Durante una iniciación pandillera, cuatro reclutas entran a una casa que se convierte en su peor pesadilla. Ahora deberán participar en juegos mortales donde ganar significa vivir, y perder ... Leer todoDurante una iniciación pandillera, cuatro reclutas entran a una casa que se convierte en su peor pesadilla. Ahora deberán participar en juegos mortales donde ganar significa vivir, y perder significa morir.Durante una iniciación pandillera, cuatro reclutas entran a una casa que se convierte en su peor pesadilla. Ahora deberán participar en juegos mortales donde ganar significa vivir, y perder significa morir.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Me'Lisa Sellers
- Marsia
- (as Me'lisa Sellers)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Three young guys and a young woman are attempting to join a local gang and for their initiation they must break into a house and rob a stash of cash for the gang leader.
One of them, Q, is a good kid with a mother with high expectations for him.
Against her wishws, he joins up witht he group to earn their respect and make some much needed cash in the process.
Of course, the plan goes from bad to worse as Badass, the title character has other ideas and, one by one, will amke the intruders play a series of games against him fr their very lives.
The cast, especially Q's mother, are all very good and some laughs are provided along the way.
Tony Todd does the intro in the style of the Crypt Keeper from the old HBO series from the eighties.
Bitch Ass is a short and passable diversion.
One of them, Q, is a good kid with a mother with high expectations for him.
Against her wishws, he joins up witht he group to earn their respect and make some much needed cash in the process.
Of course, the plan goes from bad to worse as Badass, the title character has other ideas and, one by one, will amke the intruders play a series of games against him fr their very lives.
The cast, especially Q's mother, are all very good and some laughs are provided along the way.
Tony Todd does the intro in the style of the Crypt Keeper from the old HBO series from the eighties.
Bitch Ass is a short and passable diversion.
This is a very low budget horror film. A riff on movies like Saw.
With an introduction by Tony Todd who name checks Candyman.
Q (Teon Kelley) is a disfigured man with a mask who like to play games. Such as Battleship and Jenga.
When some hoods break into his grandmother's house. Q cuts them some slack. They can leave if they can beat him. Only Q is too good for them.
There is a backstory how Q, a shy nervous young student was lured to be cut up by some nasty school bully.
The film presents Q as a sadistic anti hero. He takes his medicine when he loses a game.
You actually sympathise with him more than the others who have done bad things.
The movie has good production values despite the low budget. It also attempts to kickstart a black horror character.
With an introduction by Tony Todd who name checks Candyman.
Q (Teon Kelley) is a disfigured man with a mask who like to play games. Such as Battleship and Jenga.
When some hoods break into his grandmother's house. Q cuts them some slack. They can leave if they can beat him. Only Q is too good for them.
There is a backstory how Q, a shy nervous young student was lured to be cut up by some nasty school bully.
The film presents Q as a sadistic anti hero. He takes his medicine when he loses a game.
You actually sympathise with him more than the others who have done bad things.
The movie has good production values despite the low budget. It also attempts to kickstart a black horror character.
I was stuck for something to watch and I found this on one of many many streaming platforms here in the UK.
I checked the reviews on here and I can assure you this is a real review from a real person lol this is NO way as bad as people on here have made out.
I'm not gonna spoil it but if The People Under The Stairs is a 10 and Bones is a 1 this is easily a 6. With the late great Tony Todd playing the role as the "Crypt Keeper" I knew it couldn't be all bad.
The actual story is quite good. The acting is as really not that bad. It's cheesy like any anthology show of that era was.
The villain wasn't all that bad. He had a good backstory.
All in all was pretty good. Wouldn't watch it again, but definitely worth one watch.
I checked the reviews on here and I can assure you this is a real review from a real person lol this is NO way as bad as people on here have made out.
I'm not gonna spoil it but if The People Under The Stairs is a 10 and Bones is a 1 this is easily a 6. With the late great Tony Todd playing the role as the "Crypt Keeper" I knew it couldn't be all bad.
The actual story is quite good. The acting is as really not that bad. It's cheesy like any anthology show of that era was.
The villain wasn't all that bad. He had a good backstory.
All in all was pretty good. Wouldn't watch it again, but definitely worth one watch.
This film manages to carve out a niche for itself with a story that showcases some inventive ideas despite its limited budget. While it's commendable how the film attempts to make the most of its resources, there are several areas where it falls short, leaving it more of a mixed bag than a standout feature.
One of the film's strengths is its approach to storytelling. The premise is intriguing, and it's clear that the filmmakers put thought into crafting a narrative that stands apart from more conventional fare. The story, while not without its merits, does offer a refreshing change of pace and keeps you engaged with its unique plot twists. It's evident that the filmmakers tried to make the best out of what they had, and for that, they deserve some credit.
However, the positives are overshadowed by several notable shortcomings. The performances, unfortunately, leave much to be desired. While the cast tries to bring their characters to life, the acting often feels wooden and unconvincing, detracting from the film's overall impact. This lack of strong performances means that emotional moments fall flat, and it becomes difficult to fully invest in the characters or their fates.
The cinematography is another area where the film struggles. The film suffers from inconsistent visual quality, with some scenes poorly lit or awkwardly framed. This uneven cinematography takes away from the immersion and can make the viewing experience feel jarring at times. Instead of enhancing the atmosphere, it often feels like a missed opportunity to elevate the film's impact.
Moreover, the plot contains a number of implausibilities that can be hard to overlook. The story takes several leaps in logic that stretch credibility, making it difficult to stay fully engaged. These implausibilities, combined with some clumsy storytelling choices, result in a narrative that, while ambitious, ultimately feels strained and unconvincing.
In conclusion, this is a film that showcases some creativity and makes an admirable effort with its limited budget. However, its shortcomings in performance, cinematography, and plausibility hinder its overall effectiveness. It's a mixed bag that might appeal to those who appreciate unique stories despite their execution flaws, but for many, it might be a case of good intentions falling short of a fully realized execution.
One of the film's strengths is its approach to storytelling. The premise is intriguing, and it's clear that the filmmakers put thought into crafting a narrative that stands apart from more conventional fare. The story, while not without its merits, does offer a refreshing change of pace and keeps you engaged with its unique plot twists. It's evident that the filmmakers tried to make the best out of what they had, and for that, they deserve some credit.
However, the positives are overshadowed by several notable shortcomings. The performances, unfortunately, leave much to be desired. While the cast tries to bring their characters to life, the acting often feels wooden and unconvincing, detracting from the film's overall impact. This lack of strong performances means that emotional moments fall flat, and it becomes difficult to fully invest in the characters or their fates.
The cinematography is another area where the film struggles. The film suffers from inconsistent visual quality, with some scenes poorly lit or awkwardly framed. This uneven cinematography takes away from the immersion and can make the viewing experience feel jarring at times. Instead of enhancing the atmosphere, it often feels like a missed opportunity to elevate the film's impact.
Moreover, the plot contains a number of implausibilities that can be hard to overlook. The story takes several leaps in logic that stretch credibility, making it difficult to stay fully engaged. These implausibilities, combined with some clumsy storytelling choices, result in a narrative that, while ambitious, ultimately feels strained and unconvincing.
In conclusion, this is a film that showcases some creativity and makes an admirable effort with its limited budget. However, its shortcomings in performance, cinematography, and plausibility hinder its overall effectiveness. It's a mixed bag that might appeal to those who appreciate unique stories despite their execution flaws, but for many, it might be a case of good intentions falling short of a fully realized execution.
I liked this one quite a bit. It has "Boyz in da Hood/People Under the Stairs" vibes mixed with one of those movies where people are forced to play death games. It's low budget but nice looking, and the director played around with changing aspect ratios and split screen shots to add to the mood. Some funny stuff like score cards flashing on the screen and text popping up that only the audience can see. Some might not like those gimmicks but I do.
The games themselves were all based on beloved childhood games, except with a lot of blades, nooses and electric shocks. The gore was nice and explicit, if not a little cartoony. I like cartoons so whatever.
It really explained the killer's backstory, which I enjoyed, but it had a little bit too much of that backstory than necessary. They could have added in another death game and cut out some of that stuff.
The acting was hit and miss, but what do you expect from these kind of movies?
Can't remember much about the score, which means it wasn't bad but it wasn't great. I loved the track on the end credits though.
Here's what you get with this movie. Just a fun throwback to the times when everything wasn't ghosts popping up making boo faces and loud pitch-shifter noises. If you yearn for those times, you might enjoy this one.
The games themselves were all based on beloved childhood games, except with a lot of blades, nooses and electric shocks. The gore was nice and explicit, if not a little cartoony. I like cartoons so whatever.
It really explained the killer's backstory, which I enjoyed, but it had a little bit too much of that backstory than necessary. They could have added in another death game and cut out some of that stuff.
The acting was hit and miss, but what do you expect from these kind of movies?
Can't remember much about the score, which means it wasn't bad but it wasn't great. I loved the track on the end credits though.
Here's what you get with this movie. Just a fun throwback to the times when everything wasn't ghosts popping up making boo faces and loud pitch-shifter noises. If you yearn for those times, you might enjoy this one.
¿Sabías que…?
- TriviaFilmed with a shoe-string budget of less than $30,000.
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- How long is Bitch Ass?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 25 minutos
- Color
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