Shi yue wei cheng

This is NOT Hollywood type Kick-Ass. This is NOT an Arty House of Daggeers.

This is a historical drama with some neat kung-fu thrown in. Beautiful to look at. From the elegance of the costumes to the dirty streets in the ghetto.

Bodyguards and Assassins has charm, tragedy, drama, loyalty, respect, ignorance and more going for it. Slightly long but thoroughly enjoyable.

I was unaware of this part of Chinas history (boy do the English come off bad yet again) and I'm glad I watched it.

How do you make a movie based on a known/historical event worth anyone's while, when the final outcome is already well-established? Well, the answer that "Bodyguards & Assassins" provides is: not "with lots of new twists", but "with lots of heart". That's right, this is fully-commercialized blockbuster film-making at its most sincere-- where the previews were reporting how often it made test audiences cry.

I mean, with the casting of 12 named stars (each of whom could have headlined their own movie), the building of a full-scaled outdoor historical set, and an array of prize-winning martial-artists/ action-choreographers, etc.-- this film is about as "gimmicky" and "review-proof" as movies can get. But the cast strives to put their roles before their persona and become masters of the "wordless stare", the set stays quietly in the background without any panoramic sweeps of the camera, and the fighting is mostly shown in short, brutal bursts... which means audiences unwilling to read subtitles or do some research should just skip it-- since it packs an emotional punch rather than a visual one.

Make no mistake,"Bodyguards & Assassins" is almost the complete antithesis of the "mindless action movie" (the "thoughtful" action movie?)-- in fact, action sequences get "cut-off" at every opportunity just to remind you who and what these people are fighting for... so that the violence is always awashed with the tragedy, not thrill, of witnessing the "march of history" (as historical fiction, there's no real question as to who lives and who dies in the end).

Having realized from the box-office and critical success of "The Warlords" (2007) that the Chinese audience is a thinking one (i.e. Chinese blockbusters can be mentally "engaging"), the production team decided to pack a quintessentially Chinese socio-political melodrama into a historical tear-jerking actioner-- presenting the events of 15 October 1905, Hong Kong as the bitter fuse that sparked off the next 6 consecutive years of rebellions (occuring after end of the movie) leading to the fall of the Qing Dynasty. In fact, the script is so solid that you might find yourself wanting more of the drama than the action-- because the movie is paced/ structured as an unrelenting series of ever-tightening expositions (& related fighting) that reveals more and more about the people and the "fin de siecle" that is the real heart of this film... before all the build-up is gently released with a teary eye and a few end-titles.

Such an approach should have been doomed from the start, but the accomplished film-makers (much like the historical figures in the movie) mostly managed to weave all the disparate elements into an ensemble act that is not dominated or resolved by "leave-your-brain-at-the-door" action set-pieces or CGI eye-candy. The historical setting called up a whole host of period clichés, while the varied casting and side-stories drew attention to any uneven acting and editing-- but the expert directing and sharp dialog made 3-dimensional characters out of 2-dimensional stereotypes, while veteran actors Tony Leung Ka-Fai and Wang Xue-Qi ably anchored the film as a rhetoric-spewing revolutionary ("The day of reckoning is here!") and his reluctant financial-backer ("how much money do you need this time?"). There are some production flaws with less-than perfect make-up, CGI, etc.-- which are expected (& understandable) in Asian productions... but there is also an air of "authenticity".

So this is an "action" movie to watch, if you feel like having a good cry-- over all the little people who contributed to the success of the 1911 Revolution... unless you actually need the movie to tell you who Sun Yat-sen is, which means you are not really its target audience. This is Chinese cinema going back to its good old roots of tapping into the collective memory of its blood-stained history-- and digging out a few more shades of gray.

First of all, I'm not familiar with Chinese history, so I wouldn't say anything about its historical bases. Still, this movie worth the time with no doubt. No matter where you live.

Powerful, logical and heartbreaking. I say powerful because we got a well painted picture about the main characters in the first half. Yes, the movie does not only focus on the high profile action scenes and blood. That's one of its strengths. The audience - this time it's me - had enough time to acquaint the persons and like them. For this reason losing some of them is a heartbreaking effect in the second half. I think it's not a spoiler. Anyone can guess it who has seen the trailer. The acting is OK (some actors were great, especially Xueqi Wang) but my opinion is that the script and the director have done this movie for that it is. I really enjoyed that the movie has avoid to use mindless clichés, like ultimate fight of good vs. evil. The main bad character had also deep conviction that he has been doing the right thing for his country/highness. As it is so, for me, he was authentic in his role.

Now there's only one word has to be explained - logical. Unfortunately I can't do it without revealing some moments from the story, so I leave it to you. Find it out yourself. If you like heroic tales, you should love it.

I hope this movie will be released on DVD in my country, too.

excerpt, more at my location - When introducing Bodyguards And Assassins – a film based around the real life actions of his grandfather, Peter Sun was asked to comment on the historical accuracy of the film. A laugh went around the auditorium, perhaps filled with veterans of previous Donnie Yen films. Peter Sun laughed, too. Clearly, in bringing the film to the big screen, some embellishments had to be made. Bad news perhaps for scholars of Chinese political history, but great news for fans of martial arts cinema.

In saying this, Peter Sun effectively conceded that Bodyguards And Assassins is not really a film about his grandfather. Dr Sun appears in the film only briefly. But through the skilled interweaving of political thriller and Chinese hero myth, the film succeeds in conveying his importance, in the willingness of ordinary and extra-ordinary people alike to sacrifice everything for his success. In that, Bodyguards And Assassins is not just a hugely watchable martial arts experience, but a surprisingly effective vehicle for a political subtext that echoes in China to this day.

The film was well made, and Hong Kong was restored to be very real at that time, and the characterization was also very full. The role of Sun Wen is the most innovative, almost all indirect description, but every stroke is in place. There were two times when tears almost fell down. They were all the roles played by Nicholas Tse. The simple and single-minded man really moved me most.