CALIFICACIÓN DE IMDb
4.8/10
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TU CALIFICACIÓN
Un grupo de amigos viaja al interior de Australia para ver pinturas rupestres, pero uno de ellos contrae una terrible enfermedad que lo transforma en un ser sediento de sangre.Un grupo de amigos viaja al interior de Australia para ver pinturas rupestres, pero uno de ellos contrae una terrible enfermedad que lo transforma en un ser sediento de sangre.Un grupo de amigos viaja al interior de Australia para ver pinturas rupestres, pero uno de ellos contrae una terrible enfermedad que lo transforma en un ser sediento de sangre.
Zoë Gameau
- Anja
- (as Zoe Tuckwell-Smith)
Mark Saunders
- Painter
- (as Alfred Coolwell)
Walangari Karntawarra Jakamarra
- Monster
- (as Walangari Karntawarra)
Opiniones destacadas
This movie is watchable but it has the typical character in horror movies that angers you more than the protagonist. If I had to kill a monster or Chad then Chad has got to go and when you watch this I am sure you are likely to feel the same. But overall, this movie is decent enough to sit through without getting bored and turning it off. It has many clichés that you would expect from this type of film, stranded in the middle of nowhere whilst being picked off one by one. If you are expecting a great, unforgettable flick then you'll be disappointed but let's be real, you aren't going to go in to watching this with high expectations.
I first saw this a decade ago on a dvd which I own. Revisited it recently.
I enjoyed this film as it is a fast paced horror with lots of gore, creepy moments n some truly good effects.
I found it to be better than Cabin Fever.
A group of friends travel to the Australian outback where one of em wants to study ancient symbols placed outside a mysterious cave. They come across n kill a mutated rabbit with pointed teeth.
At nite one of the girl goes skinny dipping into a pond and afterwards she starts mutating with pointed sharp teeth, enormous strength and hunger for flesh.
I enjoyed this film as it is a fast paced horror with lots of gore, creepy moments n some truly good effects.
I found it to be better than Cabin Fever.
A group of friends travel to the Australian outback where one of em wants to study ancient symbols placed outside a mysterious cave. They come across n kill a mutated rabbit with pointed teeth.
At nite one of the girl goes skinny dipping into a pond and afterwards she starts mutating with pointed sharp teeth, enormous strength and hunger for flesh.
I was quite entertained with this little horror flick and it doesn't disappoint in the gore department - it is unabashed and unflinching, and far more vivid than any of the usual fair. It rivals the Oz horrors such as Wolf Creek.
The tale is about six young people researching ancient cave paintings in the outback of Australia. A mysterious illness creeps upon one of the young women, stranding the entire party as they fight for survival against the nightmarish force.
Not bad special effects for a low budget film and it keeps up a steady pace of excitement. It's an entertaining 90 minutes despite the last quarter. The ending...well... is full of cheesy, over the top, blatant, symbolism.
The tale is about six young people researching ancient cave paintings in the outback of Australia. A mysterious illness creeps upon one of the young women, stranding the entire party as they fight for survival against the nightmarish force.
Not bad special effects for a low budget film and it keeps up a steady pace of excitement. It's an entertaining 90 minutes despite the last quarter. The ending...well... is full of cheesy, over the top, blatant, symbolism.
Written, directed and produced by Josh Reed, Primal may seem like your typical violent monster / slasher flick, but in following formula the film did turn out to be rather enjoyable, if not cliché, but it worked. The opening scene some 12000 years ago gives us the premise where a caveman tries to communicate the presence of an unknown beast, only to be devoured very quickly before fast forwarding to today, with 6 travelling friends on a road trip to that exact same location for a camp and a hike.
The film takes the first 30 minutes to cue us in on the characters, given that with an ensemble, we expect certain molds to be adopted. For instance, there's always the ditzy, loud mouthed and slutty blonde (Krew Boylan) who's in the trip for some forest romp with studious looking boyfriend Chad (Lindsay Farris), who had enough when she starts to openly flirt with the alpha male of the group, Dace (Wil Traval), who's take away from the trip is the mysterious painting seen in the opening shot. Throw in the others like the group joker Warren (Damien Freeleagus), simple follower Kris (Rebekah Foord) and the one whom you know is more than meets the eye given the token phobia she must overcome at some point (Anja, played by Zoe Tuckwell-Smith), you have the requisite group for one heck of a monster attack.
I would liken the genre as an opportunity to study character dynamics and behaviours when placed under extremely stressful situations, such as the tendency for some to talk a lot without action, or to arrow others to perform various dirty-work What more, it gets interesting because the great unknown happens to be manifested into one of their own, so existential questions get called into the picture, especially when one gets transformed into a blood lusting beast with plenty of fang-like teeth replacing the human ones, extreme dexterity (an ability that varies its effectiveness from time to time) and a nasty violent temper, coupled with some nasty makeup to complete the revolting look set to strike fear.
There's the decision to play who lives and who dies, and as the audience you get roped in, based on past experience in similar genre films, to play guess who's next, as we listen in on all the bickering and disagreements, plus the warning signs that the characters themselves fail to heed. Of course these disagreements get chopped down to manageable size when the body count increases, and part of the guilty fun is to identify and apply genre clichés over the film and see if they still hold water. Most do.
For those into bloody gore, there are enough moments in Primal that are graphic enough to make you squirm, since the acts of violence are unflinching. The story gets built up quite nicely into the last hurrah, where unfortunately some really raw looking special effects set in a cave drew unnecessary attention to itself, and marred the experience of the crescendo carefully crafted.
The film takes the first 30 minutes to cue us in on the characters, given that with an ensemble, we expect certain molds to be adopted. For instance, there's always the ditzy, loud mouthed and slutty blonde (Krew Boylan) who's in the trip for some forest romp with studious looking boyfriend Chad (Lindsay Farris), who had enough when she starts to openly flirt with the alpha male of the group, Dace (Wil Traval), who's take away from the trip is the mysterious painting seen in the opening shot. Throw in the others like the group joker Warren (Damien Freeleagus), simple follower Kris (Rebekah Foord) and the one whom you know is more than meets the eye given the token phobia she must overcome at some point (Anja, played by Zoe Tuckwell-Smith), you have the requisite group for one heck of a monster attack.
I would liken the genre as an opportunity to study character dynamics and behaviours when placed under extremely stressful situations, such as the tendency for some to talk a lot without action, or to arrow others to perform various dirty-work What more, it gets interesting because the great unknown happens to be manifested into one of their own, so existential questions get called into the picture, especially when one gets transformed into a blood lusting beast with plenty of fang-like teeth replacing the human ones, extreme dexterity (an ability that varies its effectiveness from time to time) and a nasty violent temper, coupled with some nasty makeup to complete the revolting look set to strike fear.
There's the decision to play who lives and who dies, and as the audience you get roped in, based on past experience in similar genre films, to play guess who's next, as we listen in on all the bickering and disagreements, plus the warning signs that the characters themselves fail to heed. Of course these disagreements get chopped down to manageable size when the body count increases, and part of the guilty fun is to identify and apply genre clichés over the film and see if they still hold water. Most do.
For those into bloody gore, there are enough moments in Primal that are graphic enough to make you squirm, since the acts of violence are unflinching. The story gets built up quite nicely into the last hurrah, where unfortunately some really raw looking special effects set in a cave drew unnecessary attention to itself, and marred the experience of the crescendo carefully crafted.
This had good written all over it and then the characters started to interact. Unfortunately these morons had to speak and ruin the movie. First there is the "Sensitive" guy. God, I hate Sensitive Guy. The "Group of Friends" movie genre is a hit or miss proposition. This one swung and missed, not because of the story or the horror effects and not even the acting itself, no, it lost its way simply because of dialogue and character. Take for instance the "Sensitive Guy". This moron was so far out of touch with reality that it made me think he was some Hollywood stereotype of a chick. Trust me, listen to this guy when the crap hits the fan and a decision has to be made. Sure, sensitive people will say that he was just heartbroken, therefor his decisions were off. Bullcrap! He goes from delusional to self righteous in zero point five seconds. I don't know which one was worse. Fightine, bickering, back stabbing and overly sensitive adults. The ultimate failure of a group movie. I've never understood the whole idea of packing five or six people in an SUV and then have them fight for the better part of an hour. It pisses me off. I understand human nature and people packed into an SUV for hours, yeah, someone is going to get cranky and some bickering will ensue. But petty squabbling the entire movie? Yuck. If it weren't for the characters I would have put this in the 7 range for horror and bloodshed.
¿Sabías que…?
- TriviaLux Interior, of The Cramps, died a month before Primal started shooting. Director Josh Reed and costume designer Emily Schulz made a "RIP LUX" tee shirt which Warren wears throughout the film in his honor.
- ErroresWhen Chad and Anja are talking at the campfire, a mic appears at the top edge of the picture.
- Créditos curiososNo animals were harmed in the production of this motion picture (but many of the crew were attacked by leeches).
- Bandas sonorasShapeless
Music by Eliot Fish (as E.Fish), Rob Gibson (as R. Gibson), Nick Kennedy (as N.Kennedy) & David Trumpmanis (as D. Trumpmanis)
Lyrics by Eliot Fish (as E. Fish)
Performed by Todd Sparrow
From the album "Modern Western" (Nonlinear Records/Inertia)
©2008 Nonlinear Records & Todd Sparrow
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- How long is Primal?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 20min(80 min)
- Color
- Relación de aspecto
- 2.35 : 1
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