Los Próximos Tres Días

Another noir French thriller is converted into a 'noir-ish' American thriller. Russell Crowe's slightly thuggish looks make him more convincing as the desperado of the second half than the mild-mannered schoolteacher of the first half. Elizabeth Banks's role as the imprisoned wife is slightly under-written; their cute toddler son steals most of her scenes and even some of Russell's.

The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.

Russell Crowe is a pretty reliable star, one who commands the screen with intelligence and enough bravado to get away with a film like this. Somehow, audiences and critics are getting more demanding and expect brainier and tighter story lines, but it's still plenty of fun to see a light, crazy ride like this... One where the hero is besieged by unfortunate circumstances and must one way or another succeed or die. With the help of Haggis' strong direction and a very good performance by Crow, we're treated to two hours of action, where one doesn't have to do a lot of thinking, just watching Crowe dodge bullet after bullet and cheer him along to the nail-biting end.

The main reason the film works is Crowe gives it his best, scene after scene his eyes tells us his character is committed to his family, and he will stand by them no matter what. There is very little background given to us, except for an opening scene which serves the purpose of planting the seed of doubt in our minds, but this only helps fuel the sense of despair and sadness that threatens to destroy this family.

Little by little, we follow Crowe's teacher, as he races against the clock to help his wife, and soon enough, he is dealing with the scum of society and an increasingly suspicious police force. Relationships with his family are tense at best, and any new relationships are threatened his wife's past. It's the attention to this intimate and personal moments that makes us care for him, even when he makes a couple of disturbing moves.

One thing you won't be is bored, as the circle tightens, so that his quest might not get his desired results. Fine work is done by a cast that includes Brian Dennehy, Liam Nelson, and Jsson Beghe. This is what movies are made for.

The Next Three Days

The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.

Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.

What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.

If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.

Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.

A tremendous, faultless film.

10/10

I'll admit that I was already partially sold on The Next Three Days from the cast alone. Russell Crowe usually does really well in thrillers, and Elizabeth Banks is one of those actresses that you just love to see on the screen. They're joined by Liam Neeson and Olivia Wilde in small (but appreciated) roles. Not a bad collection of actors, right? Crowe in particular gave a good performance that (thankfully) wiped his recent half-hearted turn as Robin Hood right out of my mind. 

The story is about an average guy who plots to break his wife out of prison, where she's serving time for a murder that he doesn't believe she committed. He's a community college teacher, not an expert on prison escapes, so a lot of The Next Three Days is spent with Crowe's character researching how he can accomplish his goal and trying to get passports, money, etc. It's only in the last 30 minutes when the plan is actually put into action, but the movie stays exciting and interesting throughout. 

I unfortunately haven't been able to check out the original French film, Pour Elle, so I can't compare quality between the two. Judged solely on its own merits, I thought The Next Three Days was a solid, tense, occasionally clever thriller. Nothing mind-blowing, but not many glaring flaws, either. There are a few moments when the move strays a little too far beyond believability (ex. super cops repeatedly making huge, unerring leaps of logic), but I still recommend it. 

Cool soundtrack, too. Who would have thought The Like would be featured in a big budget Hollywood flick?

This is a surprisingly good movie, not the usual Hollywood formula potboiler. The movie has an interesting story, strong acting and excellent cinematography. Perhaps the plot is somewhat far-fetched but so what? It's a movie. The best part of this movie are not the stars but the supporting cast. Most impressive was the performance by Lennie James who definitely deserves formal recognition for his work in this movie. So strong is his performance that I this movie could easily be retitled "The Pursuit" without misleading the audience. Both Russell Crowe and Elizabeth Banks give strong performances and Brian Dennehy once again proves how great he is as an actor. At times the story does stretch the boundaries of plausibility but never to the point that the story is rendered ridiculous. In this movie there are no bad guys. Rather it dramatizes a justice system that at times may not get it right and how frustration and indignation can lead one to commit acts of desperation.