CALIFICACIÓN DE IMDb
4.1/10
4.9 k
TU CALIFICACIÓN
Terror sobrenatural, basado en el fenómeno en línea del mismo nombre, un ritual realizado en un ascensor, en el que los jugadores intentan viajar a otra dimensión utilizando una serie de reg... Leer todoTerror sobrenatural, basado en el fenómeno en línea del mismo nombre, un ritual realizado en un ascensor, en el que los jugadores intentan viajar a otra dimensión utilizando una serie de reglas que pueden encontrarse en línea.Terror sobrenatural, basado en el fenómeno en línea del mismo nombre, un ritual realizado en un ascensor, en el que los jugadores intentan viajar a otra dimensión utilizando una serie de reglas que pueden encontrarse en línea.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Gino F. Anania
- Ryan Keaton
- (as Gino Anania)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
So I was born in the early 80s and, as a result, I grew up in a time when video rentals were a thing. Back then, if you rented a horror movie, it could fall into one of three categories: Big-budget film that had had a major cinema release, small-budget indie that was made by creative people with limited resources, or small-budget cash grab, made by people who just viewed making films as a way to make some money, with no real creativity or imagination involved; make the box look interesting and someone will pay to watch it.
Movies are distributed differently nowadays but, had it been released back then, The Elevator Game would fall into the latter category.
The plot is formulaic and unimaginative, locking on to a particular idea that the filmmakers thought was current and popular (It's already out-dated). It tries to incorporate modern tropes, such as YouTube videos and influencers, but does it so ineptly that it just shows how little actual knowledge the people at the helm have of these things, resorting to exaggerated and inaccurate stereotypes.
The characters are all stereotypical horror archetypes with zero depth, and the casting of some characters defies belief (why does the "high-school intern" look older than his colleagues?)
The make-up and effects are about the level you'd expect from a mediocre Halloween party.
The acting is generally poor but, to be fair, I think there is some real talent here. The problem is the capable actors are stifled by awful scripting and direction. I won't single anyone out but there are actors in this film who I really can see - and hope I will see - going on to bigger and better things.
Ultimately, this just felt like an unimaginative, made-to-order movie that was created solely to pad out Shudder's library of original films and earn someone, somewhere a few extra bucks.
Movies are distributed differently nowadays but, had it been released back then, The Elevator Game would fall into the latter category.
The plot is formulaic and unimaginative, locking on to a particular idea that the filmmakers thought was current and popular (It's already out-dated). It tries to incorporate modern tropes, such as YouTube videos and influencers, but does it so ineptly that it just shows how little actual knowledge the people at the helm have of these things, resorting to exaggerated and inaccurate stereotypes.
The characters are all stereotypical horror archetypes with zero depth, and the casting of some characters defies belief (why does the "high-school intern" look older than his colleagues?)
The make-up and effects are about the level you'd expect from a mediocre Halloween party.
The acting is generally poor but, to be fair, I think there is some real talent here. The problem is the capable actors are stifled by awful scripting and direction. I won't single anyone out but there are actors in this film who I really can see - and hope I will see - going on to bigger and better things.
Ultimately, this just felt like an unimaginative, made-to-order movie that was created solely to pad out Shudder's library of original films and earn someone, somewhere a few extra bucks.
It is becoming a trend, the self aware horror. Ever since the original Scream, can't believe I have to say "original Scream" but ok, counting down to movies like Behind the Mask: The Rise of Leslie Vernon, Final Girls, Fear Street, Talk to me, and so on, movie characters don't act like movie characters anymore.
If they are in a zombie movie, they know what zombies are, and the same happen here: characters that quickly accept their situation and try to find a way out. How do they do it? Well exactly like you would see in a horror film, by going back to the beginning, seeing how it all started and finding the way to end it.
Elevator Game is somewhat fun and sort of smart but it doesn't reach the heights of an original masterpiece. Characters are overall bland and boring, the plot is easy to predict and sadly...they went with a lot of bone cracking. I think this technique is overused and it just doesn't impress anymore. Should have done something different with our main killer.
It's no Grudge, no The Ring, the villain has very little screen time and whenever it does appear, its presence has no impact.
For a one time view, I think you should definitely try it. It's out there with Countdown (2019), Come play (2020) or Megan (2022). Close to something great, but not quite there.
Cheers!
If they are in a zombie movie, they know what zombies are, and the same happen here: characters that quickly accept their situation and try to find a way out. How do they do it? Well exactly like you would see in a horror film, by going back to the beginning, seeing how it all started and finding the way to end it.
Elevator Game is somewhat fun and sort of smart but it doesn't reach the heights of an original masterpiece. Characters are overall bland and boring, the plot is easy to predict and sadly...they went with a lot of bone cracking. I think this technique is overused and it just doesn't impress anymore. Should have done something different with our main killer.
It's no Grudge, no The Ring, the villain has very little screen time and whenever it does appear, its presence has no impact.
For a one time view, I think you should definitely try it. It's out there with Countdown (2019), Come play (2020) or Megan (2022). Close to something great, but not quite there.
Cheers!
I enjoyed this from well enough so would certainly suggest it's worth 90 minutes of your time. It's well put together and the cast are pretty committed. There's some decent effects and a few moments of real tension and creepiness, though I think the solid premise could have been exploited better.
What let's the film down a little, for me, is seemingly rushed characterisation and pretty tame finale. I'd have been tempted to lean further into the gore in this one too.
Overall, it's a good slice of fun with some good laughs and a couple of creepy moments, but one that could have been much better given its decent collection of parts.
What let's the film down a little, for me, is seemingly rushed characterisation and pretty tame finale. I'd have been tempted to lean further into the gore in this one too.
Overall, it's a good slice of fun with some good laughs and a couple of creepy moments, but one that could have been much better given its decent collection of parts.
This is not terrible by any means. I can imagine that with someone like Sam Raimi at the helm this might have become a decent, scary little horror film. However what we have is TikTok driven fan fiction.
There are one or two jump scares here and there but none of it makes any sense.
The major problem is the acting or rather the over acting, the over emoting, the actors and their total lack of talent. Everyone is absolutely awful. So bad that we end up rooting for the elevator demon type thingy.
There may be another one, who can say. It was obviously filmed on a small budget however it didn't crack a million at the box office.
There are one or two jump scares here and there but none of it makes any sense.
The major problem is the acting or rather the over acting, the over emoting, the actors and their total lack of talent. Everyone is absolutely awful. So bad that we end up rooting for the elevator demon type thingy.
There may be another one, who can say. It was obviously filmed on a small budget however it didn't crack a million at the box office.
Again with this tacky social media challenge/investigator horror movie formula. Shudder wiffed on this one. The setup in the first few minutes was probably the best part, and that's not saying much. The next 30-45 minutes of a bunch of social media hucksters banter back and forth is quite dull. I was not interested in anything they had to say, and no interest watching them stumble through their pitiful plight on their devices. Sometime after that we get a frightening scene, more pointless dialogue, and then we get to watch someone sift through web pages for a while.. and then I think I dozed off. I gave it a star for some ok-but-sparse tense scenes, but I couldnt come up with anything else worth mentioning. Bottom of the barrel stuff for Shudder flicks.
¿Sabías que…?
- TriviaUsed as the main topic in season 2 of 'Evil' on CBS, "E is for Elevator", pressing elevator buttons in a specific manner can open a direct passage to Hell.
- Citas
Matty Davis: You don't call 911 on a ghost!
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- How long is Elevator Game?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 370,179
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Relación de aspecto
- 2.35 : 1
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