Django

It's hard to take this show seriously, especially when the character Elizabeth speaks...I finally realised - she sounds like Moira from Schitts Creek when she does her weird accent trying to buy a car. It unintentionally turns the show into a comedy. At least a laugh is a welcome break from the tedious plot. A carefully curated slow moving show can be riveting, this is...well, boring. Churning out a lot of yawn worthy and trivial tropes, between more odd accents and attempting to draw out "secrets" that are unsurprising and lazy. More than one accent in the show changes within a sentence, creating a sense of disorientation in terms of where the story is meant to be set or where the hell anyone is from.

Obviously the expectation for celebrities to remain youthful looking is unreasonable and sad. I apologise to the actress, as I don't mean to be picking on her, but again, Noomi Rapace, who plays Elizabeth, has clearly overdone the cheek filler to the point that it is obviously misshapen in the first episode. Getting filler to the point of deformity and a very unnatural shape is sad to see.

The best part about the show is the surprise (to me) appearance of Abigail Thorn, of Philosophy Tube renown. Abigail shines in her role and breaks up the otherwise lacklustre performances.

I am struggling through episode 3 and really finding it hard to continue to see it out.

Normally, I'd post a review against the last episode of the season unless I was sure that it's not going to be renewed, but I'm going to post this here as, even if "Django" is brought back for another run - which doesn't look likely - I don't think I'm going to be around for anymore if it. Not everything has to be sunshine and rainbows, but this is too long and too dour to recommend.

Having left his homestead to fight for the South in the Civil war, Django (Matthais Schoenaerts) returns home to find most of his family dead, he believes though that his daughter survived and begins to search for her. 8 years later he locates Sarah (Lisa Vicari), living with John Ellis (Nicholas Pinnock) who has founded a free city, New Babylon, on land gifted to him. However, Elizabeth Thurman (Noomi Rapace) wants the land returned to her family, and as a devoutly religious person, to see New Babylon wiped from the map.

So, I quite liked the look for the show, though for an Italian production they generally stayed away from the classic Spaghetti Western style heading to Romania for a grittier, muddier look. New Babylon is clearly filmed in an old mine. I didn't think performances were that bad, Rapace has rather a wayward accent, but we're still in the period of mass migration so it could perhaps be excused on those grounds.

It wasn't a fun watch though. I've never seen the film it's based on (Franco Nero does appear in this series) but the plot is very different from what I read on Wikipedia. This story was too long, it might have worked better as a 90-minute film but at ten hours there were too many half-done storylines and repeated plot points to keep me from drifting away every time I watched it. It's pretty grim stuff too, not that explicit, but with a prevailing sadness particularly if, like me, you guess a pivotal plot point before it comes to the fore.

Again, it's for this reason that I don't think I'd settle in for another series.

I barely watched more than half of the first episode for one very simple reason, that being, I couldn't see what was going on. The grading, brightness and contrast is so dark, even in sequences that are supposed to be under bright sunshine, you can't see what's going on. You can't see faces to tell what expression they have. You can't see buildings or their surroundings. You can't see anything. I'm watching on a 65" OLED and it's just a dark smear across the screen with a vague flickering of candlelight. It could be the greatest series ever filmed, but not being able to see what's actually going on in the scenes spoils any chance of enjoyment. Hard pass from me as a result.

I'm from Belgium, so I know Matthias Schoonaerts is a very good actor. However, in this series his acting limits itself to raising his head very slowly while desperately trying to look like a bad ass and making short grunts and growls which I hope weren't in the script.

I'm focussing at Schoonaerts because he played Django, but the other characters in this series perform on the same level. They can do better. I know they can. I recognise most of them from other programs where they did a fine job!

It's not just the acting though. The whole cinematography is a bit off. The footage is either too dark or even a bit too shakey. At first I didn't know what it was I didn't like about it. It's that subtle.

And last but not least: the story. It's just not strong enough to play in the same league as the Django westerns the producers are aiming for.

Pity.

But it's not.

Assuming you have HDR on your TV and you can see what is happening...

The story is convoluted and the flashbacks not handled very well.

The acting is very variable, even by the recognised names.

While the photography is good, it does not make up for the bad acting. Characters performances vary between wooden to manic.

And the accents. Very poor, especially Ms Rapace, most distracting.

The Django character has appeared in several spaghetti westerns over the last fifty years. This series does follow in the established genre but has sacrificed clarity for pretentiousness.

If they make a remake, remember to turn the lights on.