A un ladrón que roba secretos corporativos a través de la tecnología de entrar en el subconsciente, se le da la tarea de implantar una idea en la mente del jefe de una gran empresa.A un ladrón que roba secretos corporativos a través de la tecnología de entrar en el subconsciente, se le da la tarea de implantar una idea en la mente del jefe de una gran empresa.A un ladrón que roba secretos corporativos a través de la tecnología de entrar en el subconsciente, se le da la tarea de implantar una idea en la mente del jefe de una gran empresa.
- Dirección
- Guionista
- Elenco
- Ganó 4 premios Óscar
- 159 premios ganados y 220 nominaciones en total
Elliot Page
- Ariadne
- (as Ellen Page)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Inception' is praised for its innovative concept of dream manipulation and stunning visual effects. However, some criticize its overly complex plot, which they find hard to follow and full of inconsistencies. The film's heavy reliance on action sequences is noted, often at the expense of character development and emotional depth. The blending of dream and reality sometimes diminishes the sense of wonder. The iconic ending is divisive, with some viewers feeling unsatisfied by unanswered questions.
Opiniones destacadas
Inception is a beautiful piece of film that has impacted a large part of the film industry. With everything from the actors to the cinematography to the music, this movie without any elaboration perfected almost everything there is.
Inceptions slow start is the only weak point of this movie. It begins intensely to then slows down for the next 20 - 30 minutes. While then finishing off as an impeccable film. Nevertheless, this is what brings the film down for me.
The director Christopher Nolan managed to create a masterpiece with little to no mistakes. At no point during this intensely long movie did I feel bored. Instead, I was always excited and on my toes intrigued.
The acting in this movie was phenomenal. A small number of great actors that all had their character arc while also doing incredible performances. It is truly beyond me how Dicaprio didn't win an Oscar for his performance.
Meanwhile, also employing the greatest composer in history with Hans Zimmer, the music adds significantly. The music adds an extreme amount of excitement and keeps you constantly interested. Few composers can make you notice the music, but Zimmer succeeds per usual.
To finish of the film was astonishingly shot. With beautiful eye-catching scenes. While also containing some incredible action scenes that might be some of the best action I've seen. With a thought-provoking storyline that finishes of with an unbelievable ending.
I highly recommend Inception to everyone and I promise you won't be disappointed.
Inceptions slow start is the only weak point of this movie. It begins intensely to then slows down for the next 20 - 30 minutes. While then finishing off as an impeccable film. Nevertheless, this is what brings the film down for me.
The director Christopher Nolan managed to create a masterpiece with little to no mistakes. At no point during this intensely long movie did I feel bored. Instead, I was always excited and on my toes intrigued.
The acting in this movie was phenomenal. A small number of great actors that all had their character arc while also doing incredible performances. It is truly beyond me how Dicaprio didn't win an Oscar for his performance.
Meanwhile, also employing the greatest composer in history with Hans Zimmer, the music adds significantly. The music adds an extreme amount of excitement and keeps you constantly interested. Few composers can make you notice the music, but Zimmer succeeds per usual.
To finish of the film was astonishingly shot. With beautiful eye-catching scenes. While also containing some incredible action scenes that might be some of the best action I've seen. With a thought-provoking storyline that finishes of with an unbelievable ending.
I highly recommend Inception to everyone and I promise you won't be disappointed.
Inception is truly one of a kind. A concept which has long gestated in Christopher Nolan's mind, his eye for drama mixed with his large scale sensibilities ring true in Blockbuster season making Inception a true original in the sea of reboots, remakes and sequels.
To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.
With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.
Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.
To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.
With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.
Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.
10EVON1TY
When I first watch this movie, I was just shocked with it's twist. I'm not gonna mention details, because can't share any spoilers.
Simply this movie makes a complex story, that makes you question so many things. "Why he is keeping her in his dreams?" or whatever your question is answering with some well written line. That scene is the key to the whole movie. That line between Cobb and Mal answers all your questions at once.
That's why I like this movie so much. Some movies has that potential. Making a complex story that someone could answer with only one sentence. You're waiting for that line for whole content. But most of the contents (I mean movie or TV Series) are not managing that well.
Besides the greatness of the storyline this movie has a really great cast. So Acting Performances are also great. Award Winning Cinematography by Wally Pfister was too great. Original Scores by Hans Zimmer was brilliant. Visual Effects are unique. So not only the Screenplay but nearly all the technical details are great.
Simply this movie makes a complex story, that makes you question so many things. "Why he is keeping her in his dreams?" or whatever your question is answering with some well written line. That scene is the key to the whole movie. That line between Cobb and Mal answers all your questions at once.
That's why I like this movie so much. Some movies has that potential. Making a complex story that someone could answer with only one sentence. You're waiting for that line for whole content. But most of the contents (I mean movie or TV Series) are not managing that well.
Besides the greatness of the storyline this movie has a really great cast. So Acting Performances are also great. Award Winning Cinematography by Wally Pfister was too great. Original Scores by Hans Zimmer was brilliant. Visual Effects are unique. So not only the Screenplay but nearly all the technical details are great.
I'm nearly at a loss for words. Just when you thought Christopher Nolan couldn't follow up to "The Dark Knight", he does it again, delivering another masterpiece, one with so much power and rich themes that has been lost from the box office for several years. Questioning illusions vs reality usually makes the film weird, but Nolan grips your attention like an iron claw that you just can't help watching and wondering what will happen next. That is a real powerful skill a director has. No wonder Warner Bros. put their trust in him, he is THAT good of a director, and over-hyping a Christopher Nolan film, no matter what the film is about, is always an understatement instead of an overestimate like MANY films before.
Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level.
Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts ("G.I. Joe", "Transformers") or the exact opposite ("Doubt", "Invictus"). In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability.
Although having an ensemble cast and financed by a Hollywood giant studio (Warner Bros), this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years.
Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows ("Avatar" be damned).
Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own.
Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago ("The Dark Knight"). The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year.
Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether.
There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.
Missing this film and not getting the film's point is a crime.
Overall value: 9/10 (Excellent)
Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level.
Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts ("G.I. Joe", "Transformers") or the exact opposite ("Doubt", "Invictus"). In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability.
Although having an ensemble cast and financed by a Hollywood giant studio (Warner Bros), this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years.
Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows ("Avatar" be damned).
Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own.
Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago ("The Dark Knight"). The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year.
Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether.
There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.
Missing this film and not getting the film's point is a crime.
Overall value: 9/10 (Excellent)
There are those who seek to dive into your mind, take your secrets and whatever else they find, espionage, conspiracy, infiltration, skulduggery, through worlds that are all conjured, well designed. They've been asked to plant a seed, start an idea, change the course of an industrialists career, but it needs dreams within deep dreams, an architect to build the schemes, and the consequences, could be quite severe.
Imaginative beyond words, elegantly crafted and constructed, presented and performed by legends of the screen with a great storyline that keeps the viewer constantly engaged and on the edge of their seat - what more do you want out of movies.
Imaginative beyond words, elegantly crafted and constructed, presented and performed by legends of the screen with a great storyline that keeps the viewer constantly engaged and on the edge of their seat - what more do you want out of movies.
What to Watch If You Love 'Inception'
What to Watch If You Love 'Inception'
Here are three streaming picks that capture the spirit of Christopher Nolan's mind-bending masterpiece in their own way.
¿Sabías que…?
- TriviaIn an effort to combat confusion, television broadcasts in Japan include text in the upper-left corner of the screen to remind viewers in which level of the dream a specific scene takes place.
- ErroresWhen Ariadne and Cobb are at the café, a man in a yellow jacket passes behind Cobb. The camera switches back and forth between Cobb and Ariadne several times. When it switches back to Cobb, the man in the yellow jacket passes once again. The person in the jacket is a projection and based on what the movie explains, projections behave a lot like extras. This means the same projection may reappear like that.
- Créditos curiososAt the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends.
- ConexionesEdited into The Paul Behragam Talk Show: "Balto" R&T Part 5 (2015)
- Bandas sonorasNon, je ne Regrette rien
Music by Charles Dumont
Lyrics by Michel Vaucaire
Performed by Édith Piaf
Courtesy of EMI Music France
Under license from EMI Film & Television Music
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- How long is Inception?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Inception
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 160,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 292,587,330
- Fin de semana de estreno en EE. UU. y Canadá
- USD 62,785,337
- 18 jul 2010
- Total a nivel mundial
- USD 839,381,898
- Tiempo de ejecución2 horas 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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