting. Of the children left much to be desired when it came down to the casting director's choices.
This film will mostly have a fondness towards it, but it's destined to be consigned to TV as a Sunday afternoon filler.
It was a good idea to update the railway children story of the Second World War but an absolutely dumb idea to put modern ideas of racism - presumably to please the woke crowd - into it. Come on this is a children's film. We know that racism existed in the American army but the enemy was not the Americans but the Nazis. Even the murderous Joe Stalin was on our side! The idiots who rewrite history like this give our children the wrong idea, that somehow the brave lads who went to war against one of the most murderous regimes ever were the bad guys. These things are just totally annoying and totally out of place in children's films. Another example of woke virtue signalling. The movie could've been made a lot more entertaining with a lot better and more imaginative screenplay. Hopeless!
This whole film is a quite weak. The story is really unbelievable, the acting isn't great and it all gets ludicrous.
It's hard to know who this film is aimed at, who will see it and even why it was made.
It's hard to know who this film is aimed at, who will see it and even why it was made.
¿Sabías que…?
- TriviaAgutter playing Roberta for the third time over 54 years breaks the world record for playing the same character over the longest period of time in a movie. Also, the 52-year gap between her second and third time is a record for reprising a role. Both times succeeding Nick Castle.
- ErroresThe blackout did not appear to be in force in Oakworth. In many scenes, from Lily climbing out of the window and running down the field with a torch, to front doors being opened in a blaze of light, there was no indication that a blackout was in force at all.
Blackout regulations started on 1st September 1939 and ended in May 1945. Rules were relaxed slightly in September 1944, but only to allow very low levels of lighting, no brighter than moonlight.
Lily's torch would have been pasted over with dark paper to dim the beam, or black paper with a slit in it.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Railway Children
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 466,391
- Fin de semana de estreno en EE. UU. y Canadá
- USD 245,904
- 25 sep 2022
- Total a nivel mundial
- USD 4,298,731
- Tiempo de ejecución1 hora 39 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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