Iztochni piesi

Being a Bulgarian who has all but a few years outside of Bulgaria, I am always interested in watching Bulgarian cinema. Most of the time i am disappointed. Its always the same actors playing more or less the same role in the very cliché Bulgarian way; rigid and straightforward so that you cant buy into their character and you can tell they are acting. Oftentimes the roles of the characters don't change much. Characters are bland, Men are either dopey drunken alcoholics with a sense of humor or far too serious, while women are either whores or overly needy

I watched the movie and I was shocked, The characters were so vibrant and original, in fact a lot reminded me of friends I have in Bulgaria, the acting fluid and I didn't see them acting instead they looked so natural as if they were playing themselves.

The movie is about growing up in Bulgaria. One brother rebels against his parents, starts hanging out with soccer hooligans, and slowly beginning to become detriment to society. The other older brother is emerging from that lifestyle, fighting a drug addiction, and trying to put his life back together with art. Each battles on their own, but maintain an active relationship. The two worlds and brothers meet one fateful night and their paths are altered forever.

So I watched the the entire credits hoping to see a friend or someone I knew in them( as many of my friends work in film studios in Bulgaria), and at the end there was a dedication to Christo, The guy who played the main character also named Christo. Turns out the reason that the actors seemed so natural is that most of them were not actors, including Christo,(the main actor, who died of a drug overdose in the middle of filming) but rather the people in Christos life, including his girlfriend. In fact the movie was more or less based on his life, and when the director couldn't find anyone to play Christo, he just got Christo to play himself.

All in all the movie is really worth watching...whether you are Bulgarian or not.

Staged in current day Sofia this film portrays the effects of an all too known and all too frightening blind hatred toward anyone that is different. Two brothers, one an artistic drug addict on the mend, the other a racist. Once divided now brought back together by a single event that forever changes the lives of all.

Dark and dreary, scary and painful. Films that tangle with racism in the way this film does always are like that. It settles like a huge weight on the stomach and doesn't lighten for many long moments. It never gets too heavy though - it's just right.

The acting work is fitting, the characters displayed are real. And this makes it all the more scary. It's all too easy to feel a form of compassion for all of them, which adds a lot to the film.

8 out of 10 life altering choices

This is the most honest Bulgarian movie made in the last 20 years. Bravo Itso, Kamen and the rest of the team! It is a movie that resonates on the same wave as the contemporary BG people. It shows the heart...and the really important things in life - hope, love, tolerance, dialogue, the continuity between the generations and freedom - the choice to live your life as you want and to be its real master... Well, it is difficult for me to come up with 10 lines for this movie (as the guidelines indicate) since this is a movie that needs to be seen coz it is a movie to be felt...because it is simple and that's why it is a work of genius!!! It's absolutely worth seeing!

It has been quite some time since a film genuinely moved me. This past week or so, I have sat through and enjoyed, to varying degrees, Scorsese's Shutter Island and Polanski's The Ghost Writer. Both were polished, well-made, clever films (the latter perhaps slightly more than the former), but I will soon forget them. I don't think I'm going to forget Eastern Plays anytime soon. This Bulgarian film by Kamen Kalev is, well - why beat around the bush ? - a great work of art. Superbly shot in a Sofia filled with graffiti-covered buildings and vacant lots, Eastern Plays tells the story of Itso, an addict on methadone who has to drink beer more or less constantly to dull his pain. Quite by chance, he intervenes when a family of Turkish tourists gets attacked and beaten by a gang of Neo-Fascist thugs (led by a terrifying Alexander "The Indian" Radanov). This gradually leads to a relationship between Itso and the breathtakingly beautiful Isil (Saadet Isil Askoy), whose innocent, optimistic spirituality gradually begins to lift Itso out of the painful doldrums of his beery existence. I don't know what to praise most about this film : its portrayal of a modern Bulgaria adrift between racist youth gangs and football hooligans, the parents completely out of touch with the world of their children ; the incredibly true-to-life performance by Christo Christov, who died of an overdose before the film was finished shooting ? I think finally it is the luminous presence of Saadet Isil Askoy, who brings a sincerity and optimism to the film's grim context, as she tells Itso that we are all living in a time where people are sick inside, but that she feels a change is coming. This is not just a film about contemporary Bulgaria, although it is that as well. It is a film that captures a certain Zeitgeist of the early 21st century, in which, especially in post-Communist Eastern Europe, a restless youth with nothing more to believe in attempts to fill the gap inside them as best they can : with drugs, alcohol, headbanger rock, neo-fascist thuggery, or, in a few precious, fragile cases, with art and music. I have not recently seen a more deeply moving scene in a film than the one is which a desperate Itso consults his psychiatrist : all he wants to do, he says, is find the goodness within himself. He wishes he could radiate light like a crystal, and love all human beings, but he does not know how.

Bulgarian cinema is witnessing a new resurgence after the demise of communism.This change can be seen in films made by new generation directors who are quick to observe realities around them and depict what they have personally experienced.Bulgarian director Kamen Kalev is a lucky person as not only he got a chance to study at prestigious French film school FEMIS at Paris but also got a lot of critical as well as commercial success with his first film "Eastern Plays" which was part of "Quinzaine Des Réalisateurs" section at Cannes International Film Festival 2009.It can be surmised that Kamen Kalev's film "Eastern Plays" has been a success as it looks at mundane issues haunting Bulgarian society albeit from an international perspective. It is true that all nations are plagued with problems like racism, skinheads and unemployment but there are very few films which are able to combine a local point of view with that of a much broader international dynamism.This is the reason why this film's lead players speak some of their dialogs in English.Although "Eastern Plays" is a film about tough themes,it is good that it has not ignored its lighter side.This is the reason why Kamen Kalev's film does not appear as a serious film preaching hard to follow moral values.Film critic Lalit Rao got a chance to see this film at 14th International film Festival of Kerala 2009.