- Premios
- 4 nominaciones en total
Alissa Sullivan Haggis
- Junkie
- (as Alissa Haggis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This has to be one of the best films I have watched of late. Everything you would wish it to be. Very tense at times and keeps you on edge. Great acting from Russell Crowe and the story is very smart and gripping. Not as predictable as some films seem to be when using a similar storyline to this. Very entertaining all the way through from start to finish with no gaps which is always good for a film that exceeds 2 hours in duration. A very different performance from Crowe which we don't offer see, but be played it very well, and very powerful. Definitely a must watch. Don't wait around for this one, I would strive to watch it straight away for those that haven't done so yet.
This movie was awesome I was bored when I started to watch this, I was saying oh my, this is not all that, but it sucked me in after a few minutes and took me on an adrenaline ride that was totally unexpected. Awesome flick. Russel, you have my vote all the way on this one. Great acting, great building up, the script worked, the movie worked...and all those moments where I thought this is it there simply came these awesome moments, and then more awesomeness. This is one of those that catches you off guard, really. Russel and Banks connected in the scenes Truly they could not have gotten a better cast. All the little unexpected things get your adrenaline going. I recommend this hands down. It wove together so well, I appreciated the surprises which only builds you up until the end. Great.
Russel Crowe plays John and Elizabeth Banks plays his wife.one night she is arrested for murder.after years of fighting with the legal system to try to free her,he learns she will be sent to prison for life in three days.now he must find a way to stop that from happening.this movie is full of suspense and intensity.it's tightly written(Paul Haggis wrote the screenplay)and well directed by Paul Haggis.the acting is superb from both Russel Crowe and Elizabeth Banks,who continues to show her flair as a dramatic actress.Daniel Stern had a small role,but was very impressive as well.this is a film i'd definitely watch again.for me,The Next Three Days is a 7/10
10Caribstu
The Next Three Days
The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.
Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.
What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.
If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.
Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.
A tremendous, faultless film.
10/10
The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.
Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.
What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.
If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.
Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.
A tremendous, faultless film.
10/10
Just saw this at a London preview screening.
I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.
What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.
The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.
So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.
I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.
What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.
The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.
So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.
¿Sabías que…?
- TriviaPaul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago.
- ErroresWhen the detective says "get the warrant", the only admissible evidence they have to even suspect John is that his wife owns a car that uses the same tail lens as was found in a trash pile up the street from the meth lab. No judge would issue a warrant on that, and certainly not in the time frame shown.
- Citas
John Brennan: So, the life and times of Don Quixote, what is it about?
Female College Student: That someone's belief in virtue is more important than virtue itself?
John Brennan: Yes... that's in the there. But what is it about? Could it be how rational thought destroys your soul? Could it be about the triumph of irrationality and the power that is in that? You know, we spend a lot of time trying to organize the world. We build clocks and calendars and we try to predict the weather. But what part of our life is truly under our control? What if we choose to exist purely in a reality of our own making? Does that render us insane? And if it does, isn't that better than a life of despair?
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #19.35 (2010)
- Bandas sonorasWaltz Trio Session
Composed & Performed by Giorgio Rosciglione, Cinzia Gizzi and Gegè Munari
Courtesy of 5 Alarm Music
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Next Three Days
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,148,651
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,542,779
- 21 nov 2010
- Total a nivel mundial
- USD 67,448,651
- Tiempo de ejecución2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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