The Paradox Effect

I'm used to her kicking ass and being a strong character in this film. She was trying to act strong but she was just awful. The script is awful. The actors were awful. Harvey Keitel was terrible and the premises foolish because she's like this reform junkie and all of a sudden by the end of the show, she's like shooting weapons and, jumping over cars like someone said knocking out the bad guys I mean just ridiculous The last few movies she has been awful and however cartel is like his day has come and gone. A little girl in this movie cannot act her way out of a paper bag.

And the black kid with the African accent is like trying to be tough guy drug dealer not buying it . And the cop Interpol undercover cop is really bad. I mean he shouldn't give up his day job.

Disappointing.

First, let's discuss the title. At no point is there an actual paradox of any sort or any related "effects" of said nonexistent paradox.

I've been "in love" with Olga for several years. I don't know if she is no longer being offered good roles or if she is making really poor choices but this one is bad either way.

Harvey Keitel used to be pretty cool. His zenith was obviously as Winston, aka the Wolf in Pulp Fiction. This role is both minor and lame. How far has his career fallen that he would consider taking this role in such a stupidly written movie?

One of his many poorly written lines goes something like "in life you are given three choices. Two are made for you." Pure stupidity. If the choice has been made for you, it isn't a choice. Never mind that what follows is both stupid and unnecessary, the statement is idiotic to begin with.

All around, this movie fails on so many levels. I'm not sure why I even give it 5 stars.

This movie is, clearly, a grade B movie, and that's fine. We all know that directors/writers have to walk before they can run. Every great writer had to start somwhere, and a person's first attempt at writing or directing a movie, isn't likely to win any awards. However, it's downright shameful to pay for good reviews, and I can't help but think that that's what's going on here. Either the creaters, of this movie, are paying for good reviews, or the good reviews are from friends, family members, etc. Don't believe me? Just try watching the movie, and you'll understand what I mean.

This is a bad movie. I tolerated about twenty minutes before choosing to turn it off. Like I've said, it's grade B, and I wasn't in the mood to watch a grade B movie. So, I turned it off.

By far, the biggest problem, with this movie, is the writing. It's extremely amateur. It's not hard to tell, based on the dialog, as well as how unrealistic everything is; pertaining to the events that take place. It seems as if it were written by someone who's in high school. Perhaps the writer wrote it, while in high school, and then, years later, got enough money to actualy produce it. However, the source material was never critiqued and re-written, and the project was never reassessed. Otherwise, a choice probably wouldn't have been made to move forward with production.

I'm writing this review in order to provide honesty. It's what reviews are supposed to be about. I'm giving my honest review, so that moviegoers can know the truth about this film, and can assess whether or not they want to invest any time watching it.

If you're looking for a grade B movie, then this may be what you're looking for. However, if you're looking for polished entertainment --the kind of stuff that we're used to, then I don't recommend wasting your time with this movie. You'll, likely, be disappointed.

Ok, I didn't fall asleep, but this was painful to watch. Another reviewer said it felt long despite being 88 minutes and I have to say, I was convinced this was 2 hours or more.

I'm American and tend to only like American films, but I saw The Courier a year or two ago and Olga was great and the film was far better than it should have been. Gary Oldman brought his game and I thought Harvey would do the same here.

The plot was weak and I found it hard to care about any of it or the people involved and of course, everybody was stupid and made the wrong choice leading to the overall mess that this movie was.

No idea what the budget was, but this movie was so bad, Matt Damon couldn't have saved it.

British Reviewer 4.4/10

The actors tried really hard to make something of a very thin screenplay. The plot was fine, the visuals actually great for what was clearly a tiny budget and the editing good.

Harvey Keitel was chronically underused but maybe that was a contractual thing and Kurylenko was quite decent although not believable as an ex-addict; too beautiful!

The main problem for me was the poor screenplay, script and pacing. The plot crawled along at an agonisingly slow pace at it's worst and the twist incredibly improbable.

Still, it's better than Twisters and A Quiet Place: Day One on a fraction of their budgets.