Shinboru

Challenges many of the most basic philosophical assumptions about god, heaven, and hell. If you ever wondered about your own impact on others and your ability to do good works.. Or wondered if god could evolve eventually, there is so much to chew on. Imagery as diverse as clowns, Mexican wrestling, and the symbols of Japanese culture flutter as butterfly wings with the strobe and flicker of film infecting NOT only as genius can from the other side of the planet. The layering of thought and ideas is very satisfying compared to typical American films. I am not surprised that all but one of the reviews even gave an accurate summary. This can be a complex film, but not necessarily. A creative child couldn't help being charmed by the poetic surface of action and color. A stunning treat.

Many viewers may find this film or the main character quite idiotic or stupid but those who enjoy physical comedy should get a lot out of it.

A very creative and imaginative concept with man in bright spotted pyjamas trapped in a white walled room. On the walls are hundreds of 'buttons'.

With no visible way out of the room, the man becomes desperate and curious and one by one begins to press the buttons, with each button delivering odd 'products' and 'ojects' that are seemingly no help to him getting out of the room.

At the same time, a parallel storyline runs of the real world, with an underdog Mexican wrestler getting ready for a bout.

The two story lines come together with mixed results.

I found the film to be very entertaining although was a little disappointed with the third act.

Funny and offering something different than the usual Apatow 'hits' churned out by Hollywood.

Anyone who likes early Jim Carrey style physical slapstick might enjoy this.

A Japanese movie that stars off in Mexico. No you heard/read me right. And yes this is the movie you wanted to see or were pushed to see by your friend. The latter is true for me. And this movie defies quite a few rules and is anything but simple to categorize. While its crazy ideas may either delight you or annoy you, this is a crude mix of fantasy and sci-fi that is difficult to put a finger on (no pun intended).

The comedy that ensues is mostly non verbal and while the main character seems stupid at times, he is also able to figure things out quite quickly other times. And therefor the flow of the movie seems a bit interrupted at places. If you are annoyed by that, maybe you should stop watching. Though you would miss out on an ending that is even more difficult to describe then the movie itself. It is definitely a trip and something you have to do voluntarily, otherwise you might be angry at yourself/your friend recommending this.

I cannot say watch this, but I cannot tell you not to either. I know that quite a few people were delighted by the (physical) humour, never even thinking about the layers that this movie builds. And that is a way to enjoy the movie, if you can. I had problems with the simple little things that were "off" (in the wrong sense) as written above. The big idea behind ... I liked that one. I just think there could have been an even better way to do that ...

Symbol is a wonderful tale of the harsh reality of life along a man's quest to reach absolution and his trail through life.

The director uses explicit visual aids to guide us through the materialistic needs of an everyday Japanese man and the things he must do to acquire them by forfeiting his freedom. Following the path of

maturity, he, whose name we will never learn reaches a point were mere material pleasure is not enough and needs to learn what it is like to be free. During this hard and long journey he will find himself doubting and forsaking everything. Only then will he be able to

slide open the door to real freedom and find himself as a new god. But still unable to shed his true human skin, he will influence the lives of people whose existence he is not even aware of.

Symbol is able to reach down and touch you in places that only religion was able to before. It is breathtaking up to the very last second.

There's no mention on who the director/ lead actor Hitoshi Matsumoto is in the other reviews, which may help prospective viewers to decide if they want to see this unique film or not. Matsumoto is one half of the arguably most famous Japanese comedy duo 'Downtown'. Their style is called 'manzai', that is one guy says a lot of stupid stuff and the other butts in all the time to correct him; you may have seen this in the background of some films by Kitano, who started his career in 'manzai' as well.

If you know that type of comedy, the otherwise completely non-sequitur style of 'Symbol' won't necessarily come as such a surprise, because the whole idea of 'manzai' is to baffle the audience by pushing nonsense as far as it can go. Since Matsumoto's part is the 'boke' AKA nitwit, it's pretty much in his line to come up with the most far-fetched, senseless and weirdest story angles imaginable - after all he's been doing this on TV since 1983! The ridiculous wig he's wearing in the film is actually part of his TV antics - I remember him wobbling around with it whenever he got an idea, pretty much like what he's doing here.

What surprised me though is that 'Symbol' has excellent production values, unlike his debut 'Big Man Japan' which suffered from very bad CGI (which may have been on purpose though). Here the visuals look so well done that I can't help but wonder about the budget. Another surprise unmentioned in the other reviews: there's an appearance by 'Kiss'! Other than that, I can only confirm what everyone else said: you may love it, you may hate it, that depends on how much you can forget about any expectations you have.