All the Best: Fun Begins

yes..I thought the critics were wrong when they publicized Rohit she-tty making Manmohan desai kinda movies.. But this time he proves he is on the right track..what makes the movie worth watching is the spectacular act put by sanjay and anil and you have a surprise here with fardeen and bipasha doing well as well.. the scrip is hilarious and you wil love seeing dev-gun playing a possessive lover boy.. some scenes are a lough riot and u will fall down laughing..

over all a complete family entertainer with clean duologue's and no vulgar scenes.

thumbs up for rohit she-tty for a fabulous job.keep going n keep giving us more diwali gifts every year

"All the Best" is a total time-pass comedy which is executed fairly well. Its confusion galore everywhere.

All the lead actor do their parts quite well especially the comic timing between them is superb which makes "All the Best" a worthwhile fare. The only shortcoming is that the lead actors especially Sanjay Dutt and Ajay Devgan seem to be over-aged for the characters and perhaps younger generation would have been ideal fit (viz. Ritesh Deshmukh, Tushaar).

Johnny Lever attempts to gain lost ground portraying Sir Judah but is not quite impressive. Ashwini Khalsekar overdoes the South-Indian bit.

Songs are catchy and presented quite well actually. The car race sequence deserves special mention - well action sequences is Rohit Shetty's forte anyway.

Finally, just because the Golmaal series fetched him recognition and since then Rohit Shetty seems to have glued to the comedy genre which IMO is under- utilisation of his potential. I would be seriously looking forward to Mr. Shetty work on serious genre and contribute to the progress of Indian Cinema.

I am a great fan of Ajay Devgan Movies, and hence I was expecting a lot from this one, though the movie has competent like Blue. Lets start with story, story is very simple and outdated, Fardeen speaks a Lie to his brother (sanjay), and in the whole movie fardeen and his buddy (Ajay) trying to cover the truth. Direction is very good from Rohit Shetty, he had done Superb work after Golmaal and Sunday. Performance wise, no doubt Ajay devgan is the show stealer, Fardeen improves a lot, Bips and Mughda was hardly dere, But Sanju Baba does an awesome job, though I am not a fan of his movies, he is at his best in this movie, Another person who impress a lot in small role is Sanjay Mishra. I will rate 8/10, as these is a situational neat and clean comedy, without any double meaning words, and its a complete fun journey which you can enjoy with your whole Family

ALL THE BEST AJAY!!!

It's October 2009 and we still haven't got any worth watching comedy to remember. But the good news is that this dearth of quality fun capers has finally come to an end with "All The Best", a well made potent fun movie, packed with highly enjoyable hilarious moments for the needy viewers. Interestingly, though Rohit Shetty's comedy may be less exciting in its star presence as compared to the other biggies released on the same Friday, but in reality it seems to be the best of the lot presented before us in this festive mood.

Moving around the same lines of "Golmaal" (2006) and Inspired by the play "Right Bed Wrong Husband", the story has the same old elements of mistaken identities, which in turn gives rise to some amusing funny moments to enjoy. The story mainly revolves around the character of Sanjay Dutt, who is a big business tycoon just visiting his younger brother, Fardeen Khan for a few hours. Mistaking Ajay Devgan's girl (Bipasha) as Fardeen's wife, the confusions start cropping up which even get worse when Sanjays's few hours stay gets converted into days due to the flight cancellation.

Though, the movie starts with the same routine stuff of introducing the characters and their love connections along with the two unwanted songs right in the beginning. But after the first 15 minutes it straight away comes back to the job of making you laugh and also manages to complete its job quite successfully. The hilarious interaction between various characters entangled in the identity trap, generates enough laughter to give you a good time in the theater.

With the entertaining comic timing between Sanjay Dutt & Ajay Devgan, the film picks up fast and gets good support from the side tracks of Johny Lever & Sanjay Mishra. In fact Johny Lever returns with his impeccable mannerisms posing as a Don who can't speak. He mimics Prem Nath's act of Karz in a very engaging manner and just excels in the climax when he gets his voice back accidentally. Sanjay Mishra as the rich man from the slums is also at his best, especially in his interaction scenes with Sanjay Dutt. Along with the superb performances of Ajay & Sanjay, Fardeen Khan as usual, just provides the required support to both. Bipasha also tries well to match up the comedy acts of others and looks after the glamour quotient of the movie too. But Mughda Godse is hardly there to prove herself.

Pritam's not so great musical score sounds fine while watching the movie, but for a change, it doesn't compel you to buy the Soundtrack CD after the screening. Moreover a few songs could have been easily edited out to make it a crispier watch. Cinematography is perfect as required by a comedy flick, but the dialogue writing excels with some superb one liners and funny jokes.

All the performers get brilliant support from their writers, especially in the scenes where Sanjay Dutt enters the house for the first time and in the climax, when all the characters are together on the screen. As a surprise, a highly emotional sequence also impresses you in this comedy when Bipasha is declared pregnant by the doctor. Collectively, all the three, Ajay Devgan, Sanjay Dutt and Johny Lever are in their full form after a long time, getting adequate support from the rest of the cast.

In short, the multiple character entangle once again proves lucky for the director Rohit Shetty and he surely comes up with the first quality comedy of 2009. Go for it to have a good festive weekend with the family.

Directed by Rohit Shetty, the man behind the two recent Golmaal films – the first hilarious, the second not so – All The Best stars Fardeen Khan and Ajay Devgan as buddies Veer and Prem, who owe an awful lot of money to a local don, but have no means to raise it. Renting out Veer's sprawling Goa bungalow seems to be their only choice, but when Dharam, his burly step-brother played by Sanjay Dutt, shows up unannounced, Veer and Prem find themselves trapped in a mess of their own making.To increase his monthly pocket money, Veer has been lying to Dharam that he's married to his girlfriend Vidya, but Dharam has never met his sister-in-law. When Dharam mistakes Prem's wife Jhanvi (played by Bipasha Basu) for Vidya, no one bothers to correct him. So the real Vidya (played by Mughda Ghodse) must pretend to be Prem's girlfriend Jhanvi. Confused? Wait there's more. There's also the issue of the don's loan, and the new tenant wanting to move into the bungalow, but Veer and Prem are trying hard to hide those dirty little secrets from Dharam. An ensemble piece, apparently based on a popular play, All The Best wanders aimlessly for its first 15-odd minutes, only to come into its own with the arrival of Dutt's character Dharam, whose scenes with Devgan's Prem are easily the film's funniest. The set-up also includes a bunch of madcap characters including a mute gangster who communicates by rattling a spoon inside a glass, a Malyalee housemaid with a deep voice, a crackpot tenant who can't wait to move into his new house, and a tempo-driver who wants to unload the furniture in his vehicle so he can attend to his pregnant wife. The humour in this film isn't exactly smart, but it helps that the makers give you little time to dwell on that fact. The jokes come flying at you from all directions, and it's hard not to break into laughs when a big guy like Sanjay Dutt participates in the silliness. Shorter in length – its songs sacrificed, its action scenes trimmed – All The Best might have been a great Diwali treat. As it currently stands, it's a delicious one-time watch