Una ex yonqui es testigo de un asesinato. Se ve obligada a cooperar con el asesino para salvar la vida de su hija. Deberá luchar contra el tiempo, la policía y el hampa para salvar a la únic... Leer todoUna ex yonqui es testigo de un asesinato. Se ve obligada a cooperar con el asesino para salvar la vida de su hija. Deberá luchar contra el tiempo, la policía y el hampa para salvar a la única persona que significa algo para ella.Una ex yonqui es testigo de un asesinato. Se ve obligada a cooperar con el asesino para salvar la vida de su hija. Deberá luchar contra el tiempo, la policía y el hampa para salvar a la única persona que significa algo para ella.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Opiniones destacadas
First, let's discuss the title. At no point is there an actual paradox of any sort or any related "effects" of said nonexistent paradox.
I've been "in love" with Olga for several years. I don't know if she is no longer being offered good roles or if she is making really poor choices but this one is bad either way.
Harvey Keitel used to be pretty cool. His zenith was obviously as Winston, aka the Wolf in Pulp Fiction. This role is both minor and lame. How far has his career fallen that he would consider taking this role in such a stupidly written movie?
One of his many poorly written lines goes something like "in life you are given three choices. Two are made for you." Pure stupidity. If the choice has been made for you, it isn't a choice. Never mind that what follows is both stupid and unnecessary, the statement is idiotic to begin with.
All around, this movie fails on so many levels. I'm not sure why I even give it 5 stars.
So, please call me, Olga, and I will personally write you a decent action movie script. One where no one dares utter the cliché, "no! YOU drop it." Because everyone knows the real Olga Kurylenko would take the shot in a heartbeat, and waste the cowardly bad guy hiding behind his quivering hostage with deadly accuracy.
The actors tried really hard to make something of a very thin screenplay. The plot was fine, the visuals actually great for what was clearly a tiny budget and the editing good.
Harvey Keitel was chronically underused but maybe that was a contractual thing and Kurylenko was quite decent although not believable as an ex-addict; too beautiful!
The main problem for me was the poor screenplay, script and pacing. The plot crawled along at an agonisingly slow pace at it's worst and the twist incredibly improbable.
Still, it's better than Twisters and A Quiet Place: Day One on a fraction of their budgets.
And the black kid with the African accent is like trying to be tough guy drug dealer not buying it . And the cop Interpol undercover cop is really bad. I mean he shouldn't give up his day job.
I'm American and tend to only like American films, but I saw The Courier a year or two ago and Olga was great and the film was far better than it should have been. Gary Oldman brought his game and I thought Harvey would do the same here.
The plot was weak and I found it hard to care about any of it or the people involved and of course, everybody was stupid and made the wrong choice leading to the overall mess that this movie was.
No idea what the budget was, but this movie was so bad, Matt Damon couldn't have saved it.
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- Citas
Title Card: It is impossible to suffer without making someone pay for it -Friedrich Nietzsche
Selecciones populares
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Detalles
Taquilla
- Total a nivel mundial
- USD 64,703
- Tiempo de ejecución
- 1h 27min(87 min)
- Color