- Premios
- 4 nominaciones en total
Alissa Sullivan Haggis
- Junkie
- (as Alissa Haggis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Just saw this at a London preview screening.
I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.
What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.
The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.
So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.
I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.
What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.
The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.
So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.
Another noir French thriller is converted into a 'noir-ish' American thriller. Russell Crowe's slightly thuggish looks make him more convincing as the desperado of the second half than the mild-mannered schoolteacher of the first half. Elizabeth Banks's role as the imprisoned wife is slightly under-written; their cute toddler son steals most of her scenes and even some of Russell's.
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
This has to be one of the best films I have watched of late. Everything you would wish it to be. Very tense at times and keeps you on edge. Great acting from Russell Crowe and the story is very smart and gripping. Not as predictable as some films seem to be when using a similar storyline to this. Very entertaining all the way through from start to finish with no gaps which is always good for a film that exceeds 2 hours in duration. A very different performance from Crowe which we don't offer see, but be played it very well, and very powerful. Definitely a must watch. Don't wait around for this one, I would strive to watch it straight away for those that haven't done so yet.
This is a surprisingly good movie, not the usual Hollywood formula potboiler. The movie has an interesting story, strong acting and excellent cinematography. Perhaps the plot is somewhat far-fetched but so what? It's a movie. The best part of this movie are not the stars but the supporting cast. Most impressive was the performance by Lennie James who definitely deserves formal recognition for his work in this movie. So strong is his performance that I this movie could easily be retitled "The Pursuit" without misleading the audience. Both Russell Crowe and Elizabeth Banks give strong performances and Brian Dennehy once again proves how great he is as an actor. At times the story does stretch the boundaries of plausibility but never to the point that the story is rendered ridiculous. In this movie there are no bad guys. Rather it dramatizes a justice system that at times may not get it right and how frustration and indignation can lead one to commit acts of desperation.
This movie was awesome I was bored when I started to watch this, I was saying oh my, this is not all that, but it sucked me in after a few minutes and took me on an adrenaline ride that was totally unexpected. Awesome flick. Russel, you have my vote all the way on this one. Great acting, great building up, the script worked, the movie worked...and all those moments where I thought this is it there simply came these awesome moments, and then more awesomeness. This is one of those that catches you off guard, really. Russel and Banks connected in the scenes Truly they could not have gotten a better cast. All the little unexpected things get your adrenaline going. I recommend this hands down. It wove together so well, I appreciated the surprises which only builds you up until the end. Great.
¿Sabías que…?
- TriviaPaul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago.
- ErroresWhen the detective says "get the warrant", the only admissible evidence they have to even suspect John is that his wife owns a car that uses the same tail lens as was found in a trash pile up the street from the meth lab. No judge would issue a warrant on that, and certainly not in the time frame shown.
- Citas
John Brennan: So, the life and times of Don Quixote, what is it about?
Female College Student: That someone's belief in virtue is more important than virtue itself?
John Brennan: Yes... that's in the there. But what is it about? Could it be how rational thought destroys your soul? Could it be about the triumph of irrationality and the power that is in that? You know, we spend a lot of time trying to organize the world. We build clocks and calendars and we try to predict the weather. But what part of our life is truly under our control? What if we choose to exist purely in a reality of our own making? Does that render us insane? And if it does, isn't that better than a life of despair?
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #19.35 (2010)
- Bandas sonorasWaltz Trio Session
Composed & Performed by Giorgio Rosciglione, Cinzia Gizzi and Gegè Munari
Courtesy of 5 Alarm Music
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Next Three Days
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,148,651
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,542,779
- 21 nov 2010
- Total a nivel mundial
- USD 67,448,651
- Tiempo de ejecución2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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