El Encanto del Erizo

I am now quietly used to going to movie theatres alone (in Italy this is still seen as an "odd" thing), I like it although regretting not exchanging opinion with some company, but this time an old woman was sitting, on her own, next to me, and at the end of the movie, we watched one another with our eyes suffocating some necessary tears, and she said: "how sad, but what a nice movie", I couldn't but agree with her (and innerly hoping I will still be able to go movie theatre, in my older years). "Le herisson" is the cinematographic adaptation of a best selling novel, a real literary case, which I have read, being quite surprised by the idea of making a movie from it, since it is a book where really little happens, and where the writer loves, and manages to play with the aesthetic, intellectual and emotional power of words.

But the young director Mona Achache managed to transpose the subtlety of the written word, in that she focused on the three main characters perfectly. They are three delicate souls, perceived by others as "odd", eccentric, different: Renée, the caretaker, apparently dowdy and ignorant, on the contrary very cultured and hiding a sensitive soul, Paloma , the "complicated", but in reality deep young girl, simply disregarding the void adult world, and the amazing Kakuro, the prototype of what a real man should be, refined in his soul, respectful, tactful. And you come to ask yourself why such high human qualities are viewed as odd, while they should be the normal way of living! In today's standardized, vulgar world, I perceived the movie as an effective antidote, supporting with strength the value of the uniqueness of the single human being. It is also a praise of delicacy and slowness, of the magic of a single spoken word or a single kind gesture, or a single soft glance: a few things happen, and a few things are said, simply because for a full life, we don't need to see or hear many things , we need a few but good things.

Despite its slowness, the movie is never boring, on the contrary I felt raptured by the delicacy and the calmness of these characters, wonderfully interpreted by three talented and actors. I identified myself also with the little Paloma, probably because she reminded me at her own age, when I liked being on my own, finding my secret refuge, where I could stay alone with my thoughts, as I grew up I realized how people could have seen my as a "difficult", even problematic child, but also fully realized how it is easy to be judged because different from the mass, but how important to keep your real inner precious world alive. Go and see it, you will be enchanted by these three simple, plain, but magic characters.

Mona Achache's movie "Le hérisson" ("The Hedgehog" in English) is about a Parisian girl leading an unfulfilled life with her affluent family, and so she decides to commit suicide on her twelfth birthday. In the process of filming her apartment and family, the girl befriends the concierge.

The movie presents a good contrast between the girl's disillusionment with her posh but superficial world and the concierge's appreciation of what little she has, and showing how the concierge is able to develop a relationship with a Japanese widower who moves into the apartment building. The girl's filming her sister throughout the goldfish bowl is a metaphor for the new look that she's taking at her bourgeois existence. In the end, the girl does start to reconsider her suicidal plans. Achache made a very good movie, one that I truly recommend.

Greetings again from the darkness. The directorial feature debut from Mona Achache is based on the French bestseller "The Elegance of the Hedgehog" by Muriel Barbery. The meticulous pace masks whirlwind of emotion and thought occurring in the three key characters. Three characters whom each of us could be guilty of overlooking on a daily basis.

For those who don't know, the film defines a hedgehog as a prickly-on- the-outside, cuddly-on-the-inside critter that is often misjudged. Our three characters all fit this description in some manner. Paloma (Garance LeGuillermic) is an 11 year old girl who plans to kill herself on her 12th birthday because no one understands her and her life is filled with what are the minor inconveniences of being an 11 year old - her mother talks to plants more than she talks to her, her father is a distracted workaholic, and her self-centered teenage sister is, well, a self-centered teenager. Madame Renee Michel (Josiane Balasko) is the building's caretaker. Self-described as old and ugly, she lives the life of quiet desperation, hiding with her cat and massive library of books and chocolate. The building's new tenant is Kakuro Ozu (Togo Igawa), a mysterious and elegant man who immediately sees through Madame Michel's prickly exterior.

Paloma spends much of her day documenting by video camera the goings on in her life and of those in her building. She often adds her insightful and humorous narrative to the scene as it occurs. Her view on life and its possibilities begins to change as she observes and gets to know Madame Michel and Mr. Ozu, and more importantly, observes their interactions.

The underlying storyline of an 11 year old girl contemplating suicide can be quite disturbing, but director Achache never really lets that occur. Instead we focus on very simple acts of kindness and subtle smiles and gestures that indicate life can be rewarding and worthwhile. I also found Madame Michel's surrender to the state of invisibility to be quite disturbing, but her awakening to be fascinating. She had not been rejected by society as much as simply overlooked.

Unlike many French movies that bombard us with rapid fire, overlapping exchanges, this one instead relies on patience and a sharp eye ... think of it as the slight squeeze while holding a loved one's hand.

Paloma Josse (Garance Le Guillermic) is a eleven year old girl disturbed by her privileged life in Paris. Her father Paul (Wladimir Yordanoff) is distracted by his government job while her mother Solange (Anne Brochet) drinks champagne with anti-depressants while talking to her plants. She decides she will kill herself in 165 days on her 12th birthday and begins to document the hypocrisy of the adults in her apartment building with her father's old camcorder. The apartment janitor, Renee, may appear to be a just another middle-aged woman who is bitter and grumpy, somewhat prickly, but when a new Japanese neighbor, Kakuro Ozu (Togo Igawa) moves in, he sees something else in her, something soft. This intrigues Paloma about "The Hedgehog", a term used to describe Renee. Despite the fact that Paloma and Renee are on opposite ends of the socioeconomic scale, both of them prefers to quietly observe life from a place of relative obscurity while dwelling on the edge of the society

The soul of the film is definitely the subtle love story between Kakuro and Renee. Kakuro surprises Renee by completing her comment that 'happy families are all alike,' with 'but each unhappy family is unique,' which is a direct quote from a novel during their first meeting. As Renee goes through her own transformation, the chemistry between her and Kakuro grows. It was then the three form a unique bond and we see Paloma and Renee emerge from hiding and begin to embrace life..

While adapting Muriel Barbery's bestselling novel "The Elegance of the Hedgehog", director Mona Achache makes a memorable directorial debut. She complements Barbery's style and enhances her work through Paloma's actions, doing things such as putting her older sister Colombe (Sarah Le Picard) in a 'fishbowl' by filming her through a glass of water (as a metaphor of Paloma's own life) and animating the drawings she created. While her character provides the narrative framing, young Le Guillermic makes an entertaining observer and narrator. The supporting cast as the Josse family gives a solid performance, creating a household which Paloma wish to escape from thoroughly believable. Igawa as Kakuro is gentle but understated and Balasko's Renee is a revelation, her performance is nuanced and graceful from within her dowdy exterior.

The Hedgehog is a heartwarming and unique tale, highlighting the importance of digging through the hard surface of life for the chance of discovering the hidden meanings and enjoyment beneath. Life, sometimes like the hedgehog, conceals a sophisticated elegance beneath a spiky veneer.

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I suppose if you have not read the book on which this film is based (L'elegance du herisson) you might be a little bewildered. I and the the jam-packed audience I saw it with in Fremantle, Western Australia, had. It is a delightful study of three 'outsider' personalities: a precocious teenage girl, a very unusual concierge and a Japanese gentleman. It probably resonates more if you know France, especially Paris; even Europe would do. I am now looking for it on DVD (at a reasonable price for Region 4) because it is a film I know I will watch again and again for its delicate study of 'la condition humaine' - the character studies are delightful. Don't be put off by earlier reviews. Leave your prejudices outside the cinema and sit back and enjoy a delicate, delightful study of three very non-American people observed in a very non-American way. If Australians can appreciate this film, it should appeal to anyone with sensibilities.