Svinalängorna

Wish I hadn't watched it. Constantly going back to the past in small clips. Heart wrenching yes, but not the sort of film I was expecting. Brilliant acting but it just failed for me. I was pleased when it was over. Very unusual for me.

Can only admire Noomi Rapace's acting and that of the cast in this tragic and sad story. It's not going to make anyone feel uplifted for the experience of watching this film but it will certainly make an impact.

Not a film I'd want to see twice though.

I saw this film at Noordelijk Filmfestival 2011 (in Leeuwarden, province of Friesland NL). It stood out between the rest as it gave the audience a topic of discussion afterwards. Living proof could be heard around while leaving the theater, where dialogs exceeded the usual "What did you think? Good, and you?" platitudes with other films. Apparently, it brings about memories, or at least something close nearby. Clearly not an abstract issue from a different part of the world, or what only happens to "not our kind of people". Apart from the relevance of the issues involved, it was also presented in a believable way and with real world characters. Not all of them were coping very well with the problems at hand, but that is part of all real life issues. I had every reason to score 5 (out of 5) stars for the audience award competition.

The story starts with a sudden phone call that Leena's dying mother asked for her. In spite of having lost all contact many years ago, their subsequent journey forces Leena to relive memories from her youth. Alcohol and related domestic violence had a severe impact on her life. She never has understood how her mother could get on with it, and accepted repeated promises from her husband that he would improve. Her mother also failed to take proper care for Leena's brother, mentally handicapped due to an "accident" caused by her father. We witness a lot of that misery via flash backs, showing the gory details, and partly explaining her current behavior. Eventually, the family was split up due to an intervention from social workers aided by the police. It rescued Leena from the immediate problems at that time, but obviously not from the severe impact it had on her life.

Towards her mother she is very defensive and unwilling to forgive anything that happened and spoiled her youth. When the mother asks to locate her husband, Leena brings an urn. Apparently he died without the mother knowing. Nevertheless, the mother lets Leena promise to arrange that they can "rest together", proving a tight relationship between the couple, in spite of everything. It defies our logic and Leena's, to say the least, but from newspaper articles we learn this to be not unusual.

The above is told in well dosed flash backs that interleave with what follows after the phone call that Leena got about her mother in hospital. It all starts with a 600 km journey, together with her husband and two children, to see her mother. Leena is very reluctant to take part in this trip, but her husband insists that it is only human to follow up on that call. After the four briefly speak with the mother in hospital, they decide to move into the mother's house for the time being. Of course, the objects in this house trigger many memories, and Leena does not cope very well in explaining her behavior to her husband and children. Rather than confiding her direct family in what happened during her childhood, she withdraws. This does not improve after some heavy meetings with her mother. Sudden outbursts are the result, mostly triggered by seemingly trivial things, like cloths discovered by her children in some wardrobe.

The script arranges above ingredients ingeniously, presenting it all in a logical order. It not only tells us step by step what we need to know about Leena's childhood, but also shows that Leena rather had let bygones be bygones. Explaining to her husband and children what happened in her childhood, is not something that comes easily. While being logical in our view to share your problems with people you trust most, it costs her too much pain to even consider bringing it in the open. Her withdrawn behavior combined with several unexplainable outbursts seem to stretch family relations beyond their limits (hence the title of this film??). I cannot tell you that all is well that ends well (to prevent spoilers).

All in all, I cannot think of any negative comments about this film. All actors, including the children, act believably and succeed in getting us involved in the characters, even in the "bad" ones (mind the quotes). The structure of the story is next to perfect. Finally, as said before, the amount of discussion it triggered among the audience, is an extra aspect for giving high praises to this film. You should add it to your "must see" list.

Films about mother/daughter relationships have always been popular with audiences as they enable a close assessment of ideas,opinions and sentiments with which most mothers and their daughters can be identified.As a film which belongs to "mother/daughter relationship" genre,Svinalängorna/ Beyond shows how the lives of a mother and her daughter are destroyed when alcohol wreaks havoc on their close-knit family.The audiences get to see how in a family with recurring scenes of husband/wife conflict, children suffer enormously as their childhood is annihilated.This film is based on a book written by author Susanna Alakoski who also tackles the plight of ordinary Finnish people in Sweden.Young Swedish actress Tehilla Blad is a joy to watch as the success of the entire film rests on her acting talent.Pernilla August,one of Swedish cinema's leading actresses makes her feature film début with this film which she jointly wrote with Lolita Ray.The influence of her mentor Swedish cinema maestro Ingmar Bergman can easily be discerned in all family scenes wherein efforts have been made to allow victims to express their opinions clear and loud.

This is a drama that almost sets you in a mode of physical pain throughout the whole film session. The director Pernilla August lets the viewer become a part of the private lives of the people you get to know in this film in a way that's almost embarrassing. You just stand there, watching their lives falling into pieces while the alcohol takes over the control and you cry, not by sentimentality but a painful cry by pity and compassion. You are not even able to hate the dreadful father (Ville Virtanen) and the mother (Outi Mäenpää) letting this happen to her children whom she loves.

Seeing these things through the grown up woman Leena (Noomi Rapace) gives you the distance that you need to be able to suffer this emotional torture. She has hidden these experiences deep inside of her, but a phone call from her dying mother confronts her with her dark past.

The young Leena is played by Tehilla Blad and she carries this film with the same depth and intensity as her elder alter ego Noomi Rapace does. Rapace is the star actress in this film but Blad's performance in this film is the biggest remaining impression I carry with me when I leave the theater. ALL the actors make an outstanding work. The acting in Beyond goes beyond many good films and there is no weak link, not even the young children. The continuity between the girl Leena and the women Leena is exceptional. Not primarily for their look but for their expression and how you can read their feelings and thoughts in their faces.