Karma

How do we make sense of our lives and keep going despite all the bad things that happen to us? Most people find the answers to those questions in religion, and the characters in this film line up like a rainbow of answers: Jack (DeNiro), a prison bureaucrat, is agnostic; his wife Madylyn (Conroy) is a mainline Protestant; Stone (Norton) is a convict but also a seeker who finds his answers in a New Age religion; his wife (Jovovich) is an unabashed atheist. Throughout the film, evangelical radio frequently plays in the background, another stripe in the religious rainbow.

As a miserable young Madylyn hints to the viewers in the first scene of the film, the prison setting is a metaphor of the dungeon of the soul. For these four characters, loveless marriages, life work that seems futile, and memories of violence are their dungeon walls. Jack, Madylyn, and Stone all struggle with depression. Stone's is so deep that he edges toward suicide, but he searches for answers among the religious readings in the prison library and finds one that makes sense, especially after he witnesses a brutal stabbing at a range so close that the blood spatters his own face and he sees the murdered man eye to eye.

Jack seeks pastoral counseling after church one Sunday, admitting finally that the Episcopal framework of his life has never made sense. The minister quotes the Bible to him, "Be still and know that I am God," that is, listen for the answers that God provides. Oddly, that is exactly the prescription that Stone gets from his new religion too. It teaches that "God" or Truth speaks to us through everyday noises – insects buzzing, the voices of a prison exercise yard, talk radio, or a spoken mantra – if we just listen to the universe.

Stone does listen, and he begins to change. His new hairstyle, speech, and demeanor all signal to the viewer that he is a man reborn. The prison walls within Stone's mind fall away so that by the time his parole is finally granted, it hardly matters to him anymore.

Jack, meanwhile, hears nothing in the noise of his troubled life, nor can he makes sense of what Stone tries to share with him. As his retirement nears, he grows more and more reckless. Blind to the transformation that Stone has undergone, Jack suspects that he is being played. To the end, Jack remains suspicious and fearful of Stone who has come to terms with this past and feels only gratitude toward the aging jailer.

If you are looking for a conventional action flick with good guys and bad guys, this is not it. If you want an intelligent film about how desperate people search for faith and solace, you will not be disappointed.

The basis of the story is quite simple (read the synopsis), but the majority of the film's focus is in its character study. This is where the actors seriously shine. That seems to be the issue with most of the negative responses the film received. Yes, it is slow paced. Yes, there's a lot of religious jargon thrown around. Yes, it is quite the anti- climactic film. But isn't that the point? De Niro, who I haven't seen in anything memorable after Jackie Brown (okay, I'll exclude The Good Shepherd), is marvelous as the underplayed Jack Mabrey. The subtle nuances he gives to a character so burned out of work, marriage -sidenote: Frances Conroy was amazing-, and life in general (the speech he gives at his brother's funeral in the beginning comes to mind) are nothing short of astonishing. I can't stress on how great the performance was, De Niro has definitely gone back on track.

I have never heard of this movie until it came to my local theater. With a A-list star line up such as DeNiro, Norton and Jovovich how could this movie miss. I was wrong. It did. Those who appreciate great acting in a movie won't be disappointed. (Did you ever see a movie Edward Norton was in that he wasn't absolutely great..well, maybe a couple that he may have did for the just the money..lol. His absolute best was "American History X") The movie itself moved along a pace that one keeps looking at his/her watch waiting for the ending. And the ending, again, is the latest Hollywood type...it sucks. Storyline was interesting but never got you interested to a point where one found it entertaining. This was a 98% dialog movie. You could be listening to this entire movie and never watch the video portion and understand the entire script. I am a big fan of Norton and Jovovich but this movie I could have passed on.

Deniro and Norton, back together again. Stone's first two acts are great. You're intrigued, it's unpredictable, and interesting. But the third act leaves you confused and almost unaffected by the story at the end. Stone (norton) is up for parole and wants to get out. Why not throw his sex-crazed wife (jocovich) in front of Jack's (Deniro) feet. But one of these three is starting to see life under a new life. How will this play out? Norton was great but nothing spectacular. Will remind you of his primal fear days. But what makes his performance so good is how he makes his character so likable considering the ridiculous offensive lines that come out of his mouth.

I don't think they went far enough with Deniro's character. It wasn't written well enough. It starts off with a flashback on his broken relationship with his wife and what extremes he goes to keep her. But this ins't really paid off well in the film.

Interesting film. Not predictable. Good performances. Less than mediocre writing.

My verdict B/C

De Niro , Norton and Jovovich . Quite the cast I'd say , but thats all there is to it .

The start is really interesting , both De Niro and Norton giving top notch performances . But then everything is lost as the movie looses focus and struggles to define itself . What starts of as a thriller goes nowhere trying to answer existential questions . No character is developed enough , the background stories clumsy and incomplete and thats in my opinion what killed this movie . No cohesion and a weak ending is the coup de grace .

Edward Norton is one of my favorite actors , so is De Niro . Im so disappointed that this didn't work out .