Kyûketsu Shôjo tai Shôjo Furanken

I didn't find this crazy little film quite as good as many have and I think it was probably, what I would call the MTV sequences, that seemed to distract from the story and exaggerate the silliness. For the most part this is a well put together, extremely OTT film where everything is taken to extremes and the blood spurts and flows more than I have ever seen before. There are some innovative special effects, hand with a head, 'living' screws and various limbs used for extraordinary and imaginative uses. The interaction between the various school kids and others is good and a welcome relief from the madness, its just that every now and again the soundtrack seems to go all J-pop and we get a continuation of the effects without dialogue. Having said all that, this film is certainly engaging, different and very violent without being too distressing, more like a cartoon, in fact. I suppose, I'm saying this is very good without being as brilliant as it might have been.

And then some. This movie is definitely not something for the faint hearted. It also is not politically correct and some might call it on some racism issues (especially how Africans are depicted in this movie). But that wouldn't be what this movie is about. It makes fun of everything it gets it's hands on (even suicide gets a "stab", no pun intended).

And this will define, how much you dis/like the movie. Can you handle all that craziness or do you want your movies more straight forward? If you are one of the latter kind, you shouldn't really watch this movie or at least not expect too much from it. Some crazy ideas and almost entirely over the top, this is made for fans of Machine Girl and other recent Japanese Horror fare/thrillers (or those who are on the verge of becoming one)

"Frankenstein Girl vs. Vampire Girl" was scheduled at the Belgian International Festival of Fantastic Films on a Saturday night at 2 o'clock in the morning, in other words when the horror crowd is at its most numerous and wildly enthusiastic to see bloodshed, dementia and extreme sickness. And what an excellent choice it was! The people went berserk along with the absurd and totally eccentric characters in this 200% bonkers movie from the creators of "Tokyo Gore Police" and "The One-Armed Machine Girl". The emphasis more than obviously lies on the splatter orgies and nefarious sense of humor, but there's actually also a decent storyline hidden underneath all the mayhem, with interesting lead characters and the craziest bunch of sub plots you've ever witnessed. Monami, the beautiful new girl in school, falls in love with the shy school stud Jyugon and immediately makes him hers by offering a Valentine's Day chocolate with her own blood as filling. For you see, Monami is a vampire girl and pretty much demands Jyugon to happily live with her for all eternity. Jyugon is already the boyfriend of schoolgirl gang leader Keiko, but she obviously cannot compete with the vampire powers of Monami. That is to say, until Keiko dies and her deranged principal father transforms her body into Frankenstein girl; composed of bits and parts of other students. The best and most entertaining things about "Frankenstein Girl vs. Vampire Girl" are the extended introduction of the supportive characters. We have a gang of Japanese girls that desperately want to be black ghetto girls, the girls preparing for the annual wrist-cutting tournament, the creepily hunchbacked janitor and a nymphomaniac school nurse. The first half of the film is non-stop outrageous, but naturally the tempo and level of viewer's engagement drops down a little after that simply because you're adapting to the weirdness. The climatic battle – fought out on top of the school's very own imitated Eiffel Tower – is sublimely over the top again. The gore and splatter effects are extreme and brutal, but simultaneously very campy and light-headed. It's not exactly the type of movie that is out to shock or offend people, merely just to entertain them in the most tasteless, pulpy and brainless fashion.

'Only in Japan' comes to mind when you watch "Vampire Girl vs. Frankenstein Girl" ("Kyûketsu Shôjo tai Shôjo Furanken"). It is one of those outrageous Japanese blood-fest movies. It is so over-the-top that it is bizarrely entertaining.

The story is odd and bizarre, yes, as they tend to be in this particular genre of Japanese gore movies. And it is something that has to be seen in order to be believed. As such, I will not even attempt at a synopsis that does the movie Justice.

The effects were as to be expected from a movie like this, and the blood was abundant by the gallons. If you enjoy state of the art effects and CGI, then you should not be watching the Japanese gore movies. The effects do serve their purpose well enough, in my opinion, and will often have you laughing.

It was a real treat to see Eihi Shiina in this movie, despite it being a small role. Lead actress Yukie Kawamura really carried the movie quite well.

All in all an entertaining movie and well-worth a watch if you enjoy this genre of Japanese gore.

Japanese culture is as bizarre as it gets, among the various oddities that have sprung from it are game shows which consist of male contestants being whacked in the genitals and animated pornography, termed "hentai", whose various sub genres involving bestiality and lactation have become widely popular amongst the population. Hell, they even sell toilet paper with short horror stories printed on it for god knows what reason. This utterly insane culture extends into their film as well and one doesn't have to look any further than Vampire Girl vs. Frankenstein Girl for an example of how depraved, grotesque and downright "weird" their movies can get. There are very few American-produced films that can match the sheer lunacy occurring within this "versus" circus freak show. Continuing in the tradition of previous hyper-violent, excessively-sexual Japanese horrors centered on attractive school-girls (popular films like The Machine Girl and Tokyo Gore Police), Vampire Girl vs. Frankenstein Girl throws a whole bunch of other peculiarities into the mix, including blackface, a kabuki mad scientist who air guitars using his victims spinal cords, an oversexed nurse with eyeballs sewn onto her nipples, a wrist-cutting competition, and copious amounts of blood equal in proportion to the accumulation of ten regular horror movies. If it isn't one of the strangest films of all time, it certainly is of this year.

Throwing up an assortment of depravity and blood-drenched insanity into a film always makes for good fun, but never makes up for a lack of plot, lazy writing or poorly-executed film-making, a few key problems that permeate through many of these gory, low-budget efforts. These are all issues readily apparent in The Machine Girl, a prior similar undertaking which, for all its excessive gore and dismemberment, was at its core really nothing much different than most substandard Hollywood fare. Here, directors Yoshihiro Nishimura (who tread similar ground with Tokyo Gore Police) and Naoyuki Tomomatsu have crafted both an emotionally-charged teen love story and a hilarious satire of popular trends, the film elevated by the over-the-top absurdities rather than reliant on them. High-school heart throb Mizushima finds himself in the center of a vicious tug-of-war between two lovers: Keiko, his high-maintenance girlfriend whose spineless vice-principal daddy bows to her every demand, and Monami, a new student in the school who falls for Mizushima's kind personality...and who also happens to be a vampire. Of course, when the two girls get into a feud, Keiko is no match for the supernatural Monami and is killed. However, Keiko's father moonlights as a mad scientist and he reanimates Keiko, upgrading her with a variety of different physical attributes swiped from corpses. Now, the Vampire Girl and the Frankenstein Girl find themselves facing off in a battle to the death for Mizushima's affection.

There are a plethora of outlandish gags to please any hardened gore-fan. Among the best are the Vampire Girl tearing a hole in a girls face and unraveling her skin like the wrappings on a mummy, a reanimated foot-hand creature, blood drops with a life of their own and the Frankenstein Girl tearing off an arm, screwing it onto her head and using it as a helicopter propeller to zip around through the sky. This is the love-child of a three-way between Looney Tunes, an early Peter Jackson film and a Troma movie. Nary two minutes go by where someone's head isn't being crushed in or where some appendage isn't being attached to some other ludicrous concoction. It is amazingly fun, completely original and absolutely never dull. Even those who don't enjoy the film, possibly too much for their tastes, will likely be enthralled by the madcap display enfolding in front of them.

However, it's when the film steps back from the lunacy that it's at its best. The characters at their best, particularly Monami and Mizushima, are surprisingly fleshed out, likable and quite funny; at their worst, over-the-top caricatures that are usually funny and always interesting. There are a lot of laughs mined from the absurd notion of falling in love with a vampire, as well as the battle being waged for Mizushima, the tone always light and self-deprecating; one comical part has Mizushima proclaiming, as he narrates the battle, something along the lines of "Has anyone ever asked my feelings about this", which sums up the ridiculousness of the obvious lapses of logic that allow the fight, and pretty much the entire film, to occur. Perhaps the funniest scenes involve those lampooning current teenage trends. The "emo's" are part of an after-school wrist cutting club. The trend of imitating black culture is taken to absurd limits with a trio of girls not only in black face, but with afros, over-sized lips and the refusal to drink any coffee but black. Not only isn't there a boring minute, but there isn't one that's not either laugh-out-loud hilarious or just plain crazy.

The only shortcomings are the occasional limitations of the low-budget paired with the wide scope of the films imaginative dismemberment. Some of the effects, although most often not, are poorly executed. As well, the arterial spray of blood throughout the film is less than satisfying due to the reliance on CGI effects, which look both incredibly cheap and silly (in a bad way). The entire film also carries a somewhat cheap vibe to it, which leads me to believe it was either digital video or inefficiency behind the camera. Regardless, these are small prices to pay for the amount of imaginative fun and hilarious splatter that Vampire Girl vs. Frankenstein Girl delivers, making it one of the better exercises in this type of frenetic insanity that so often falls on the wayside.

• Dylan, allhorrorfilms.com