- Premios
- 4 nominaciones en total
Alissa Sullivan Haggis
- Junkie
- (as Alissa Haggis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Russell Crowe is a pretty reliable star, one who commands the screen with intelligence and enough bravado to get away with a film like this. Somehow, audiences and critics are getting more demanding and expect brainier and tighter story lines, but it's still plenty of fun to see a light, crazy ride like this... One where the hero is besieged by unfortunate circumstances and must one way or another succeed or die. With the help of Haggis' strong direction and a very good performance by Crow, we're treated to two hours of action, where one doesn't have to do a lot of thinking, just watching Crowe dodge bullet after bullet and cheer him along to the nail-biting end.
The main reason the film works is Crowe gives it his best, scene after scene his eyes tells us his character is committed to his family, and he will stand by them no matter what. There is very little background given to us, except for an opening scene which serves the purpose of planting the seed of doubt in our minds, but this only helps fuel the sense of despair and sadness that threatens to destroy this family.
Little by little, we follow Crowe's teacher, as he races against the clock to help his wife, and soon enough, he is dealing with the scum of society and an increasingly suspicious police force. Relationships with his family are tense at best, and any new relationships are threatened his wife's past. It's the attention to this intimate and personal moments that makes us care for him, even when he makes a couple of disturbing moves.
One thing you won't be is bored, as the circle tightens, so that his quest might not get his desired results. Fine work is done by a cast that includes Brian Dennehy, Liam Nelson, and Jsson Beghe. This is what movies are made for.
The main reason the film works is Crowe gives it his best, scene after scene his eyes tells us his character is committed to his family, and he will stand by them no matter what. There is very little background given to us, except for an opening scene which serves the purpose of planting the seed of doubt in our minds, but this only helps fuel the sense of despair and sadness that threatens to destroy this family.
Little by little, we follow Crowe's teacher, as he races against the clock to help his wife, and soon enough, he is dealing with the scum of society and an increasingly suspicious police force. Relationships with his family are tense at best, and any new relationships are threatened his wife's past. It's the attention to this intimate and personal moments that makes us care for him, even when he makes a couple of disturbing moves.
One thing you won't be is bored, as the circle tightens, so that his quest might not get his desired results. Fine work is done by a cast that includes Brian Dennehy, Liam Nelson, and Jsson Beghe. This is what movies are made for.
10Caribstu
The Next Three Days
The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.
Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.
What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.
If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.
Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.
A tremendous, faultless film.
10/10
The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.
Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.
What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.
If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.
Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.
A tremendous, faultless film.
10/10
Another noir French thriller is converted into a 'noir-ish' American thriller. Russell Crowe's slightly thuggish looks make him more convincing as the desperado of the second half than the mild-mannered schoolteacher of the first half. Elizabeth Banks's role as the imprisoned wife is slightly under-written; their cute toddler son steals most of her scenes and even some of Russell's.
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
Russell Crowe is desperate to break his wife (Elizabeth Banks) out of jail in "The Next Three Days," a 2010 film directed by Paul Haggis.
Crowe and Banks play John and Lara Brennan, a happily married couple with one child. Lara is arrested and convicted to life in prison for murdering her boss, though she claims she didn't do it. A woman brushed by her as she was entering the parking lot where her boss was found dead. However, because her prints were on the murder weapon and blood was on her coat, the jury votes guilty.
A few years pass and John and Lara hold onto hope that she will win her appeal, but she doesn't. John realizes that he has no choice but to break her out of jail. His timeline is shattered when he learns that she's being transferred to prison soon, giving him only three days.
Wonderful, action-packed and gut-wrenching story of a normal man who is so desperate he nearly goes insane. Crowe is remarkable as John,a teacher who talks about Don Quixote living in a world of his own reality. He soon must practice what he preaches as he walks the mean streets in order to work out a careful plan, even as he cares for his young son Luke (Ty Simpkins) who has become more and more withdrawn and angry since his mother's imprisonment.
Beautifully directed by Paul Haggis, The Next Three Days keeps you on the edge of your seat throughout -- you're never sure what's going to happen or how far John will go. There is a wordless scene between John and his father (Brian Dennehy) that will break your heart.
Besides Crowe, Banks, and Dennehy, the excellent cast also includes Liam Neeson, Olivia Wilde, and Jason Beghe. Don't miss this.
Crowe and Banks play John and Lara Brennan, a happily married couple with one child. Lara is arrested and convicted to life in prison for murdering her boss, though she claims she didn't do it. A woman brushed by her as she was entering the parking lot where her boss was found dead. However, because her prints were on the murder weapon and blood was on her coat, the jury votes guilty.
A few years pass and John and Lara hold onto hope that she will win her appeal, but she doesn't. John realizes that he has no choice but to break her out of jail. His timeline is shattered when he learns that she's being transferred to prison soon, giving him only three days.
Wonderful, action-packed and gut-wrenching story of a normal man who is so desperate he nearly goes insane. Crowe is remarkable as John,a teacher who talks about Don Quixote living in a world of his own reality. He soon must practice what he preaches as he walks the mean streets in order to work out a careful plan, even as he cares for his young son Luke (Ty Simpkins) who has become more and more withdrawn and angry since his mother's imprisonment.
Beautifully directed by Paul Haggis, The Next Three Days keeps you on the edge of your seat throughout -- you're never sure what's going to happen or how far John will go. There is a wordless scene between John and his father (Brian Dennehy) that will break your heart.
Besides Crowe, Banks, and Dennehy, the excellent cast also includes Liam Neeson, Olivia Wilde, and Jason Beghe. Don't miss this.
This has to be one of the best films I have watched of late. Everything you would wish it to be. Very tense at times and keeps you on edge. Great acting from Russell Crowe and the story is very smart and gripping. Not as predictable as some films seem to be when using a similar storyline to this. Very entertaining all the way through from start to finish with no gaps which is always good for a film that exceeds 2 hours in duration. A very different performance from Crowe which we don't offer see, but be played it very well, and very powerful. Definitely a must watch. Don't wait around for this one, I would strive to watch it straight away for those that haven't done so yet.
¿Sabías que…?
- TriviaPaul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago.
- ErroresWhen the detective says "get the warrant", the only admissible evidence they have to even suspect John is that his wife owns a car that uses the same tail lens as was found in a trash pile up the street from the meth lab. No judge would issue a warrant on that, and certainly not in the time frame shown.
- Citas
John Brennan: So, the life and times of Don Quixote, what is it about?
Female College Student: That someone's belief in virtue is more important than virtue itself?
John Brennan: Yes... that's in the there. But what is it about? Could it be how rational thought destroys your soul? Could it be about the triumph of irrationality and the power that is in that? You know, we spend a lot of time trying to organize the world. We build clocks and calendars and we try to predict the weather. But what part of our life is truly under our control? What if we choose to exist purely in a reality of our own making? Does that render us insane? And if it does, isn't that better than a life of despair?
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #19.35 (2010)
- Bandas sonorasWaltz Trio Session
Composed & Performed by Giorgio Rosciglione, Cinzia Gizzi and Gegè Munari
Courtesy of 5 Alarm Music
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Next Three Days
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,148,651
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,542,779
- 21 nov 2010
- Total a nivel mundial
- USD 67,448,651
- Tiempo de ejecución2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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