Los cazarrecompensas Hanzel y Gretel matan brujas por todo el mundo. Una Luna de Sangre se acerca, y los hermanos se enfrentan a un nuevo mal que esconde secretos sobre su pasado.Los cazarrecompensas Hanzel y Gretel matan brujas por todo el mundo. Una Luna de Sangre se acerca, y los hermanos se enfrentan a un nuevo mal que esconde secretos sobre su pasado.Los cazarrecompensas Hanzel y Gretel matan brujas por todo el mundo. Una Luna de Sangre se acerca, y los hermanos se enfrentan a un nuevo mal que esconde secretos sobre su pasado.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 4 nominaciones en total
Alea Sophia Boudodimos
- Young Gretel
- (as Alea-Sophia Boudodimos)
Sebastian Hülk
- Deputy
- (as Sebastian Huelk)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Lately we have seen a lot of these fairy tale remakes, where they take a basic fairy tale plot, add in a lot of CGI, slightly darker atmosphere and some sex and call it a day. I still prefer the Disney version, thank you very much. At least in those films the story flows smoothly and the characters are not cardboard cutouts. That being said, this particular fairy tale movie was a pleasant surprise. For one, it didn't try to retell the same exact story we have grown up with. Rather it took the story of Hansel and Gretel and asked the question: "What if they grew up?" I'm totally on board with that question. It's something we've never seen before and frankly it's a fascinating idea. So yeah, colour me interested.
The film itself ends up being pretty much what anyone would expect. I hesitate to call it a good film, because it has numerous plot holes, nonsensical twists and its characters are somewhat bland and clichéd. On the other hand, it has a good visual style, its action is very pleasing, if a bit gore-filled (not a bad thing in this case), the two main actors are actually pretty good in their roles, and as a whole it's just plain solid fun. Yeah, it's stupid most of the time, but it's fun kind of stupid. The kind where you're just able to sit back, enjoy the scenery and laugh at the jokes.
It also needs to be remembered that this was Tommy Wirkola's first big budget film. And for a debut film, this shows a lot of promise. The style is definitely there, as is the atmosphere. The story-telling and the character development need some work, but even big name directors struggle with those every now and then. I'm looking forward to what this guy will bring us next.
And that's this film. Yeah, it's one of those so bad it's good films, but I'd still recommend this. The idea alone is worth checking out.
The film itself ends up being pretty much what anyone would expect. I hesitate to call it a good film, because it has numerous plot holes, nonsensical twists and its characters are somewhat bland and clichéd. On the other hand, it has a good visual style, its action is very pleasing, if a bit gore-filled (not a bad thing in this case), the two main actors are actually pretty good in their roles, and as a whole it's just plain solid fun. Yeah, it's stupid most of the time, but it's fun kind of stupid. The kind where you're just able to sit back, enjoy the scenery and laugh at the jokes.
It also needs to be remembered that this was Tommy Wirkola's first big budget film. And for a debut film, this shows a lot of promise. The style is definitely there, as is the atmosphere. The story-telling and the character development need some work, but even big name directors struggle with those every now and then. I'm looking forward to what this guy will bring us next.
And that's this film. Yeah, it's one of those so bad it's good films, but I'd still recommend this. The idea alone is worth checking out.
When you start watching a movie titled "Hansel & Gretel: Witch Hunters", you probably shouldn't expect all that much in the way of anything too complicated or heavy.
What you get from the ninety-odd minutes is Jeremy Renner (Hansel) and Gemma Arterton (Gretel) as the brother and sister from the candy house that you probably remember from the old fairy tales, only in this particular treatment, their childhood experience convinces them to start hunting witches with all manner of weaponry.
There are so many cool action scenes, the occasional bit of dark humour and plenty of bloody, violent horror/action as the siblings try to uncover the mystery behind children being abducted from a village, to a soundtrack that at times features rock. Some of the dialogue is decidedly modern, adding to a real melting pot of styles and themes.
An entertaining film that definitely doesn't take itself too seriously. Renner and Arterton are great, as is Famke Janssen as Muriel, the head honcho of the bad witch brigade. They're all hamming it up a bit, but it definitely works.
What you get from the ninety-odd minutes is Jeremy Renner (Hansel) and Gemma Arterton (Gretel) as the brother and sister from the candy house that you probably remember from the old fairy tales, only in this particular treatment, their childhood experience convinces them to start hunting witches with all manner of weaponry.
There are so many cool action scenes, the occasional bit of dark humour and plenty of bloody, violent horror/action as the siblings try to uncover the mystery behind children being abducted from a village, to a soundtrack that at times features rock. Some of the dialogue is decidedly modern, adding to a real melting pot of styles and themes.
An entertaining film that definitely doesn't take itself too seriously. Renner and Arterton are great, as is Famke Janssen as Muriel, the head honcho of the bad witch brigade. They're all hamming it up a bit, but it definitely works.
In my opinion this is the type of movie to see if: 1)You love and support Jeremy Renner 2)You're in a mood to see cool but not overly flashy effects 3)Love for dark fairy tales 4)Awesome make up and costumes (the witches were very VERY well put together) 5)Just an all around chill movie with gore violence and cool effects
Don't see it if: 1)you expect high quality acting 2)Over the top graphics and effects 3)Complex plot line 4)Extremely witty script
Because Jeremy Renner was in big time movies, people are over analyzing this one. It's suppose to be fun with a hint of dark, and entertaining. I was very entertained. I also loved how it was only 88 minutes versus the 2-3 hour movies that have been coming out. I appreciated the toughness of Gemma in the film and Famke as head witch was genius. Overall it served it's purpose.
Don't see it if: 1)you expect high quality acting 2)Over the top graphics and effects 3)Complex plot line 4)Extremely witty script
Because Jeremy Renner was in big time movies, people are over analyzing this one. It's suppose to be fun with a hint of dark, and entertaining. I was very entertained. I also loved how it was only 88 minutes versus the 2-3 hour movies that have been coming out. I appreciated the toughness of Gemma in the film and Famke as head witch was genius. Overall it served it's purpose.
What you may or may not remember about the Brothers Grimm' story is over and done with in the first ten minutes of writer-director Tommy Wirkola's revisionist treatment of the classic tale, which basically imagines what happens after the happily ever after. And so Wirkola fast- forwards the story many years later, where he would like us to believe that Hansel (Jeremy Renner) and Gretel (Gemma Arterton) have found their calling as witch hunters, travelling around from village to village killing the evil ones who kidnap children and rescuing their abductees in the process.
One particular such mission brings them to the town of Augsburg, where a beautiful blonde-haired woman named Mina (Pihla Viitala) is due to be drowned in front of an angry crowd by the shifty Sheriff Berringer (Peter Stormare). The Mayor (Rainer Bock) is not so fast to pronounce judgment on her for the spate of disappearances, and has hired Hansel and Gretel to get to the bottom of it. Seeing no visible signs of sorcery on her, Hansel and Gretel free her, inadvertently setting themselves on a collision course with the Sheriff.
But the bitter Sheriff and his band of hunters are the least of their problems – indeed, their most pressing concern is the Grandmother Witch Muriel (Famke Janssen) and her hench-women, who have been keeping the children they have kidnapped locked up in wait for a much more sinister plot to make them even more powerful. Of course, as narrative dictates, Muriel's plan would have something to do with Hansel and Gretel's own past, as well as their extraordinary ability to be immune from the spells of witches.
Savvy viewers will be able to spot the connection once the clues are laid, so don't expect a revelatory surprise at the end. That doesn't mean however that this reimagination is predictable; instead, Wirkola keeps you riveted with a surprisingly effective blend of horror and hilarity often within the very same scene. Case in point? Just before she forces someone to turn a shotgun on himself and splatter his brains onto the wall, Muriel comments how the room they are in looks somehow drab and could do with some colour.
That same irreverence pervades the entire movie, which shouldn't come as a surprise if you paid attention to the opening credits and spotted Will Ferrell and Adam McKay as producers of the movie. Their brand of rude cheeky humour is very much alive in Wirkola's first English-language feature, who had demonstrated through his debut movie lampooning Quentin Tarantino – Kill Buljo – that he is perfectly in tune with their sensibilities. But Wirkola also brings his eye for gore – seen in his sophomore film 'Dead Snow' – to this movie, so be prepared for exploding flesh, crushed skulls and some particularly nasty decapitations that is good reason why this grown-up version of Hansel and Gretel does not carry a kid-friendly rating.
Amidst the gore and adult humour, Renner and Arterton unfortunately are left with paper-thin characters. While Renner pretty much looks dour throughout the movie, Arterton seems determined to have fun with her ass-kicking female heroine of a role, and her portrayal of Gretel resembles a Lara Croft for the medieval ages. The scene-stealer however is Janssen, the former Bond villain once again relishing the opportunity to play against type as the villain and putting in a deliciously over- the-top performance as Muriel. Other supporting actors don't make much of an impression – including Thomas Mann, a firm Hansel and Gretel devotee who gets some laughs from his fanboy behaviour and eventually sees his wish come true to be a witch hunter like his heroes.
And we suspect, how much you will end up enjoying this new twist to the classic fairy tale will also depend on your expectations. Compared to the recent spate of fairytale-inspired Hollywood movies like 'Red Riding Hood' or 'Snow White and the Huntsman', it veers most far off from its source material to tell an entirely different story. The result of that novelty is something bloody all right, that can also prove to be bloody good fun if you're looking for an adult-oriented blend of action, adventure, fantasy, horror and comedy. It might not sound intuitive, but this fairy tale is best enjoyed without the kids.
One particular such mission brings them to the town of Augsburg, where a beautiful blonde-haired woman named Mina (Pihla Viitala) is due to be drowned in front of an angry crowd by the shifty Sheriff Berringer (Peter Stormare). The Mayor (Rainer Bock) is not so fast to pronounce judgment on her for the spate of disappearances, and has hired Hansel and Gretel to get to the bottom of it. Seeing no visible signs of sorcery on her, Hansel and Gretel free her, inadvertently setting themselves on a collision course with the Sheriff.
But the bitter Sheriff and his band of hunters are the least of their problems – indeed, their most pressing concern is the Grandmother Witch Muriel (Famke Janssen) and her hench-women, who have been keeping the children they have kidnapped locked up in wait for a much more sinister plot to make them even more powerful. Of course, as narrative dictates, Muriel's plan would have something to do with Hansel and Gretel's own past, as well as their extraordinary ability to be immune from the spells of witches.
Savvy viewers will be able to spot the connection once the clues are laid, so don't expect a revelatory surprise at the end. That doesn't mean however that this reimagination is predictable; instead, Wirkola keeps you riveted with a surprisingly effective blend of horror and hilarity often within the very same scene. Case in point? Just before she forces someone to turn a shotgun on himself and splatter his brains onto the wall, Muriel comments how the room they are in looks somehow drab and could do with some colour.
That same irreverence pervades the entire movie, which shouldn't come as a surprise if you paid attention to the opening credits and spotted Will Ferrell and Adam McKay as producers of the movie. Their brand of rude cheeky humour is very much alive in Wirkola's first English-language feature, who had demonstrated through his debut movie lampooning Quentin Tarantino – Kill Buljo – that he is perfectly in tune with their sensibilities. But Wirkola also brings his eye for gore – seen in his sophomore film 'Dead Snow' – to this movie, so be prepared for exploding flesh, crushed skulls and some particularly nasty decapitations that is good reason why this grown-up version of Hansel and Gretel does not carry a kid-friendly rating.
Amidst the gore and adult humour, Renner and Arterton unfortunately are left with paper-thin characters. While Renner pretty much looks dour throughout the movie, Arterton seems determined to have fun with her ass-kicking female heroine of a role, and her portrayal of Gretel resembles a Lara Croft for the medieval ages. The scene-stealer however is Janssen, the former Bond villain once again relishing the opportunity to play against type as the villain and putting in a deliciously over- the-top performance as Muriel. Other supporting actors don't make much of an impression – including Thomas Mann, a firm Hansel and Gretel devotee who gets some laughs from his fanboy behaviour and eventually sees his wish come true to be a witch hunter like his heroes.
And we suspect, how much you will end up enjoying this new twist to the classic fairy tale will also depend on your expectations. Compared to the recent spate of fairytale-inspired Hollywood movies like 'Red Riding Hood' or 'Snow White and the Huntsman', it veers most far off from its source material to tell an entirely different story. The result of that novelty is something bloody all right, that can also prove to be bloody good fun if you're looking for an adult-oriented blend of action, adventure, fantasy, horror and comedy. It might not sound intuitive, but this fairy tale is best enjoyed without the kids.
- www.moviexclusive.com
Overall, the story isn't very great and is pretty predictable, but it's very entertaining. Basically, it's a cool movie that has a lot of cool kills, and weaponry with a no better than decent story. Plus, watching Gemma Arterton (and according to my female friends, Jeremy Renner) make the movie more enjoyable as well . It's quite violent and pretty gory, but if you're like me (a young adult who's pretty sensitive to blood and gore), you'll be fine. There are only a few parts that are cringe-worthy. Has a nice amount of rewatchability to it and is definitely a fun one to watch. If you're looking for a good story, you'll probably be disappointed, but if you're looking for something entertaining and fun to watch, it's a good one to watch.
¿Sabías que…?
- TriviaHansel is diabetic as a result of his experience in the gingerbread house as a child. In the original script, Gretel was also supposed to have an eating disorder as a result of the same trauma, but this was not included in the movie. Insulin hadn't been invented yet.
- ErroresIn the opening scene, the father is silhouetted against a curtain while holding a lamp. The glowing lamp is part of his shadow.
- Créditos curiososThe text of the newspaper clippings used in the opening credits is from Alexander Roberts' 1616 "A Treatise on Witchcraft". The same piece of text is used twice for different headlines. The repeated excerpt starts 'and of these in day of executions which she is no wise would condiscend'.
- Versiones alternativasAlso shown in a 3D version.
- ConexionesFeatured in Bad Movie Beatdown: Review of 2012 (2013)
- Bandas sonorasBundy
Written by Christian Wibe and Agnete Kjølsrud
Performed by Animal Alpha
Courtesy of Racing Junior
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Hansel & Gretel: Witch Hunters
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 55,703,475
- Fin de semana de estreno en EE. UU. y Canadá
- USD 19,690,956
- 27 ene 2013
- Total a nivel mundial
- USD 226,349,749
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta