Los agentes del destino

What if your own free will was nothing of the sort. Every move you made was in accordance with a master plan, any kinks or imperfections "adjusted" by persons unknown, constantly on hand to ensure you stayed on track.

Many people might assume that their lives are quite the reverse, with all the bad decisions they have made, anything resembling a master plan is unlikely.

David Norris (Matt Damon) is a rising New York Congressman with his heart set on becoming a young Senator, everything is going according to plan until he meets the beautiful quirky ballerina, Elise (Emily Blunt) in a mens restroom.

Elise inspires him in ways that he could not have imagined but any longer term relationship is not part of the plan the "Men in Grey" have mapped out. They do not like their careful plans messed with, ever. Although they do get to wear Trilby's, which not only look cool but are also a necessary tool for their profession.

The many scenes between Blunt and Damon are very believable and natural, real chemistry in action and is fun to watch. Blunt is a breath of fresh air in the congressman's driven life, living more in the moment than he possibly ever did before.

Just when you think the film will descend into a smorgasbord of special effects, the story goes into the opposite direction. A thoughtful and character driven piece about choices and the ripple effect each path taken, or not taken, has on your own and other peoples lives.

Terence Stamp, still with one of the best voices in the business, together with Anthony Mackie & John Slattery, do good work as the agents attempting to get everything back on track.

There are some good lines and Damon can play an aspiring politician with ease, no doubt he could be one in real life if he chose to move in that direction.

The central question of defining who we are by the choices we make is explored and it is good to see another movie messing with our heads, if only just a little. If we have no free will are we still the people we thought we were, very deep but don't panic, the film does not get too caught up in this existentialism.

The action is limited, there are no cars exploding and the body count is non existent, a refreshing change from most modern films. A film that could have been made in the 50's from a story point of view, although actually based on a short story by Phillip K Dick of "Do Androids dream of electric sheep" fame, the inspiration for "Blade Runner".

Production values are good, although not of the highest flight. The costumes worn by the adjustment police are rather dodgy and look like guys with spare motorcycle helmets sprayed black. Not what you would expect in a big budget Hollywood movie, a small point but quite noticeable.

Similar to many films of this genre, the movie has to decide how to wrap everything up neatly. The final reel is perhaps a little disappointing but that depends on how you would want the film to end, somehow it feels that the easier option was taken.

Summary

A well made and more thoughtful film than you might be expecting.

Well acted with a believable romance, a light dusting of Sci-Fi and a great story. "Inception" lite perhaps, which is certainly recommendation enough for any film.

http://julesmoviereviews.blogspot.com/

Jan 11: I was invited to see and rate this movie at a free audience screening. While biting the hand that feeds you is incredibly bad form, this film is not worth paying a full price admission. DO see it on the big screen, but go to the matinée instead.

Caveat, I'm not the target audience, (and hadn't read the short story source first) so for you to calibrate: I rated Jumper at 7; Avatar at 6 bumped up to an 8 for CGI; and Last Airbender at 3.

This film has all the individual elements for a great time: The opening draws you into the story; Blunt is engaging and sensual; Stamp is villainous; Damon/Blunt have fabulous chemistry including a great meet; initial mystery, sophisticated humor, snappy repartee, wonderful score, and superb scenery. The supporting characters are well cast and acted. However, the thin plot doesn't sustain the whole movie, and it takes too long for the minimal plot to unfold, even though there are myriad chase scenes to divert you at first.

The movie was seemingly created for chase scenes, with a poorly contrived reason for the "boy meets girl, boy loses girl but continues to search for her storyline", tossed in to justify all the chasing. In attempting to make everything mysterious, the audience is kept as ignorant as the characters to the point where it became "THATS the reason he's been chasing after her? How DISAPPOINTING!" when the cause for separation is unveiled. The secret meetings which presumably either advance or reveal the mystery were annoying instead. Finally, in the last portion of the movie, the opening doors and running become so repetitive, you can feel like the Blunt character, who has her hands over her head and is screaming. The ending is abrupt, contrived and disappointing, a veritable deus ex machina version.

Conversely, my companion who loves everything sci-fi or sci-fantasy, and reads Phillip K Dick (including the short story on which this was based) rated the movie "excellent" as opposed to my "ok". Even though the movie diverges from the short story, he suffered no confusion or disappointment with the story line, big reveals, or ending. He also thought the cast, romance, and humor were great.

We both agree--do see the movie on the big screen as it certainly enhances the suspense and startling moments (political crowd scene, adjustment scene, car crashes, action scenes and finale) and shows off the great NYC locations. He says go ahead and pay full price,the movie is worth it

The fascinating premise, that there are some talented actors on board and the generally positive word of mouth were my reasons for seeing 'The Adjustment Bureau'. Seeing it, there are no regrets watching it but at the same time it was a little frustrating. It is an interesting and decent film, but had real potential to be a great one and could have been much more.

Matt Damon is a charismatic presence and commands the film with ease without ever trying too hard. Emily Blunt has a genuine winning charm as one often finds with Blunt, her character is not quite as interesting as Damon's but Blunt makes it work. The two have great chemistry together, it really sparkles. In fact it is the romance that comes off the best and most consistently, being where 'The Adjustment Bureau' really comes alive. Anthony Mackie is suitably mysterious while also quite likable in the film's latter stages.

John Slattery really looks the part and has a lot of fun in a suitably shady role while Terence Stamp brings some sinister dignity and authority to a rather severely underwritten character that appears in the film too late somewhat. On the acting front, 'The Adjustment Bureau' is very good.

As it is too with the way it's made, suitably gritty and slick with some inventive moments and an audacious style. The locations are chosen well and used cleverly. The music score has a good mix of understatement and thrilling pulsation. The first half has a lot of very interesting and smart ideas that leaves one gripped enough to carry on and see further how it goes and there is a good deal of fun and a few suspenseful jolts to be had.

For all those great things, 'The Adjustment Bureau' would have been an even better film if it had done more with the premise. The romance is the most well done and memorable element of it and the rest doesn't live up. It's intriguing and entertaining, but the second half suffers from playing it too safe and having too many ideas needing to be tied up, meaning that potentially great ideas are not fully expanded upon (even the whole basic premise doesn't feel fully cooked).

Pacing does get stodgy, as a result of the lack of risk-taking and struggles with keeping things probable and consistent. Despite the conflict being well performed the threat feels lacking because it is handled in a way that's under-cooked and somewhat repetitive which dilutes the suspense quite badly. The more under-explored 'The Adjustment Bureau' gets, the more confusing, tonally muddled and far-fetched it gets too. This is especially true with the ending, which to me is down there with the decade's "what the heck" film endings.

Overall, has a lot to recommend but there was a lot more to the film that never fully emerged. 6/10 Bethany Cox

I'm starting to like this new genre of science fiction romance that "The Adjustment Bureau" falls into. Hollywood seems to have learned how to add a significant amount thought to their films, just with their usual dumbing-down procedures.

David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with. They have other plans. Oh yes, the indefinable, ambiguous pronoun "they". Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". What they want, we don't really know. But David wants the girl—a beautiful girl—but just a girl nonetheless.

For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. All running around an intricate maze of New York architecture. Although intricate might not be the best word because there's nothing here for us to figure out; the film lays everything out well in advance, and over and over again in case you missed it. At least there's intelligence to the story but unfortunately no subtlety.

"The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. As with most genre-mixing films, there is something for everybody. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.

In New York, the prominent politician David Norris (Matt Damon) is disputing the election for the Senate but his past of bad boy makes him lose the election. He meets the stranger Elise Sellas (Emily Blunt) hidden in the Waldorf's toilet and she tells that she had crashed a party and the security guards are chasing her. They start a conversation and they immediately fall in love with each other. However the guards find her and David does not see her again. However she inspires him to make a remarkable speech.

One day, David is traveling by bus and he meets Elise again. She gives her phone number to him and David promises to call her. However, strangers wearing hats approach to David and tell that they belong to the Adjustment Bureau and Elise and David must be kept apart. They destroy the piece of paper with her phone number and David is unable to contact Elise. Three years later, David sees Elise walking on the sidewalk. He gets out of the bus to meet her and he learns that she is a dancer. But the strangers use their abilities to keep them apart. What is the reason why David and Elise can not be together?

"The Adjustment Bureau" is a romantic and suspenseful sci-fi based on a short story by Philip K. Dick, the writer of "Blade Runner", "Total Recall", "Impostor", "Minority Report", "Paycheck", "A Scanner Darkly" and "Next", among other sci-fi films. The intriguing story is ambiguous; the chemistry between Matt Damon and Emily Blunt is wonderful; and it is always great to see Terence Stamp. My vote is seven.

Title (Brazil): "Os Agentes do Destino" ("The Agents of Destiny")

Note: On 06 September 2023, I saw this film again.