CALIFICACIÓN DE IMDb
7.0/10
14 k
TU CALIFICACIÓN
Tres delincuentes juveniles son sentenciados y enviados a un correccional donde se encuentran con violencia de pandillas, muerte y acoso por parte del personal y otros reclusos.Tres delincuentes juveniles son sentenciados y enviados a un correccional donde se encuentran con violencia de pandillas, muerte y acoso por parte del personal y otros reclusos.Tres delincuentes juveniles son sentenciados y enviados a un correccional donde se encuentran con violencia de pandillas, muerte y acoso por parte del personal y otros reclusos.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Matthew Morales
- Angel
- (as Mateo Morales)
Michael States Jr.
- Gahege
- (as Michael Jr. States)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Straight to the point: one of these movies where the plot is very basic, the characters easily identifiable; interestingly, two strong points; yet despite all the conventionality, this style of realistic movies never suffers from a lack of imagination. It is rather the crude, raw scenes that are sought out, actors with faces that tell a story, a fluid motion from scene to scene without all the pretentious cinematic effects (symbols, metaphors, angles, music etc...).
Like I said, straight to the point.
And where this movie might lack in depth, it solidifies the viewers' expectations all through the one channel of ADRENALINE. It's violent, raw, vivid...such a sober experience through the scope of tale-telling art.
Some flaws will appear clearly by the end of the movie. Perhaps a rushed scene or two - a little more footage or info in the end, that culminating to the point of the viewer looking back and asking himself how this movie stormed past his eyes so fast, in the method of a one-dimensional scene-after-scene procedure.
This film is genuinely "lived". The power-trip it represents and authenticity factors give this about a 7.
Like I said, straight to the point.
And where this movie might lack in depth, it solidifies the viewers' expectations all through the one channel of ADRENALINE. It's violent, raw, vivid...such a sober experience through the scope of tale-telling art.
Some flaws will appear clearly by the end of the movie. Perhaps a rushed scene or two - a little more footage or info in the end, that culminating to the point of the viewer looking back and asking himself how this movie stormed past his eyes so fast, in the method of a one-dimensional scene-after-scene procedure.
This film is genuinely "lived". The power-trip it represents and authenticity factors give this about a 7.
A movie like "Dog Pound" has a lot of peers. Year after year of prison films (a dozen or two I've seen for myself) have honed a pretty basic cinematic structure. This film is about half-successful in avoiding the clichés. It does have one thing going for it - being the most recent to give a pretty much realistic account of the juvenile detention system. The pace of the story provides somewhat of the needed adrenaline charge for the thriller format, but it doesn't go nearly as far as it should. The soundtrack, for one, is a good example of this. It's virtually never needed, always intrusive. The acting is pretty much as expected. Given intense situations, the actors offer better performances than if asked to emote in a normal environment. And, if not necessarily better, at least more intense.
Kim Chapiron provides some interesting direction. Clean photography, 70s style use of zooms. It doesn't always work, but it keeps things interesting. The end result is a film that gives you enough to stay involved, if not quite enough to push it over into something you'd want to see again. Good enough.
Kim Chapiron provides some interesting direction. Clean photography, 70s style use of zooms. It doesn't always work, but it keeps things interesting. The end result is a film that gives you enough to stay involved, if not quite enough to push it over into something you'd want to see again. Good enough.
A mean prison thriller that goes for the jugular throughout, the Canadian film DOG POUND is in actual fact a remake of the British borstal classic SCUM from 1979. While it's not as powerful or harrowing as that film, nevertheless it packs a punch in its harsh depiction of bullying and brutality within prison confines.
The prison in this film is a juvenile one and the movie is populated by new and unfamiliar faces, but don't let that put you off, because DOG POUND turns out to be a highly effective movie in its own right. The acting is up and down and probably the weakest part of the production, but that matters not when the direction is strong and the writing compelling.
DOG POUND is a slow paced film for the most part and yet it's alive with simmering tension as character relationships develop and things move towards some scenes of violence which are devastating in their depiction. Some of the sub-plots are distinctly underwhelming (with the fate of one particular character not a patch on his counterpart in SCUM) but others hit home with precision force, making this a film I really got into.
The prison in this film is a juvenile one and the movie is populated by new and unfamiliar faces, but don't let that put you off, because DOG POUND turns out to be a highly effective movie in its own right. The acting is up and down and probably the weakest part of the production, but that matters not when the direction is strong and the writing compelling.
DOG POUND is a slow paced film for the most part and yet it's alive with simmering tension as character relationships develop and things move towards some scenes of violence which are devastating in their depiction. Some of the sub-plots are distinctly underwhelming (with the fate of one particular character not a patch on his counterpart in SCUM) but others hit home with precision force, making this a film I really got into.
Dog Pound is an excellent film. I'm not a huge "Drama" genre fan, but from the opening credits all the way to the end-credits, I was completely engaged. Acting, camera work, and production are superb. Not a lot of fluff, just raw, scene acting.
The biggest reason for writing this review is to say that I absolutely HATED the ending. Hated it. That should not dissuade anyone from watching, but yikes...what a terrible way to finish telling this story.
That is all.
The biggest reason for writing this review is to say that I absolutely HATED the ending. Hated it. That should not dissuade anyone from watching, but yikes...what a terrible way to finish telling this story.
That is all.
10azswjs
This movie hit home for me because I was once locked up in a juvenile detention facility. The only thing I disagree with in this movie is the guards were not violent enough but the setting is the same if not worse on how you get treated by the people around you. For all the people who said this was a "Bad movie" "had no plot" you have never lived it so you would not have the first clue what this movie was attempting to convey with its ending and storyline. The psychology is nearly the same and it does not matter how you go in, your environment changes and with it you must change yourself. You may have heard the term "debt dog" but I doubt it. This movie hits as close as your going to probably get without someones story like mine.
¿Sabías que…?
- TriviaTaylor Poulin (the actor who plays Banks) was arrested after starring in Dog Pound in connection with the murder of a high school football player. Was later murdered himself after being shot in the back in 2022.
- ErroresOn the chalkboard, when Butch is brought into a meeting to talk about anger issues, the word "aggression" is spelled as "agression".
- ConexionesRemake of Scum más allá de la degradación (1979)
- Bandas sonorasInter
Written and Composed by
Rob Lowe / Michael Muller
Performed by Balmorhea
Featuring Aisha Burns, Nicole Kern, Travis Chapman
(p) & © KusKus
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Detalles
Taquilla
- Presupuesto
- EUR 4,830,000 (estimado)
- Total a nivel mundial
- USD 465,725
- Tiempo de ejecución1 hora 31 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Dog Pound (2010) officially released in India in Hindi?
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