Mad Max: Furia en el camino

George Miller returns to live-action filmmaking with one of the greatest action films ever put to screen. 'Mad Max: Fury Road' is ridiculous in all the right ways.

For those who have seen the original films and loved them, you'll fall in love all over again with this film. Tom Hardy takes the reigns this time around as Max - a man of few words who has been hardened by the world in which he lives. Along with him is Charlize Theron as Imperator Furiosa - a woman who seeks redemption by helping five young '"wives" escape from the film's antagonist.

Leading up to the film's release, many speculated if this would be just another action film that lacks a solid narrative and motive, but I am happy to say that this is simply not the case. Yes, the film does fill 80% of its run-time with action sequences, but it never gets in the way of the humanity between these characters that Miller has brought to life. There are some emotional moments. Specifically, with Theron's character. Is the story something we haven't seen before? Not at all. But in a film loaded with action, it's nice to see a solid narrative.

Now, how about those action sequences? Incredible - exhilarating - jaw-dropping. George Miller has put together some of the greatest, most memorable action set-pieces ever. One thing that sets the action in this film apart from a good majority of mediocre action films today is that every action the character's make have an affect on them. For good and for bad. The action is not pointless. It's motivated. And it's glorious to behold thanks to the use of practical effects, incredible stunt work and stunning cinematography.

'Mad Max: Fury Road' has set a new standard for action films. It's arguably the greatest action film of the 21st century. It's that good. George Miller has brought back what we loved about 80's action films while also brining new ideas to the table. It's the best time I've had in a theater in a long time, and I couldn't help but laugh in appreciation of the ridiculousness that was unfolding before my eyes. The film left me feeling giddy, with a big smile on my face.

The opening is wild, kicking off with a captivating start. I think everything about this movie is perfect: the visuals, the action, the dialogue, the costumes, the acting... it was both beautiful and apocalyptic. I loved how everything felt like a rock 'n' roll fest.

I love dystopian movies, but you don't have to be a fan to recognize how amazing this was. It's a story of survival in a savage wasteland, every scene felt epic. I liked the cult-like nature and how they glorified their deaths like they were Vikings. Everything was eccentric and crazy, with non-stop action for nearly the whole movie.

It's really dystopian and wild, so it's surprising that this was actually a mainstream hit. "Do not become addicted to water" was such a wild statement, lol.

The premise is very simple; I don't think I can think of a more simplistic movie that worked so well. They drive out into the desert, then make a U-turn back to where they came from. That's it. And it's a blast. This is my favorite action movie, jam-packed with crazy sequences.

The movie is really just one huge dystopian action sequence, so I guess the drawback could be that it's all action. If you're looking for something more, you won't find much. Apparently, Mad Max lore has some complex and darker elements, and maybe the upcoming Furiosa will delve deeper into that.

Furiosa was probably the main character; it felt like Mad Max himself was just tagging along. The villain, Immortan Joe, was great. All the characters are memorable. And because the premise is so simple and the movie is so action-packed, it feels shorter than it actually is. It's just great fun and keeps me glued to the screen. Looking forward to Furiosa: A Mad Max Saga.

George Miller elevates action and violence to a true art form in this remake of a classic. The film is a gripping full adrenaline race across the desert of a post-apocalyptic future. The action sequences are mesmerizing and the work of a true master craftsman in action. What is perhaps the most enthralling part of the film is the absolutely absurd story and world building. Miller created a fantasy world where men playing flame throwing guitars and leaping through high speed chases on pull-vaults seems like a typical milk run. The movie keeps a relentless action pace that makes all of the absurdity seem so completely ordinary, which might be the real magic of this movie. This is only really possible because the action, filmography, set choices and music are so brilliant you cannot help but believe the insanity that plays out before you. You want to believe the fiction because of the quality of the production. The movie also features some surprisingly good performances. Charlize Theron being the real the star of the film, with the titular character really only acting as her support.

I was left speechless when this finished. It can be hard to describe indeed.... but I'll go for it... Sheer madness that isn't sullied by bad acting or laughable lines. A blockbuster that is gritty and doesn't have a sense of humour that could be equated to a fluffy kitten. No 'lets all hug' sentimental BS. This is seriously a movie I thought I'd never see: a CGI-filled blockbuster that I flat out loved. The stunts are so much fun, the FX so great, it is the first movie I have seen where I have thoroughly enjoyed all this type of stuff - probably because the cinematography for once doesn't suffer cos of it. It is all incredibly shot. The action is so brutal and appropriately high-octane. I thought to myself more than once, 'I think I am loving this more than Terminator 2' but other than that, there wasn't time to think. It kicked off fast and barely stopped, and the lulls were amplified by the insanity preceding them. Plus it is a dark film, which made it even better. I many people do an Aussie accent even close to well, was Hardy actually trying for that? Either way, he didn't talk much so it didn't really matter. This is more Theron's movie than Hardy's, he doesn't say much and does next to nothing for the first third or so. Theron's Furiosa is more of the hero is the story, if there were to be a hero in such a grisly and dark world. I don't even like this type of movie but the execution is everything. I'm gonna go see this again, soon. 4.5/5

The rationale behind the success of 'Fury Road' predominantly lies with director George Miller whose commitment and love for the film series that he's been developing since its first outing in 1979 is evident throughout, and it's pretty obvious that he knows how to craft a damn fine action sequence. Without this passion, the film would have likely stooped as there's not much else in the way of a plot or character development, even though Theron tries her hardest to give us an enthralling new action heroine to be revered. Aside from the aforementioned writing setbacks, 'Fury Road' is a powerhouse in the technical categories. With stunning contradictory cinematography from John Seale giving us a post-apocalyptic world of lavish colour rather than your typical muted tones, a heart-pounding score from Junkie XL and exquisite production design work that rightfully earnt the film an Oscar (one of six) for its spectacular vehicle design.