CALIFICACIÓN DE IMDb
5.7/10
23 k
TU CALIFICACIÓN
En Texas, un detective de homicidios se une a un policía de Nueva York para investigar una serie de asesinatos sin resolver.En Texas, un detective de homicidios se une a un policía de Nueva York para investigar una serie de asesinatos sin resolver.En Texas, un detective de homicidios se une a un policía de Nueva York para investigar una serie de asesinatos sin resolver.
- Dirección
- Guionista
- Elenco
- Premios
- 4 premios ganados y 3 nominaciones en total
Trenton Perez
- White Kid
- (as Trenton Ryan Perez)
Maureen Brennan
- Mrs. Kittredge
- (as Maureen A. Brennan)
James Landry Hébert
- Eugene
- (as James Hébert)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Apparently this is based on true events which occurred several decades prior spanning for a long time. This film has more so the feel of an episode of CSI or any police crime drama thriller type we have seen before. Also somewhat reminded of True Detective but this was obviously made before that. It starts off slow, picks up the pacing and interest a little in the middle then doesn't exactly reach to great heights as it should have.
Chloë Grace Moretz is possibly the standout in a very early tome portraying a troubled teen. The highlight and climax involves her being ultimately kidnapped with the lead cop (Sam Worthington) finding the killer in the house and ultimately taking them down. The reveal of the killer was far too predictable and rather anti climatic. In the end, this film wasn't anything special and was rather average.
Chloë Grace Moretz is possibly the standout in a very early tome portraying a troubled teen. The highlight and climax involves her being ultimately kidnapped with the lead cop (Sam Worthington) finding the killer in the house and ultimately taking them down. The reveal of the killer was far too predictable and rather anti climatic. In the end, this film wasn't anything special and was rather average.
With a great cast list, I jumped at this film with enthusiasm. This was met with a complete underutilisation of some of my favourite actors. For what it was Jeffrey Dean Morgan played his limited role well, Sam Worthing over acted his role making him less convincing and Chloe Moretz was vastly underused.
The plot is difficult to follow and some scenes seem completely unnecessary and others feel as though there needs to be more detail. The story overall suffers from a lack of telling and too much showing. The main plot itself was rather predicable and ultimately let me shaking my head in disapproval. Putting this aside there were some parts of the film that made it interesting and the overall story was good in premise.
I suppose I don't want to hate this film, because it has so much potential. It left me feeling disappointed, but as a point of reference of something done badly that could be brilliant, this is the perfect case.
The plot is difficult to follow and some scenes seem completely unnecessary and others feel as though there needs to be more detail. The story overall suffers from a lack of telling and too much showing. The main plot itself was rather predicable and ultimately let me shaking my head in disapproval. Putting this aside there were some parts of the film that made it interesting and the overall story was good in premise.
I suppose I don't want to hate this film, because it has so much potential. It left me feeling disappointed, but as a point of reference of something done badly that could be brilliant, this is the perfect case.
OK.
Mumbling, yes. about as much as Run Baby Run. Archetypal characters, well, tick, but then this is the US.
Personally, I liked it. I didn't expect to, but it was OK. They did a 'Coen brothers-y' thing, not really explaining the back story.
OK. Maybe the two male leads have similar attitudes to women and to their abusers as I do, so maybe that biases me, but I don't think that's all.
I think this has a body. Brains, guts, and a spine. The minor parts are well cast and directed, and the three leads rock.
I'm a bit surprised how slated this has been on IMDb.
I liked it, OK? So sue me....
Mumbling, yes. about as much as Run Baby Run. Archetypal characters, well, tick, but then this is the US.
Personally, I liked it. I didn't expect to, but it was OK. They did a 'Coen brothers-y' thing, not really explaining the back story.
OK. Maybe the two male leads have similar attitudes to women and to their abusers as I do, so maybe that biases me, but I don't think that's all.
I think this has a body. Brains, guts, and a spine. The minor parts are well cast and directed, and the three leads rock.
I'm a bit surprised how slated this has been on IMDb.
I liked it, OK? So sue me....
The movie itself is really on the verge of being really good. But it never quite reaches that top. Still it is a wonderful acted and photographed movie. The story keeps you on your toes (or the edge of your seat from time to time), though you sometimes wish there would be a clearer and easier to follow narrative. On the other hand you could argue that that is the strong point of the movie.
Being based on real events, this obviously had some high expectations to fill (read there was some notion from the real detectives, who were hoping to get new clues on happenings in that area, though I can't confirm if that is true or not). And it shouldn't matter or make a difference on what you think of the movie. Either you like it or you don't. No matter what is really going on. You can't put that kind of pressure on a low budget movie like this one.
Being based on real events, this obviously had some high expectations to fill (read there was some notion from the real detectives, who were hoping to get new clues on happenings in that area, though I can't confirm if that is true or not). And it shouldn't matter or make a difference on what you think of the movie. Either you like it or you don't. No matter what is really going on. You can't put that kind of pressure on a low budget movie like this one.
In the Texas bayous, a local homicide detective teams up with a cop from New York City to investigate a series of unsolved murders.
The casting on this film is perfect -- Sam Worthington, Jeffrey Dean Morgan and the flawless Chloe Moretz. The directing and cinematography are great, with the dark, gritty feel that one would expect from your better serial killer films. And the story, despite being disjointed, is a pretty good one.
That being said, I have a major problem with this film -- it is fiction. My understanding is that the police involved with the real case were hoping this film would promote the true unsolved murders in the "Texas killing fields". Well, I am sure they must be disappointed. The story is fake, the solution is fake... they even changed the name of the city.
Now, here is the thing... if you are going to call this film "Texas Killing Fields" and then make it about nothing related to the case, the least you can do is put a featurette on the DVD. I know two former detectives who are willing to talk about the case. I know some family members of victims who have a story to tell. If one of the goals was to promote the real case (in order to get it solved), the people behind this movie did not do even the most basic of things to accomplish this goal.
If I pretend that this movie was not very loosely based on a true story, I can be more praising. Like I said, it looks great and the cast is phenomenal. Moretz never fails to impress, and I think Morgan should be an A-lister in the world of Hollywood. He impressed me in "The Resident" and again here.
While I have not read other reviews, I suspect there is a running theme to talk about the director's father, maybe saying things like "being in his shadow". I hope these sort of comments are few and far between. Ami Mann holds her own, and whether she was a famous director's daughter or not, she has the skills and is blazing her own trail.
The casting on this film is perfect -- Sam Worthington, Jeffrey Dean Morgan and the flawless Chloe Moretz. The directing and cinematography are great, with the dark, gritty feel that one would expect from your better serial killer films. And the story, despite being disjointed, is a pretty good one.
That being said, I have a major problem with this film -- it is fiction. My understanding is that the police involved with the real case were hoping this film would promote the true unsolved murders in the "Texas killing fields". Well, I am sure they must be disappointed. The story is fake, the solution is fake... they even changed the name of the city.
Now, here is the thing... if you are going to call this film "Texas Killing Fields" and then make it about nothing related to the case, the least you can do is put a featurette on the DVD. I know two former detectives who are willing to talk about the case. I know some family members of victims who have a story to tell. If one of the goals was to promote the real case (in order to get it solved), the people behind this movie did not do even the most basic of things to accomplish this goal.
If I pretend that this movie was not very loosely based on a true story, I can be more praising. Like I said, it looks great and the cast is phenomenal. Moretz never fails to impress, and I think Morgan should be an A-lister in the world of Hollywood. He impressed me in "The Resident" and again here.
While I have not read other reviews, I suspect there is a running theme to talk about the director's father, maybe saying things like "being in his shadow". I hope these sort of comments are few and far between. Ami Mann holds her own, and whether she was a famous director's daughter or not, she has the skills and is blazing her own trail.
¿Sabías que…?
- TriviaInspired by a series of long-unsolved murders of young women occurring for decades along an interstate south of Houston, in a rural area that became known as the "killing fields." Since the release of this film, several of the murders have been solved, with four connected to William Lewis Reece.
- ErroresLiquor is shown for sale inside a convenience store. While this is legal in the filming location in Louisiana, it's not legal in the state of Texas.
- ConexionesFeatured in Ebert Presents: At the Movies: Episode #2.14 (2011)
- Bandas sonorasLook on Down from the Bridge
Written by David Roback and Hope Sandoval
Performed by Mazzy Star
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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- How long is Texas Killing Fields?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Texas Killing Fields
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 45,469
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,772
- 16 oct 2011
- Total a nivel mundial
- USD 1,271,319
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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