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Danny Bryce is a retired mercenary but he is forced to return to work when his mentor, Hunter, is taken captive by an employer after failing to complete a mission. Bryce is told he must finish the job if Hunter is to live. The employer is an Omani Sheikh whose three eldest sons were killed during a war; he wants the Danny to kill the three men responsible... it won't be easy though; they were all members of the Special Air Service. Each man must confess then the death must look like an accident. He, and a small team of associates go after the targets but it quickly becomes apparent that somebody, former SAS officer Spike Logan, knows what they are up to.

This is a decent enough story but it would have been better if it didn't claim to be true. It starts well with a prologue that serves to introduce Danny and Hunter and explain why Danny has retired. The way that he is pulled back into that world is effective enough. Once the action starts it is solid and nicely captures the feel of the early eighties. Jason Statham is solid as Bryce and Clive Owen is equally solid as Logan; although both have been better elsewhere. Robert De Niro is decent enough as Hunter although he is rather old to be playing a mercenary. The story provides plenty of twists and turns, some rather far-fetched. Overall I thought it passed the time nicely; not a must see but still entertaining.

Decent acting from the supporting cast, an interesting story that is thankfully absent any clichés, and a lack of any "gotcha" in the story certainly help this movie stand out. But really it's the pacing that made it for me. Things happen FAST. They happen logically, and reasonably (well, reasonably given the nature of the story) but they happen quickly. The movie does not have any periods of introspection for our main characters. It suggests that they are having those moments, but doesn't linger on them or play them up at all; they are just facts, like everything else that happens in the movie (fights, deaths, kidnappings, etc.).

The story is complicated, involving at least 5 separately motivated factions, but at no time was it confusing (so there was no need for an "aha!" moment).

The fight scenes were all exceedingly well choreographed and fit the story so well that there was never a time when 2 people were facing off just so we could see them fight; I really appreciated that.

All in all, a very satisfying film: lots of action, lots of very good acting, and lots of attention to detail (it really looked like it was the early 1980s).

I was going to give this a 7/10, but as I was writing and thinking about it, I upped it to 8/10.

Based on a true story?? It's 1980. Danny (Jason Statham) and his mentor Hunter (Robert De Niro) fail their latest scheme because Danny didn't want to take a little girl. Then one year later, Danny is living in self-imposed exile when he receives a photo of a captured Hunter. Hunter had a job from a Sheikh for $6 million to kill the three SAS special forces men that killed his sons. The Sheikh has 6 months to live and Danny has to get their confessions and their deaths have to look accidental while the Sheikh holds Hunter prisoner. Spike (Clive Owen) leads the rogue group of ex-SAS assassins.

It's a very convoluted story and it seems like a badly written Bond movie. It's better than most rambling thrillers. That's mostly due to the very effective Jason Statham. The big problem is that I don't find any rooting interest in anybody. Newby director Gary McKendry seems more interested in working out exciting action scenes. What's needed is a reason why I care if either side wins or dies. Part of me like Spike more than Hunter. The movie goes all over the world but this confuses the story more than any good that the exotic locations give. It's basically a mess.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Set in 1980, Killer Elite is based on a true story, revolving around SAS agent Danny (Jason Statham) who owes everything to his friend and mentor Hunter (Robert De Niro.) So when he is taken hostage in Oman, Danny is forced to co-operate with the kidnappers demands: that the three soldiers responsible for the death of his son are hunted down around the globe and killed. But even when he goes through with the mission, he finds, as well as having to contend with the relentless Agent Spike (Clive Owen) that not everything is as it seems.

Holding true to it's claim of being a story spinning all round the globe, Killer Elite literally dashes with hyperactive energy from the deserts of the Middle East to the Australian outback, to European cities like Paris and London, all the while holding it's accolade of being a true story. But then fact is often stranger than fiction, and the exploits of Britain's elite special forces could no doubt throw up even stranger tales.

This is a slick, stylish enough film, that carries off it's various action sequences and tense moments with the requisite style and aplomb, even if it doesn't generate the amount of suspense it could have and the whole thing does feel a tad disjointed and sporadic.

Performances wise, Statham is simply the reliable sturdy action hero, while De Niro in support commandeers another generic performance and Owen as the adversary can resort back to his old wooden ways. Not a lot to write home about on that front, then, but thankfully it's not a film driven by this aspect and so the more superficial stuff that carries it through.

It's a messy, chaotic, sketchy and unbelievable (even for something based on a true story) film, but entertaining and enthralling enough to be well worth a watch. ***

I'm not sure what it was about Killer Elite that disappointed me, but it just didn't seem to live up to its potential. It might have been that the movie relied on Jason Statham to act, instead of just do action. He plays a retired hit man who gets pulled out of retirement to save a friend's life. But it just doesn't work, he's unconvincing. The retirement isn't convincing and neither is his reluctance to return to work. He was much better in the Mechanic which dealt with similar issues.

Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.

It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.