India Lockdown
- 2022
- 1h 57min
CALIFICACIÓN DE IMDb
7.1/10
9.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe Indian government announces a country-wide lockdown for 21 days due to the COVID-19 pandemic. India Lockdown encapsulates the story of four out of thousands of individuals whose lives ca... Leer todoThe Indian government announces a country-wide lockdown for 21 days due to the COVID-19 pandemic. India Lockdown encapsulates the story of four out of thousands of individuals whose lives came to a standstill.The Indian government announces a country-wide lockdown for 21 days due to the COVID-19 pandemic. India Lockdown encapsulates the story of four out of thousands of individuals whose lives came to a standstill.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Prateik Patil Babbar
- Madhav Prakash
- (as Prateik)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The screenplay is decent. There are some entertaining scenes while some are boring and unnecessary. The movie is based on doctors life. Drama movie. The end of the movie is somewhat emotional. The movie is a complete adult movie. The movie has some dialogues which are meant for adults. Double meaning dialogues are more in this movie. Moreover, there is no bad scene in the movie. The movie has some comedy scenes. The performance of all the actors in the movie is good. Specially Prateik performance is very good. There is no music in the movie. I didn't like any of the songs. No background score. Overall one time watchable movie. The movie will be boring after the second viewing. Bad movie editing. A minimum of 10 to 15 minutes of scenes could have been cut. This movie would have been better if the unnecessary scenes were cut.
India Lockdown tries to depict how COVID and the lockdowns that followed affected the lives of people belonging to the various sections of Indian society. Now, this is not the first film made with the backdrop of coronavirus, and in all probability it won't be the last as well, but the thing that matters is that regardless of how important an event you select as the backdrop of your movie, it needs to be told in the form of a story, otherwise it would feel like a documentary, something that holds true for this film as well. Some things are happening in the film, but it's not quite clear as to what is the intention of the director, what exactly does he want to say through this movie. It looks like the director and his research team picked up some examples from real life and put them into this movie, but forgot to weave them into a properly structured story.
Among the four stories being told simultaneously, the story that moves you the most is the one with Prateik Babbar and Sai Tamhankar. One of the most heartbreaking consequences of the lockdown was the mass exodus of migrant workers, and we get a first-hand experience of that traumatic phase through Madhav and his wife, as they wander around helplessly on the streets. It was as it is depressing to revisit those visuals once again, but the believability with which those two actors have portrayed their roles made it even more painful to watch. Prateik Babbar and Sai Tamhankar are extremely underrated actors and both of them have given a beautiful performance in this segment of the movie.
The Mehrunissa chapter with Shweta Basu Prasad also felt like a retelling of some real life instances that may have happened during the lockdown, there was no real story there. I kept wondering as to where are we headed with this, what is the point of what we are watching, but I got nothing. It feels as if the director just wanted to show how sex workers were operating during coronavirus, that's all. The problem however with this kind of filmmaking is that your movie starts to look like a documentary. Shweta Basu Prasad is a very capable actress, but in most of the scenes of this movie, she was extremely loud and over the top. Perhaps she was trying to impersonate some real life sex worker, but she should have kept it a few notches lower. It was only towards the end that she gave a glimpse of the brilliance that she possesses as an actress.
Prakash Belawadi was extremely grounded in his portrayal of Nageshwar, but his segment too felt like a soulless piece of screenplay. Through Nageshwar's story, the director was telling us something that we are already aware of. If we wanted to see things happening around us, we would watch the news or read it; we don't watch a movie for that. Events taking place around us are supposed to be used as the setting, something that helps the director in laying down the basic groundwork of his main story; turning that particular news story into your screenplay is just lazy work. The main focus has to be there on the main characters and their journey, otherwise there is no real point of making a film.
The segment with Dev, Palak and Moon Alvez was not only dull and predictable but also the weakest in terms of acting performances. While the young actors just didn't know how to act, Aahana Kumra on the other hand was extremely loud in every single scene.
No one likes to watch a boring and poorly written film, but unfortunately that is precisely what 'India Lockdown' is.
Among the four stories being told simultaneously, the story that moves you the most is the one with Prateik Babbar and Sai Tamhankar. One of the most heartbreaking consequences of the lockdown was the mass exodus of migrant workers, and we get a first-hand experience of that traumatic phase through Madhav and his wife, as they wander around helplessly on the streets. It was as it is depressing to revisit those visuals once again, but the believability with which those two actors have portrayed their roles made it even more painful to watch. Prateik Babbar and Sai Tamhankar are extremely underrated actors and both of them have given a beautiful performance in this segment of the movie.
The Mehrunissa chapter with Shweta Basu Prasad also felt like a retelling of some real life instances that may have happened during the lockdown, there was no real story there. I kept wondering as to where are we headed with this, what is the point of what we are watching, but I got nothing. It feels as if the director just wanted to show how sex workers were operating during coronavirus, that's all. The problem however with this kind of filmmaking is that your movie starts to look like a documentary. Shweta Basu Prasad is a very capable actress, but in most of the scenes of this movie, she was extremely loud and over the top. Perhaps she was trying to impersonate some real life sex worker, but she should have kept it a few notches lower. It was only towards the end that she gave a glimpse of the brilliance that she possesses as an actress.
Prakash Belawadi was extremely grounded in his portrayal of Nageshwar, but his segment too felt like a soulless piece of screenplay. Through Nageshwar's story, the director was telling us something that we are already aware of. If we wanted to see things happening around us, we would watch the news or read it; we don't watch a movie for that. Events taking place around us are supposed to be used as the setting, something that helps the director in laying down the basic groundwork of his main story; turning that particular news story into your screenplay is just lazy work. The main focus has to be there on the main characters and their journey, otherwise there is no real point of making a film.
The segment with Dev, Palak and Moon Alvez was not only dull and predictable but also the weakest in terms of acting performances. While the young actors just didn't know how to act, Aahana Kumra on the other hand was extremely loud in every single scene.
No one likes to watch a boring and poorly written film, but unfortunately that is precisely what 'India Lockdown' is.
The movie was covering the story of different sections of people from different stratas of Indian society during the lockdown phase. The story is really close to the very reality. Lives of those sections are also shown by the makers who are generally ignored. Madhav's scene is deeply emotional and generates a lot of sympathy for the couple. Immediate shift of emotions happens from one scene to the next. Its a good story which has shown many things in shorter span of time. The end was also very happy.
Talking about the characters, outstanding acting by all the actors and Mehrunisa has truly stolen the show with her acting skills. Want India Lockdown 2.0 as well.
Talking about the characters, outstanding acting by all the actors and Mehrunisa has truly stolen the show with her acting skills. Want India Lockdown 2.0 as well.
India Lockdown review :
We are probably the first (and hopefully last) generation to have experienced a disease induced country wide lockdown- something which taught us to work from/at home and made online communication a part of our everyday lives. Only this lockdown which started on the fateful evening of 24th March and extended till mid June 2020 wasn't as kind for the lower middle and labour class who lost their bread and butter...and some their lives!!
Madhur Bhandarkar, acclaimed for his realistic cinema, chooses this grim chapter which will invariably find a place in Indian history. " Bomb blasts, 26/11 aur floods mein bhi Mumbai chalta raha...yeh Corona naam ki kya musibat hai!!" goes the lament which accurately reflects the mood of that time. Indeed, the Covid lockdown was something unprecedented, harsh but highly essential as a precautionary measure.
Bhandarkar chooses to showcase all classes of the society to reflect how the covid lockdown impacted every Indian. There is a senior citizen (Prakash Belawadi) stuck in locked up Mumbai when he was about to travel to Hyderabad for his daughter's delivery. A migrant couple (Prateik Babbar- Sai Tamhankar) lose their jobs in Mumbai and have no option but to walk all the way to their hometown in Bihar. A lady pilot (Aahana Kumra) befriends her new "virgin" neighbour and they get close in this lockdown state. Lastly, a Kamathipura prostitute (Shweta Basu Prasad) runs out of business and devises a new trick to earn some grub - phone sex.
The screenplay is fast paced as well as relatable to a significant extent. The hardships faced by every strata is accurately explored by Bhandarkar without making the movie appear like a mundane documentary. His trademark flair for mixing commercial elements in to realism is evident once again. The climax where all the sub plots merge together seamlessly is also commendable.
Bhandarkar has the knack of extracting the best from his ladies and he doesn't disappoint here as well. Shweta Basu Prasad is simply outstanding, Sai Tamhankar is utterly convincing as the hapless poor migrant coping with blatant passes made at her and lastly, Aahana Kumra springs a pleasant surprise with her superlative act reminding you of the seductive Mrs. Robinson in The Graduate (1967). I wish the film was bold enough to consumate her love...but alas!!
Prateik Babbar is another well etched character and the way he rummages through garbage for a piece of food is gut wrenching. Certain scenes create a shock value like an ambulance used by a vile corporator for sex and a well to do dude casually dismissing covid as a sham dying of the same in no time.
All in all, India Lockdown is certainly worth a one time watch. It is a near accurate account of all the breaking news we saw and read in those turbulent times when survival was more important than personal progress. Fortunately, we all lived to see a film made on it today. Cheers for that!
Regards, Sumeet Nadkarni.
We are probably the first (and hopefully last) generation to have experienced a disease induced country wide lockdown- something which taught us to work from/at home and made online communication a part of our everyday lives. Only this lockdown which started on the fateful evening of 24th March and extended till mid June 2020 wasn't as kind for the lower middle and labour class who lost their bread and butter...and some their lives!!
Madhur Bhandarkar, acclaimed for his realistic cinema, chooses this grim chapter which will invariably find a place in Indian history. " Bomb blasts, 26/11 aur floods mein bhi Mumbai chalta raha...yeh Corona naam ki kya musibat hai!!" goes the lament which accurately reflects the mood of that time. Indeed, the Covid lockdown was something unprecedented, harsh but highly essential as a precautionary measure.
Bhandarkar chooses to showcase all classes of the society to reflect how the covid lockdown impacted every Indian. There is a senior citizen (Prakash Belawadi) stuck in locked up Mumbai when he was about to travel to Hyderabad for his daughter's delivery. A migrant couple (Prateik Babbar- Sai Tamhankar) lose their jobs in Mumbai and have no option but to walk all the way to their hometown in Bihar. A lady pilot (Aahana Kumra) befriends her new "virgin" neighbour and they get close in this lockdown state. Lastly, a Kamathipura prostitute (Shweta Basu Prasad) runs out of business and devises a new trick to earn some grub - phone sex.
The screenplay is fast paced as well as relatable to a significant extent. The hardships faced by every strata is accurately explored by Bhandarkar without making the movie appear like a mundane documentary. His trademark flair for mixing commercial elements in to realism is evident once again. The climax where all the sub plots merge together seamlessly is also commendable.
Bhandarkar has the knack of extracting the best from his ladies and he doesn't disappoint here as well. Shweta Basu Prasad is simply outstanding, Sai Tamhankar is utterly convincing as the hapless poor migrant coping with blatant passes made at her and lastly, Aahana Kumra springs a pleasant surprise with her superlative act reminding you of the seductive Mrs. Robinson in The Graduate (1967). I wish the film was bold enough to consumate her love...but alas!!
Prateik Babbar is another well etched character and the way he rummages through garbage for a piece of food is gut wrenching. Certain scenes create a shock value like an ambulance used by a vile corporator for sex and a well to do dude casually dismissing covid as a sham dying of the same in no time.
All in all, India Lockdown is certainly worth a one time watch. It is a near accurate account of all the breaking news we saw and read in those turbulent times when survival was more important than personal progress. Fortunately, we all lived to see a film made on it today. Cheers for that!
Regards, Sumeet Nadkarni.
The director of this movie Madhur Bhandarkar has chosen a tough topic India lockdown. The movie is good and anyone can feel and relate with this movie. What we faced and how we faced and what happened during lockdown will become fresh after watching it. I think it was one of the scariest and depressing time we all went through during Corona times. The topic is vast and it's not possible to show everything in one single movie yet the director tried his best to show about the fear among the people and the conditions of the people to arrange the necessary items for them. The daily wage workers were badly affected by the effect of Corona and lockdown. Since the topic was vast so after watching it gives you a feeling of something missing or the movie was incomplete. Yes it's a one time watch movie and I think our next generation would love this movie more than us. Because we have experienced it but they will know it not only by the stories told by us but also by watching it.
¿Sabías que…?
- TriviaFor research on her role, Shweta Basu Prasad (who plays a prostitute named Mehrunnisa) along with the director of the film Madhur Bhandarkar visited Kamathipura, the red light district of Mumbai, where she met sex workers over there and learnt a lot about their mannerisms and lingo which she later incorporated in her own performance.
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Detalles
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
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