Shimmer Lake

A crime caper which is told in reverse which seems like a bad choice until the end (beginning) of the story where it all comes together nicely. It has a quirky style, some humorous moments and good acting, but mostly, it just rolls along without much of a fuss.

No spoilers here.

Like Memento, it's written to be watched twice. The writing is tight and smart, nothing is wasted, though that might not register until the second time through.

Both bleak and comic, it is a genuine mystery, in that clues and red herrings are carefully planted throughout, with a big reveal at the end that is genuinely surprising. The storytelling architecture is very satisfying.

You are not emotionally invested in any of the characters. This is by design, the structure pretty much guarantees it, and it's a good thing.

Though it works backwards, it goes day-by-day, not sequence by sequence, so while you are kept engaged in figuring out what's going on and who's who, it's easy enough keep track, you're never at sea. There's plenty to enjoy the first time through, but much of the early content, and many of the "jokes" -- it's very dark, but they are a kind of jokes-- only hit on second viewing.

It's a new kind of thing, straight to streaming, the cinematic equivalent of a straight-to-paperback noir. Made cheaply enough that neither the cinematography nor the acting seek to wow you (though they do get the job done) so it's not like a movie. But it's not like TV either, it's not looking for ratings, it doesn't have to go big-hit-or-die, it doesn't need a sponsor, it can be its own thing, the story they wanted to tell, everything's in there they wanted, nothing is in there they didn't want.

I liked it a lot. I probably wouldn't have watched it again, but there were special circumstances, and I'm really glad I did.

'SHIMMER LAKE': Four Stars (Out of Five)

A crime thriller told in reverse order, about a sheriff investigating a bank robbery involving his brother and two old high school friends. It was written and directed by first time feature filmmaker Oren Uziel (who previously wrote the horror-comedy 'FREAKS OF NATURE', and he also co-wrote '22 JUMP STREET'). The movie stars Benjamin Walker, Rainn Wilson, Stephanie Sigman, Wyatt Russell, Adam Pally, Mark Rendall, John Michael Higgins, Ron Livingston and Rob Corddry. It was released by Netflix through their streaming site, and it's gotten polarized reviews from critics (from the small number that have seen it that is, but some rave about it). I really enjoyed it too.

The story is told over the course of one week, in reverse order, starting with Friday. It's about a bank robbery gone wrong, in a small town, being investigated by Sheriff Zeke Sikes (Walker). The robbery was carried out by Zeke's brother Andy (Wilson), and two old high school friends of theirs, Ed Burton (Russell) and Chris Morrow (Rendall). On Friday, Andy is trying to get away with the money from the robbery, while his brother is looking for him. We see Andy's fate, and then we learn what happened to everyone else, and everything that happened leading up to Friday, in reverse daily order.

The movie is pretty cleverly written, and acted, and it even has a pretty fun twist at the end. It seems fresh, and pretty original, but if you take away the 'reverse order' storytelling gimmick, it's not really that original or memorable. Still it's highly amusing, and always interesting to watch. It should keep most viewers guessing (until the very end) as well. It did for me, and I definitely recommend it.

I'm not sure why this film is considered a crime-drama. It is really a dark comedy and mystery told in reverse chronological order. It's certainly not a serious crime-drama at all. Unlike most comedies of this sort that make local police look like the buffoons and the FBI agents the serious crime fighters. This film spins things around by making the FBI the buffoons. The exception is the sheriff's sidekick who doesn't seem to get a chance to sit shotgun with his partner in the squad car. Almost always relegated to the back seat.

I thought it was creative and funny.

It's smart, funny, dark and succinct. Makes you use your brain a bit as you rethink the previous scenes with each newfound bit of information. I was pleasantly entertained and actually laughed out loud several times. A hidden gem of a movie that deserves much better than the 6.2 rating it currently has. I'm starting to lose faith in the IMDb rating system.