Kimi

65/100

Kimi doesn't do nearly as much as it could with its tech-spin premise on the conspiracy thriller, and it certainly is no untouchable masterpiece of character work. The script could have used a little more meat on its bones as it relates to character development and world building.

But what it does do is just enough. I found this film to be an extraordinarily efficient work of pacing. It's never so slow that it becomes boring; there's always something to pay attention to in every scene. And the second half of the film really becomes riveting with constant variety in location, physical threat, and power dynamics.

It's certainly a decent thriller, though it's definitely a lesser work from Steven Soderbergh.

Provocative, incredibly entertaining and stupidly efficient, Soderbergh does the best with a very simple story and concept. I love his experimental vein and, here again, the director shows that he doesn't have any problem in innovating, using different techniques.

One of the biggest pros of Kimi is that it's not afraid to feels small. It IS a small thriller. The main concept is familiar and it can be really predictable at times. It's also not afraid to feels like a TV movie sometimes, using some filming techniques that we are not used to see in cinema big productions. But Kimi is also a film with a big heart, with a very good interpretation from Zoë Kravitz and also with time for a cool, exciting and funny third act.

It doesn't develop a lot of things, but man...I even loved all the chaotic shaky camera illustrating what Angela was feeling but also what every one of us felt during COVID times. A big yes from me.

A less than 90 minute taut, exciting thriller from Steven Soderbergh. A perfect example of a film being effective with less is more.

No idea why this film isn't getting more credit. It's rare to find films with a small cast and single location done so well. More exciting than most films that cost millions of dollars more.

A nice little thriller from Steven Soderbergh. Zoe Kravitz excels in the lead role as the agoraphobic tech worker and the movie ticks along at a good pace with Soderbergh displaying all his usual tricks of the trade which make him still one of the best directors working today.

I am a bit surprised that the overall rating (as of March 2022) is below 7 for this film.

I have no idea why that is because this is a good solid film.

Very much in line with Steven Soderbergh other films.

Keeping it simple. Good storytelling with thriller elements. You just know what you're getting with Soderbergh. Rounded characters, no Flash/bang CGI/visual effects to unnecessarily distract and a set of good actors in a well told story. It's like old film making techniques to tell modern stories.

It sort of reminded me of a modern version of Rear Window but with post covid lockdown as a backdrop and the use of modern information technology. It is substantially different to Rear window though.

This, I think, is the first Zoe Kravitz film I've seen. She's very good. Very believable.

What Soderbergh does, and I personally like this, is take modern topics of conversation and produces a story that weaves all that into a thriller of sorts.

He did this with "No sudden move" (corporate greed), "the Laundromat" (Panama papers), "Unsane" and "side effects" (the health sector), "High flying bird" (sport greed) and now with Kimi (data harvesting and big tech).

Sometimes he hammers home the point, but in this film, it's all laid out without being belligerent.

It's an intelligent technology based thriller (not techno thriller - which I associate with cyberpunk etc).

A great film to watch one evening. Good pacing and not too long.

There is a sexual scene in it, so if you are planning to watch it then You'll be alright if you have older teenage kids or non-prudish parents. If you can get past that, then you're onto a winner for a night's entertainment.

Thought provoking and much better than a lot of films out there right now.

Do watch if you get the chance.