Svinalängorna

this film blew my mind. it tells the story of a woman with a very painful past and she gets a chance to confront her past and not allow it to become a part of her future. in an interview in Italy when she was discussing the girl with the dragon tattoo with director Neils Arden oplev she explained that its not good to feel sorry for your self and that we need should take all the bad things if any in our lives and take them out on someone else instead of letting it stay and grow inside. i agree and thats what we get to see in this film is a woman who gets to express her pain and confront her abusive mother who is dying in the hospital. i highly recommend this film. Also i have also read a few comments on whether or not Hollywood will change noomi rapace as a person. i don't think so because she seems very content with who she is and where she wants to take the direction of her career.

Films about mother/daughter relationships have always been popular with audiences as they enable a close assessment of ideas,opinions and sentiments with which most mothers and their daughters can be identified.As a film which belongs to "mother/daughter relationship" genre,Svinalängorna/ Beyond shows how the lives of a mother and her daughter are destroyed when alcohol wreaks havoc on their close-knit family.The audiences get to see how in a family with recurring scenes of husband/wife conflict, children suffer enormously as their childhood is annihilated.This film is based on a book written by author Susanna Alakoski who also tackles the plight of ordinary Finnish people in Sweden.Young Swedish actress Tehilla Blad is a joy to watch as the success of the entire film rests on her acting talent.Pernilla August,one of Swedish cinema's leading actresses makes her feature film début with this film which she jointly wrote with Lolita Ray.The influence of her mentor Swedish cinema maestro Ingmar Bergman can easily be discerned in all family scenes wherein efforts have been made to allow victims to express their opinions clear and loud.

This is a drama that almost sets you in a mode of physical pain throughout the whole film session. The director Pernilla August lets the viewer become a part of the private lives of the people you get to know in this film in a way that's almost embarrassing. You just stand there, watching their lives falling into pieces while the alcohol takes over the control and you cry, not by sentimentality but a painful cry by pity and compassion. You are not even able to hate the dreadful father (Ville Virtanen) and the mother (Outi Mäenpää) letting this happen to her children whom she loves.

Seeing these things through the grown up woman Leena (Noomi Rapace) gives you the distance that you need to be able to suffer this emotional torture. She has hidden these experiences deep inside of her, but a phone call from her dying mother confronts her with her dark past.

The young Leena is played by Tehilla Blad and she carries this film with the same depth and intensity as her elder alter ego Noomi Rapace does. Rapace is the star actress in this film but Blad's performance in this film is the biggest remaining impression I carry with me when I leave the theater. ALL the actors make an outstanding work. The acting in Beyond goes beyond many good films and there is no weak link, not even the young children. The continuity between the girl Leena and the women Leena is exceptional. Not primarily for their look but for their expression and how you can read their feelings and thoughts in their faces.

Wish I hadn't watched it. Constantly going back to the past in small clips. Heart wrenching yes, but not the sort of film I was expecting. Brilliant acting but it just failed for me. I was pleased when it was over. Very unusual for me.

Pernilla August has directed a heart wrenching story about a woman which has to get back to her dying mother after a lot of years with no contact. But already on the way there we understand that going back is something of the hardest thing she can do. Through flashbacks we see some of her childhood years in a alcoholic abusive home, which really has made her childhood something she rather would have forgotten.

Noomi and Ola Rapace plays brilliantly (being formerly married, they sure know how to find electricity in their relationship), but the price for great acting should go to the whole crew. The drunken parents are perfectly depicted in a film which I think maybe is the most brilliantly display of an alcoholic abusive upbringing I ever seen.

Filming is bleak, dark and very suitable for this story, which slowly grips you in a way that when the film ends it's a surprise to you that you just spent two hours in it's company.

It's also the best Swedish film I ever saw, and therefore I give a 9 in score for this. Very recommended.