Esposos, amantes y amigos

I can't understand for the life of me why this movie has such a low rating! I went into this movie not expecting too much.. I don't mind Andy Samberg and Rashida Jones so I thought I'd give it a try. First off, don't watch this movie if you're looking for something full of laughs. It's not supposed to be something that has you in stitches. I thought it was a beautiful, well acted story of love and friendship. At times it was frustrating, heartbreaking, amusing and heartwarming. It made me smile and it made me sad. Both Samberg and Jones were pretty phenomenal in their acting in this movie. This movie stuck me as a more intelligent, realistic romance for those of us who are over the Nicholas Sparks sap. I'd recommend giving this movie a chance, I'm glad I did.

I gave this movie a 10 for the sake of balancing its score. It is a great movie about how love itself may not be enough to endure a relationship, how one's attitude can change everything and what can happen if emotions are taken for granted. The storyline is very realistic and relatable. I think it is more of a 500 Days of Summer type of romantic movie rather than a fairytale. The acting is also on point and Rashida Jones and Andy Samberg share a credible chemistry. In my opinion its score should be at least 7.5.

Lots of comedies in the last year or so have focused on whether two people can be involved sexually without being involved romantically. "Celeste and Jesse Forever" asks if two people who were involved sexually can be involved platonically. Both beat the dead horse of "complicated" relationships in film, but what's nice about "Celeste and Jesse" is that it never loses its comic edge in spite of melodrama.

Rashida Jones and Andy Samberg star as the titular couple in the process of a divorce, but because they spent so long as best friends, they have no concept of needing to draw boundaries.

It's a tough sell early on, that two people could go through a divorce yet essentially live together and spend time together in a somewhat intimate fashion. Jones, who co-wrote the script with Will McCormack (who has a supporting role), chooses to make Celeste and Jesse opposites in terms of professional status (he's a slacker artist, she's a big-deal trend forecaster) in order to justify why, despite their fabulous on-screen chemistry, they're not meant to stay married. It takes a bit of story wizardry, namely physical obstacles that force them apart, but somehow it makes sense, probably because Jones and Samberg are so likable.

The story then plays out like the emotional roller coaster of a relationship between two people who feel one thing but do another. It's exhausting, at times, as a third-party observer, to watch them fall in and out of the same predictable problems. A few scenes will certainly elicit shouts at the screen of "just get back together already!" or "stop screwing around and end it!" — depending on the scene.

Naturally, each character has his and her attempts to rebound by going on dates with other people and trying new relationships. To this point we've seen enough of the formula to know how that part of the story goes: two former lovers get mad at each other, the one who didn't really want to split rebounds first, the other says they're really happy for that person but secretly can't stand it, etc. That's all here in "Celeste and Jesse Forever."

So what's the saving grace? Something that makes "Celeste and Jesse" stand out from the pack? The answer is the simple refusal to ever take itself too seriously. Without it, the film would likely devolve into a train wreck of predictable moments.

In spite of the absurd tear count in the movie, Celeste is never shy about cracking a joke, nor the script afraid go out on a limb with something more extreme and less believable. This, in a movie that so fiercely tries to capture the gray area in relationships in a truthful way. Humor keeps the film in check, especially for us, who would otherwise happily chop up the script and divide the pieces into piles marked "realistic" and "unrealistic." The quirkier tone and moments maintain the soft illusion of a more fantastical real-life relationship story.

Director Lee Toland Krieger nicely flows back and forth between both up-close-and-personal realism and more standard-order comedy camera-work. On a few occasions he makes bold choices, some that work, some that backfire, but the comic and dramatic moments almost never butt heads.

Life in Los Angeles is, for many, a fantasy of a sort, and "Celeste and Jesse" could easily be deemed a story that could "only happen in L.A." In addition to the frozen yogurt and the exposure of the fraud that is trendy exercise, Celeste works in the entertainment industry and post-Jesse she's set up on all these dates with successful creative people. Scenes take place in all kinds of exotic clubs, so much of the context surrounding these characters oozes with a superficiality that makes the film both great and disturbing.

A little more troubling is the legit problem that Jesse disappears in large chunks of this film. There's a reason Celeste comes first in the billing, and that's because the movie only shows intimate moments featuring her (and the ones she shares with Jesse). Samberg doesn't get much of a chance to prove himself as a talent that can go below the surface. The script treats Jesse like a child, kind of like the way Celeste sees him. There's artist value to this decision, but the moments between the two of them are too lopsided in our minds. Great romance movies get you charged up because you feel a certain way about both characters, and in this film we only really feel what Celeste feels.

There's something special in "Celeste and Jesse," however, some rare ability to see the humor in the personally tragic, the potential for levity and irony in any situation. The emotional place that these two best friends arrive at in the end might not be as satisfying as that in a strong romance or rom-com, nor as poetic as in a tragedy, but with its playful disposition, it manages to carve out a place that's different, one that stands out from the pack just enough.

~Steven C

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From an outside observer's perspective, Celeste (Rashida Jones) and Jesse (Andy Samberg) are the perfect married couple. They have multiple inside jokes, sing along to the radio together, and have been together since high school. However, Celeste and Jesse are separated and have been for the last six months. Jesse, the less successful of the two professionally, moved out out their house but only to the guest house/studio in the back. They still have dinner with their friends together and Celeste, perhaps without realizing it, still wears a heart-shaped necklace which says "C&J 4ever".

Celeste and Jesse Forever is a first time writing credit for Rashida Jones and Will McCormack who plays Skillz, the on/off again couple's marijuana supplier and sounding board. For first time screenwriters, the screenplay is noticeably witty without tripping into slapstick or tried and true romantic comedy clichés. There are a few problems though, Celeste is a successful trend forecaster (what?) and the line "Are we really doing this?" or "Is this happening right now?" pops up in almost every situation. When Celeste calls out a coffee shop line cutter, the guys says, "Are we really going this right now?" When yoga classmate a Paul (Chris Messina) tries to ask out Celeste, she naturally responds, "Are you really doing this right now?" Yes, this is trivial, but if dialogue like this distracts the audience during the film, it is unnecessary.

Jesse wants to get back together with Celeste. Yes, they fight and he mooches off of his wife because he is an unemployed artist, but they are so good together. After getting his hopes dashed on too many times, Jesse finally screws up his nerve and moves out. This knocks the wind out of Celeste. For her, Jesse is as predictable as the morning commute. When she doesn't feel like having his company, she just sends him back outside to the studio. But now he's gone. Does Celeste even know who she is sans Jesse?

At work, Celeste works comfortably for Scott (Elijah Wood), a homosexual who makes tacky gay jokes to try and seem more gay. Aside from trend forecasting and promoting her new book 'Shitegeist' which is about the death of quality pop culture, their firm also markets and brands artists. Their new client is Riley Banks (Emma Roberts) who is written as a completely vapid imitation, or actual representation, of Ke$ha. Celeste and Riley have an uncomfortable relationship as Celeste looks down on Riley as all that is wrong with the world and Riley cannot stand Celeste's condescension. It does not help that Riley's new music single is 'Do It On My Face'.

Perhaps Celeste finds it so hard to work with Riley and competently function in day-to-day life because she is having second thoughts and regrets. Was Jesse really so bad? Now that is he is out from under her shadow, what if Jesse straightens himself out, matures, but meets someone else? These are weighty issues for a comedy which turns out to be deeper and incorporates more drama than the average rom com.

Celeste and Jesse Forever is an admirable start for two new writers, a worthy relationship study, and I recommend it for any young couple on a Friday night.

As another reviewer interestingly stated: It's tough to put this in a box or label it for that matter. Of course the first impression is that this is a romantic comedy, which is a fair assessment of the movie. But it would also be unfair to the movie to only boil it down to this. There is more to it and it deals with Human interaction and emotions on a bigger scale than this.

The two leads are terrific and unlike other romantic movies, you actually don't know where this will lead you from the get go. They play with such a gusto (great script/story matched with the acting talent to pull it off). It's also nice to see flawed characters, but not comically flawed. We all have our downfalls and we all have things/issues we work on. And the movie does concentrate on the female lead, which is a nice touch too. A really good (romantic) drama with comedy touches