Shadow

This was... most certainly indi to say the least haha it was a little all over the place but still had some positives.

Conceptually I found this decently interesting and in a big way was saved from being unredeemable by the twist in the end. Nothing all too interesting happened until about half way through and I think a lot of the beginning filler could have been cut. In all honesty, keeping it as close to its original form, I think it could have been most successful as a 30 minute short.

They had some really neat filming locations and set dressing so props for that. Also main guy and girl did a decent job, the two bad guys... not so much. And the bad bad guy, while he didn't say anything he was super creepy. Honestly, could have done with more of him all around.

You have to have a true appreciation for indi for this one. Also I think the concept could inspire something really interesting to work with. Otherwise, I probably wouldn't recommend.

I was sort of iffy about watching this due to the rating and such and I try not to watch trailers or read reviews so I don't get my hopes up but decided to watch the trailer and was surprised. The beginning of the movie is slow but is done excellently. The story line was a great idea and was also done great. The kill scenes were not gory or gruesome but I let it slide. I for once didn't expect the ending or the killer in a foreign horror movie and was glad I didn't. To cut it short this was a great way to spend some time and I would love to watch it again. I give "Shadow" an 8 out of 10.

~Joe

I certainly don't intend to say that "Shadow" is a bad film, and I don't even want to discourage anyone from watching it; the only thing that is simply undeniable is that it contributes almost nothing to the horror genre. The story, written by director Frederico Zampaglione , shamelessly cashes in on the biggest and most profitable horror trends of the new millennium, namely vicious torture porn situations (eerie devices in dark and sinister cellars) and silent & nameless creeps that mercilessly ambush ignorant tourists to feast their perverted torture fetishes upon. During "Shadow", I spotted elements and ideas that were previously used in films such as "Saw", "Hostel", "Frontière(s)", "Blood Trails", "Timber Falls" and possibly a few other titles I already forgot about. Relieved that he's finally back from serving in the Iraq war, avid bike rider David goes on an adventurous trip that was recommended to him by a friend. The area, known as "The Shadow", is breath-taking and David even meets the girl of his dream. She's a French beauty called Angelique and she's also obsessed with bike riding; what are the odds on that? Their freshly found happiness rudely gets interrupted when they run into a couple of redneck hunters and are forced to abandon their bikes to hide into the thick woods. Little does David know that this only the beginning of the nightmare, as the Shadow also homes a cruel and psychopathic creep who likes to torture people. The thing that surprised (or is it annoyed?) me the most is the severe lack of sick and nasty violence depicted on screen. All the shocking stuff, as well as most of the killings, occurs off-screen, which is quite unusual for a torture porn flick. The movie does manage to be reasonably suspenseful, especially because David and Angelique are nice and amiable persons, whereas the hunters are loathsome bastards, so during the cat-and- mouse games you automatically cheer for the biker couple. Experienced horror fans can also entertain themselves by spotting all the clichés, for example the soldier flashbacks or the "decorations" inside the maniac's lair. The whole ending is sort of like a mixed bag. I certainly admire Zampaglione's courage and ambition to try something completely different, but the result is principally unsatisfying and leaves quite a lot of questions unanswered. At least you cannot claim that the climax is obvious or even remotely predictable, so that's already an accomplishment on itself. Still, considering we're already in familiar terrain, I personally would have preferred more gore and bloodshed rather than a surreal twist- ending.

The soldier and biker David (Jake Muxworthy) is serving in Iraq and misses biking. He rides his bicycle in Europe heading to Shadow and when he stops in a bar, he meets the beautiful Angeline (Karina Testa). The troublemaker hunters Fred (Ottaviano Blitch) and Buck (Chris Coppola) bother Angeline and David and the bar owner defend her.

When David camps in the woods, the wind carries his tent and Angeline invites him to share her tent with him. On the next morning, they ride their bicycles together and enjoy the wilderness. When Angeline sees that Fred will shot an animal, she cries and he misses his shot. Fred and Buck chase the couple with their truck and the quartet have accidents and need to walk through the woods. Sooner they are captured by a weird man that lives in an isolated house and are tortured in the basement. David manages to escape and helps the hunters to leave the place, but they are hunted down by the freak. When David wakes up, he learns that the reality is worst than his nightmare.

"Shadow" is a creepy version of Adrian Lyne's "Jacob's Ladder", which is inspired in Claude Chabrol's "Alice ou la Dernière Fugue"; later, "The Jacket" used the same storyline again. "Shadow" has a promising beginning but the story is not original – the writer used not only the foregoing idea, but also a rip-off of "The Texas Chainsaw Massacre" or any other sub-product - and the conclusion is very disappointing. My vote is five.

Title (Brazil): "Shadow – Na Escuridão" ("Shadow – In the Darkness")

When a young soldier leaves for a mountain biking excursion he meets the girl of his dreams as well a group of violent locals who want to see them dead at any cost.

What really attracted me to this film was seeing Fabrizio Bava as assistant director. Bava, as you may guess, is the son of Lamberto Bava and the grandson of Mario Bava. To see a third generation of horror films directed by the Bava clan is quite a treat. Not saying this is a great film (it really is just so-so), but I am still happy to see the tradition continue.

The best part of this film is the villain, a toad-licking Lord Voldemort. He looks as if Doug Jones played Buffalo Bill playing Ingmar Bergman's Death. Throw some Nazi symbolism in there for good measure. A great villain, both creepy and mysterious, not to mention senselessly vicious.

The sad thing is that while the film is alright once it gets going, it just cannot keep the momentum. As always, I cannot talk about spoilers, but I will say the twist and I did not get along. Maybe you will be thrilled. I was let down.