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IMDbPro

2050

  • 2018
  • 1h 46min
CALIFICACIÓN DE IMDb
3.8/10
1.3 k
TU CALIFICACIÓN
Stefanie Bloom in 2050 (2018)
Trailer 1
Reproducir trailer1:02
2 videos
99+ fotos
Ciencia ficción distópicaInteligencia ArtificialCiencia FicciónDramaFantasía

Un padre de familia que lucha por mantenerlo todo unido descubre un salón oculto que ofrece una solución - los sexbots.Un padre de familia que lucha por mantenerlo todo unido descubre un salón oculto que ofrece una solución - los sexbots.Un padre de familia que lucha por mantenerlo todo unido descubre un salón oculto que ofrece una solución - los sexbots.

  • Dirección
    • Princeton Holt
  • Guionistas
    • Brian Ackley
    • Princeton Holt
    • David Vaughn
  • Elenco
    • David Vaughn
    • Irina Abraham
    • Devin Fuller
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    3.8/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Princeton Holt
    • Guionistas
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Elenco
      • David Vaughn
      • Irina Abraham
      • Devin Fuller
    • 38Opiniones de los usuarios
    • 13Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 16 premios ganados en total

    Videos2

    Trailer [EN]
    Trailer 1:01
    Trailer [EN]
    2050
    Trailer 1:02
    2050
    2050
    Trailer 1:02
    2050

    Fotos587

    Ver el cartel
    Ver el cartel
    Ver el cartel
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    + 583
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    Elenco principal91

    Editar
    David Vaughn
    David Vaughn
    • Michael Greene
    Irina Abraham
    Irina Abraham
    • Brooke Greene
    Devin Fuller
    Devin Fuller
    • Drew
    Dean Cain
    Dean Cain
    • Maxwell
    Stefanie Bloom
    Stefanie Bloom
    • Sophia
    Stormi Maya
    Stormi Maya
    • Quin
    Shannone Holt
    • Reign Regan
    Hope Blackstock
    Hope Blackstock
    • Alli
    Chris Riquinha
    • David
    Jace Nicole
    Jace Nicole
    • Diana
    Jonathan Ercolino
    • Cameron
    Juliana Corsetti
    • Georgia
    • (voz)
    Ben Bott
    • Atticus
    • (voz)
    Gregory Rawrysz
    Gregory Rawrysz
    • Parlor Bartender
    Merrill Joseffer
    • Parlor Hostess
    Jor el Jordan
    • Juice Bar Patron
    Billy Marshall Jr.
    • Rudy the Bartender
    Jerry Hebrank
    Jerry Hebrank
    • Business Investor
    • Dirección
      • Princeton Holt
    • Guionistas
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios38

    3.81.3K
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    Opiniones destacadas

    2orleanslady

    Remake of Cherry 2000

    While some elements are different, it is essentially a remake made to appear different. Sorry Cherry 2000 from the 80's is better than this film
    5troy-boulton

    Not Dean Cain's worst film in the last decade

    It's not a new premise by any measure, but the narrative and dialogue has enough originality to hold some interest. There are moments of brilliance in the cinematography, like islands in a sea of low budget mediocrity. "Futurising" the present by dropping in the odd cheesy special effect really doesn't work; either go all the way, or be way more subtle. This is just disjointed world-building that drops the viewer out of the story.

    The acting and dialogue is like the cinematography. Inconsistent. Moments of beauty and powerful nuance, drowning in acres of awkward and stilted.

    I'm glad Dean can still get work. I've always had a soft spot for him. He's not a great actor, and his 50+ years sans A-grade Hollywood cosmetic surgery/stylist/nutritionist/trainer budget are showing, but he seems like such a nice guy. He deserves a shot, and this film shows not all hope is lost.
    tetrahex

    Too afraid of the subject to say anything interesting about it.

    The film takes an interesting premise and plays it inoffensively as possible, and drags the thin plot over far too long of a run time. If this was a short youtube scifi short it might have been bearable, but at full length its just wasted potential.
    BarneyGrapes

    Acting:5, directing:5, occasional flashes of insight:10

    I really struggled rating this one. I have a softspot for any nice cinematography set in New York City. Don't know why, have never been there. Just something so human and organic about that city.

    As for acting: some really really bad, most slightly below average, and occasionally excellent. Same for directing.

    The main companion robot was really good in her role. The others were fine. There was some unevenness in how the director saw their movements and expressions. Maybe he could explain it off as older and newer models. The companion to the main protagonist seemed more natural, but with a slight emptiness in the eyes. The other models felt very artificial.

    And finally to what drags my rating way up to 7, which most wont agree with it deserving for good reasons. But I just had to give it some reward for a couple things it does very well.

    It doesn't get too deep. It's not a complicated highly metaphysical issue. It's an issue we are currently facing, just in a different form. Devices. Loss of human contact and meaningful interaction. Inability to know how to interact.

    On the flip side, they make the very valid point that we overcomplicate the meaning we give to sexual devices. Our social conditioning adds way too much subtext (you need the device or the roll play because Im not enough, you don't trust me enough, etc...).

    Finally, there is a brilliant comment near the end (non-spoiler, it doesn't impact the outcome or story of the film). It involves releasing sterile insects into a population to help control or eradicate that population. A simple comment, but one the writers were brilliant to see and make the connection to sex bots.

    So I don't want to over emphasize this film and say it's amazing. It's more of a film with a lot of lost potential. In the right hands, with the right director, and some cleaning up of the script and dialogue, it could be an excellent film. Not ground breaking, but good. But again, some people may find it too simplistic. I loved the simplicity.

    And we certainly can't fault those who struggle to get through this film. They have good reason.

    Last note: the ending dialogue is excellent, however, it ultimately ends flat.
    1pidstr

    Speaking as a fan of Robot Genre films,....

    ...., Don't Bother, you'll never get these wasted minute back.

    Go watch the UK production 'Humans' instead, it's a lot more thought provoking and deals with the disruptions to society and family that the technology will bring in the near future. There's very little to make this turkey stand out from the crowd, visually it's uninspiring, there's no real plot, just a load of over-wordy sentences strung together with no real meaning - the Director and Writer should watch "Ghost in the Shell : Stand Alone Complex" to understand how to use dialog properly during scenes with limited activity on camera. The actors do a fair job of trying to deliver the lines with conviction, but the dialog they're given to work with, just makes the viewer want to skip forward.

    Argumento

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    ¿Sabías que…?

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    • Trivia
      Stefanie Bloom believes that many of the topics addressed in the film will be real before the eponymous year of 2050.
    • Citas

      Alli: If you control the people, you control the world. They tried everything they could to try to control us. Because they know we are emotional people. They tried to divide us by playing on our emotions. You know why, right? Because, if you keep the people emotional and angry you distract them from building their own financial empires and taking care of their families, and their family's families. I mean, think about it, bro. First you program people emotionally, right? Next you destroy their health. The best way to do that is through the food and water supply. I mean, Henry Kissinger snitched on the whole operation. He said, "If you control the oil, you control the country." "And if you control the food, you control the population." So now we've been programmed to rely on microchips more than we rely on each other. We no longer talk to each other, we only follow each other online, what? But this, this is the remedy. This is how we get back to our roots. This is how we bring humanity back to our essence, I mean, guys, oh. Just take this.

    • Conexiones
      References Los supersónicos (1962)
    • Bandas sonoras
      What We're Left With
      by Konstantinos Lyrakis

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    Preguntas Frecuentes15

    • How long is 2050?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de enero de 2020 (Estados Unidos)
    • Países de origen
      • China
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Robot de compañia
    • Locaciones de filmación
      • Long Island City, Nueva York, Estados Unidos
    • Productoras
      • Be Your Own Hollywood
      • Butterfly Chasers
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 46min(106 min)
    • Mezcla de sonido
      • Dolby Digital
      • D-Cinema 96kHz 5.1

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