Confinada en su invernadero, una familia sobrevive a La Trituración, una toxina que borra la memoria. Hasta que las hermanas son seducidas por un Extraño que rompe su paz y remueve un pasado... Leer todoConfinada en su invernadero, una familia sobrevive a La Trituración, una toxina que borra la memoria. Hasta que las hermanas son seducidas por un Extraño que rompe su paz y remueve un pasado que es mejor dejar enterrado.Confinada en su invernadero, una familia sobrevive a La Trituración, una toxina que borra la memoria. Hasta que las hermanas son seducidas por un Extraño que rompe su paz y remueve un pasado que es mejor dejar enterrado.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 3 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Love, angst, autism, sex; You know, the usual apocalypse stuff. You would think everyone would just be happy to be alive, but it seems everyone involved has a lot to get worked up about.
Low budget, ok production values with a plot that a snail could speed past. A dystopian movie that is about endurance for both the characters and the audience. I gladly failed the endurance test.
I know they tried hard and great stuff and all that for the effort. But really, this was like wading through quicksand. Apparently this was filmed during the pandemic, and I'm not sure if this made a difference - everyone seemed to be sleep walking. Perhaps the entire crew thought they were in the Glasshouse too.
In short, a family is trapped in a Glasshouse after an apocalyptic event, and kill anyone who seeks refuge there. The bodies are germinated and used for their crops. Lots of rituals.
Not sure where the water came from. There are also no animals.
Of course, they're all bonkers, and the arrival of a stranger sets off another sequence of bonkers events, but reaallly slooowly.
In short, a family is trapped in a Glasshouse after an apocalyptic event, and kill anyone who seeks refuge there. The bodies are germinated and used for their crops. Lots of rituals.
Not sure where the water came from. There are also no animals.
Of course, they're all bonkers, and the arrival of a stranger sets off another sequence of bonkers events, but reaallly slooowly.
The story of this films works on many levels. On its surface, it is a slowly unfurling story of a family surviving in isolation, protected from the physical threats of the airborne disease beyond their glasshouse home and of those infected by it. Each member of the family must navigate the changes to their dynamics and roles when a stranger joins them.
But nothing about this film is only surface level- it is also a story about story itself that explores how the stories we tell ourselves and believe (in families, in society) shape our sense of belonging and out actions, and how we are culpable in our decisions about the stories and histories we remember and those we choose to forget.
The film moves slowly, but this works well to create the slightly surreal feel of the environment and the family, to build the tension - which increasingly bubbles throughout, and to explore the rich themes presented. I found it really refreshing to be offered provoking themes and questions for consideration without being bashed over the head by them or spoken down to as a viewer.
I turned over many of these questions over in my head, revisiting moments from the film for days after I saw it.
The film is lovely to look at is well worth the watching.
But nothing about this film is only surface level- it is also a story about story itself that explores how the stories we tell ourselves and believe (in families, in society) shape our sense of belonging and out actions, and how we are culpable in our decisions about the stories and histories we remember and those we choose to forget.
The film moves slowly, but this works well to create the slightly surreal feel of the environment and the family, to build the tension - which increasingly bubbles throughout, and to explore the rich themes presented. I found it really refreshing to be offered provoking themes and questions for consideration without being bashed over the head by them or spoken down to as a viewer.
I turned over many of these questions over in my head, revisiting moments from the film for days after I saw it.
The film is lovely to look at is well worth the watching.
Loved all the eye candy with that gorgeous Victorian Glass Conservatory. Wow, we just don't make things like we used to. :(
Interesting story that I found to be a mix between The Beguiled (Clint Eastwood) and The Walking Dead (minus the huge amounts of gore).
It's scary enough to have to worry about Alzheimer's and dementia, but to imagine a pandemic in which you lose all your memories and sense of self, and all animals and plants dying (and our very important BEES, that allow life to continue on this rock we call home) Especially to watch this during a pandemic, makes it quite a bit more scary, knowing what we now have learned about lies, misinformation and selfishness in the face of mass death world wide.
Worth a watch, especially if you are a fan of The Beguiled and love beautiful Victorian eye candy like me. :D.
It's scary enough to have to worry about Alzheimer's and dementia, but to imagine a pandemic in which you lose all your memories and sense of self, and all animals and plants dying (and our very important BEES, that allow life to continue on this rock we call home) Especially to watch this during a pandemic, makes it quite a bit more scary, knowing what we now have learned about lies, misinformation and selfishness in the face of mass death world wide.
Worth a watch, especially if you are a fan of The Beguiled and love beautiful Victorian eye candy like me. :D.
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- How long is Glasshouse?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 37 minutos
- Color
- Relación de aspecto
- 2.39:1
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By what name was Glasshouse (2021) officially released in Canada in French?
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