Jesus Henry Christ

"Jesus Henry Christ" is a quirky indie comedy with a genetics, homosexuality and heresy bent. It starts off with heavy '70s-influenced comedy which you just have to hustle through to get to the heart of the story. The plot might seem a bit eccentric, but that is probably necessary if the comedy is going to be actually funny. Henry is a genius test-tube baby. He might be a freak but his mother (Toni Collette) wants to raise him normally.

Obviously Henry doesn't have many friends; that's why he's the classic indie protagonist. It also doesn't help that Catholic school headmasters don't like it when he denounces God's existence. Henry has always been able to handle himself just fine until the question of who his father is keeps popping up.

The introductions of his probable half-sister (Samantha Weinstein) and father (Michael Sheen) are possibly the funniest and most brilliant character set-up scenes. Audrey is Dr. Slavkin O'Hara's natural daughter but has decided to raise her as a psychology experiment in a world free of gender bias. Needless to say, she wishes she didn't have a father. Weinstein was uniquely beautiful and sympathetically hilarious as an adolescent with the hardest life imaginable. Sheen was funny, original and amazingly empathetic as a father/professor that is a perfect mix of 30 Rock's Wesley Snipes and the pedantic one from Midnight in Paris.

The spinning camera choices get annoying, the character and situation oddities can be off-putting, but it's also damn hilarious especially if you like anything that tries to turn "normal" social and cultural values upside down. "Jesus Henry Christ" is clever, particularly well-acted by most of the cast, and so original that you stare in disbelief but then laugh-out-loud out of awkwardness, relatability and genuine appreciation.

I picked this movie due to an expiring groupon, and the movie theatre had a poor selection of films. i came into this with no expectations, in fact, low expectations, due to the 5.8 rating on IMDb.

but i was quite blown away by this comedy, right from the very start. 10 seconds into it, i knew i was going to enjoy this film and i truly did.

it's a snappy film that moves fast. exaggerated but funny and with good reasoning. also has a nice heartwarming side to it too. it has a unique, and rather strange storyline. but this is a movie where execution trumps idea. the characters were quirky and multi-faceted. child actors were great too.

i do wish we got to see how the little guy turned out! i am really glad i got to watch this movie. i think it ranks one of my top favourite comedies! and i'm still baffled at its poor ratings! to be fair, comedies are usually not highly rated. PLUS i am a big fan of indie comedies. i really enjoyed 500 days of summer, thank you for smoking, etc. although i really though juno was overrated. i think this was funnier and better than juno!

The second film of Singapore Night, Jesus Christ Henry got into the lineup because of Singaporean Sukee Chew's involvement being one of three producers of the film, an indie production that made its World Premiere in the Tribeca Film Festival a few weeks ago, which drew quite a mixed response with comments that it had tried to hard. Written and directed by Korean American Dennis Lee based upon his short film back in 2003, I thought this movie garnered reactions that it didn't quite deserve for trying too hard, being crafted in the same hyperactive mold such as quirky comedies that have been seen around the region such as Citizen Dog and true blue Singaporean film 18 Grams of Love even.

There are a number of focus shifts in the film that tangent off its intended protagonist Henry James Herman (Jason Spevack), a petri-dish baby conceived through in-vitro fertilization technique opted by his feminist mom Patricia Herman (Toni Collette), turning out to be the unintentional genius with a videographic memory, retaining every single little detail that he's experienced since conception. Jason Spevack would probably be yet another child actor to look out for since Freddie Highmore grew up, and this film will serve as his showreel if not for being upstaged by the other cast members given the narrative shifts that put the spotlight on them.

Specifically I thought the film devoted a lot more time (not that I'm complaining) to the Patricia character, beginning with a rather lengthy introduction to the Herman family and the demise of each and every individual character beginning with Patricia's mother right down to her brothers, each in a rather comical manner that you'll likely be surprised at its rather nonchalant manner in which to bump them off, with black comedy by the bucket loads of course. And this set the course of the film to be rather gag filled in almost every scene put on screen, that for some it may be tiring and trying since it could have felt like a water torture treatment being force fed with in-your-face comedic moments. I appreciated what it had tried to do, but opinions on humour especially, and how to deliver it, will obviously be polarized.

Yes like a typical comedic indie film, this one is filled with its fair share of quirky characters. Outside of the mother-son Hermans, and Patricia's father Stan (Frank Moore) who forms a very strong bond with his grandson Henry, the story also goes out to another dysfunctional father-daughter pair when Henry embarks on a mission to discover his biological father. This brings Michael Sheen into the fray as Dr Slavkin O'Hara, a professor whose book "Born Gay or Made That Way?" becomes a living hell for his daughter Audrey (Samantha Weinstein) when she is the subject of his book, and becomes the constant taunt of her schoolmates.

Story-wise, the coming together of these two families in a sort of identity-crisis form the bulk of the situational comedy they find themselves in, but the pairing of both Weinstein and Spaveck together moved the story forward with both putting in strong performances and holding their own against two very powerful thespians in Sheen and Collette, although Weinstein probably upstaged Spaveck a little with her portrayal as the extremely cynical and sarcastic little girl quite unfazed by her tormentors. Again there are plenty of laugh out loud wicked moments that you will probably wonder if you're laughing at the film, or with it especially in its darker moments that could be quite unsettling.

Production values are quite spiffy given the big name executive producer behind this film, though Dennis Lee and Sukee Chew were quite tight lipped on how much this film actually cost since it looked like a multi-million dollar movie. If you're still game for quirkiness in all characters of your indie films, then Jesus Henry Christ will still be your cup of tea if you see beyond, or tolerate some eyebrow raising moments with its less than friendly jibes against lesbians/feminists as well as a white man who thinks he's black, otherwise those jaded will find fault with almost every frame of the film in trying too hard with wild absurdity in characters. Split down the middle, depending on your mood and attitude.

It is movies like this that reminds me of the sweetness of little films off the mainstream. And this very film, it is one that captures innocent adolescence and somewhat touches moral standards. But to put it simply, it is intriguing story-telling that really moves me.

This is not a standard film. There is hardly a way to compare, nor is comparison required if you ask me. My sole impression is that it is a feel-good and relaxing movie, mostly comedic with seemingly unrelated silliness, yet it also possesses the qualities of an inspiring drama: family relationships and coming-of-age themes, and perhaps more if you're eager to look further. Other than that it is a heartfelt comedy, not one of those laugh-out-loud ones, but one that manages to bind loose and scattered things and thoughts into a bittersweet experience, and a truly interesting tale of Henry James Herman, or Jesus Henry Christ if you like.

The backdrop of the plot is the extraordinary abilities of Henry, and from there it evolves unpredictably and fast to a reunion of Henry and Audrey, who he believes is his sister. And of course it continues.

The performances are not exceptionally surprising but the power of story has made that problem minor, as my love of the film emanates from the bravely unconventional story than from the acting.

Movies like this need to be made. For people who enjoy something different and relaxing from time to time, this film is not to be missed.

I liked this film from the moment we witness a potted history of Patricia's childhood. Patricia is Henry's mum and Henry is a kind of genius. He is certainly different but who wouldn't be with a mum like Patricia? The relationship between mum and son is a delightful watch as is Henry's growing urge to find his father. And there is Uncle Stan another character of infinite eccentricity for us to enjoy.

The beauty of this film is that it doesn't take itself seriously and neither do the characters and yet they are all tangible enough for us to like. It echoes life it really does. When Henry discovers his real background and the identity of the sperm donor then enter Audrey, his half sister, and another lovable quirky character with an equal flair for genius.

This is a film made for the many eccentricities you can wring out of such a wacky group of characters not by making cheap fun but by genuinely exploring where these people might go with their lives. It is fun, it is funny, and its ninety odd minutes seem to fly by and so it has to be doing something right.