The Disappearance of Alice Creed

The title is something that confused me, as we spend the whole time with the titular character, yet at the end of it, comprehension dawns.

Acting: Arterton actually surprised me as in Quantum of Solace, Prince of Persia and Clash of the Titans she was uneven and had this contrived, grating posh accent but here, she speaks in her normal accent and is far more consistent in emoting. Goes to show, you can't write of every actor, even after a couple of so-so performances.

As improved as she is, the other two, Marsan and Compston (particularly the former) overshadow her somewhat. Marsan is a cunning and calculating crook and Compston is his naive accomplice. Marsan is particularly menacing and Compston develops his character pretty well. There's a plot twist involving all three that I personally didn't anticipate in that way.

Plot and Pacing: From the unnerving opening without much dialogue to the gripping conclusion, this, to me, wasn't completely predictable. Budget constraints meant the cast remained a trio, but I would've liked to have seen other important characters mentioned.

Cinematography: Conveys a true sense of sickening planning in Alice's kidnapping, humiliation at the hands of the pair, deception, fear - all pretty much what I'd expect from a thriller of this sort.

Score: What little there was there was good and I loved the Radiohead-sounding song with Bjork-esquire vocals Holy Moly by Cathy Davey, as it's suitably mellow for the end of the film.

Overall: This has been called a glorified stage play by some people, but to me, it felt like a film with nuances concerning characters and much like Hard Candy(comparison as it's also indie and had a small cast) was a really taut thriller that had me glued to the screen all the way through.

This is proof that British Cinema is still alive and well and that every now and again, a little gem will come out. A film with flawed characters with a theme of the selfish desires they share.

This film has to go into my all time top ten which is mighty praise indeed. When you consider there are simply two actors and one actress it is astonishing how this film unveils and has you riveted from the opening sequence to it's conclusion. The characters are believable and I am surprised it hasn't received higher praise. the problem is it probably never got the hype other films less well made receive. Which to an extent is a good thing, because the less you know about the film, the more surprised you will be by it. Great twists and turns and great acting - The basic premise is two guys who met in prison, organise a kidnap of a rich girl and then they carry out the kidnap with alarming precision and professionalism, that the opening 9 minutes has you transfixed. What happens next is pure acting that can make a film great or a film mediocre, in this case GREAT

This film to me personally was a little bit of a surprise to say the least, I was recommended the film by a friend, who said to me its worth watching, and as a film critic, I put aside some time to give it a viewing.

I was not disappointed either, with the film starting out somewhat a little confusing, and uncomfortable at first, it soon dawns upon you that this is no ordinary kidnapping. I won't release any spoilers here, but will advise you to watch the film with an open mind, and frame of mind as there are some surprises that even I didn't see coming.

The plot thickens, and the film has you guessing along the way which to me is what film making is all about. Watch it, and enjoy, I'm sure you will know the actor who plays Vic, he is an underestimated actor, who shines in this film.!

Extremely tense, beautifully shot, generally well (if not quite brilliantly) acted, this is a clever and effective exercise on making an exciting film on a tiny budget. Even though about 75% of this kidnapping tale takes place in a two room apartment, director/writer Blakeson finds enough effective and compelling ways to photograph his tiny set, and enough sharp plot twists and reveals that any claustrophobia becomes a plus not a problem.

There are a few times when credulity is stretched, and a few plot turns that have that sense of being a 'clever twist' instead of something organic to the characters or the story (you can feel them as they're where the acting is less strong, you can see the actors strain to make them 'work'), but neither shortcoming is enough to keep this from being a highly entertaining, and even ultimately oddly touching nail-biter.

Two British men kidnap the daughter of a rich man and hold her prisoner while negotiating a ransom. It's tightly constructed and the suspense builds amid the changing dynamics of the relationship among the three characters. What keeps it from being a good film, however, is the stupidity of the characters, particularly Alice, the victim, who squanders opportunities to escape because of her idiotic actions. Of course, in these kinds of films, such behavior is used primarily to propel the plot, otherwise the story would end too quickly. Still, it's an impressive feature film debut for writer-director Blakeson and is worth a look.