A menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un... Leer todoA menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un conflicto entre padre e hijo.A menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un conflicto entre padre e hijo.
- Dirección
- Guionistas
- Elenco
- Premios
- 37 premios ganados y 59 nominaciones en total
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Opiniones destacadas
Yet, Animal fails on basically every level. It feels like the creation of an annoying 14 year old Indian boy than a film, and can only be described as TOO MUCH. This 3 hour and 24 minutes feels like an eternity as we zip from scene to scene, moment to moment, without much time to breathe. Not to mention, the film just feels excessive and it's not entertaining. It's honestly an exhausting affair.
TOO MUCH brutality and gore. It's completely unnecessary, off putting, and difficult to watch. We're supposed to like our protagonist (more on him later), yet he's needlessly cruel and violent, like everyone at a certain point in this film. It feels really "off" tonally, and comes out of nowhere. The scene where Bobby Deol was introduced started off nicely, but then goes off the rails with the blood and gore, and it ruins it completely. Not to mention the unnecessary...sex scene. Yeah. More on THIS later too.
Ranbir Kapoor's Vijay is a psychopath, who is as mentioned before, cruel and violent, but unstable, rude, callous, condescending, misogynistic, and difficult to empathize with. We have to spend a bulk of the film with this man, and the movie is constantly asking us to sympathize and respect him, but he deserves none of it. I like films with "unlikable" protagonists, but a film has to give us a reason to connect with them from time to time. I don't want to hear anyone complain about Leo's Jordan Belfort ever again; a guy we know is terrible, but you can't help but like him. Vijay is not that.
The film is supposed to be about who is trying to kill Anil Kapoor's Papa (that's not his real name, but it might as well be, and to be fair, he's really good in this), and lead us into some corporate and maybe political intrigue. But the film wastes it with a paper thin, poorly told plot and villain's whose performers give it their all and are compelling via performance, but definitely terribly written. They're two dimensional and their motives feel rushed, and not to mention, the film can't help but be a bit Islamophobic as well. (There's subtext to these Modi era Bollywood movies).
But frankly, the worst thing about this movie is its celebration of toxic masculinity and misogyny. I'm no Bechdel Test wielding feminist, but my God, this movie really hates women. They're either doeish sex objects or lack any agency at all. There's a really dark and twisted attitude towards sex and relationships this movie portrays, glorifying domination, fear, and abuse, all whilst desperately trying to convince us the main couple have a happy and successful marriage. Vijay can't help but undermine and demean every other woman he sees, treating them as sexual objects, intimidating them, or insulting them. And what's disturbing is the movie seems to want to paint him as "the man men want to be, and the man women want to date."
There's legitimately a stretch of this film towards the end where I genuinely worried we'd see explicit violence against women, like some wife slapping or choking or worse, SA or the R word. I'm not joking. I saw this with three women. You can imagine how they felt.
Yeah, I'd maybe watch this high and laugh at with friends again, but for anyone else, PLEASE avoid this trashfire.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
The Director literally put his heart in this one, the complex relationship of Father and Son explained in a such a manner. I don't feel anyone ever dared to take such a step in Indian cinema. I literally enjoyed every minute of the movie it felt so realistic at times. Ranbir finally gave a great performance after Sanju!
I mean just look at the facts Sandeep made 200+mins movie which means fewer shows plus he made it adult for it to be raw and as real as possible both these things require guts everyone told me to cut the movie down and make it U/A but I am so glad he didn't.
Indian cinema these days have become very typical, like at times being a movie lover I find it difficult to understand that why are our writers and directors not being creative or trying something new/ different/ interesting.
But finally we are seeing creative movies and trust me the background score, Acting, music, costumes everything was just wow !
And I know there will be people who might find this movie too bold, too strong, lengthy and violent. I don't oppose to such things I just feel we should appreciate that atleast someone tried to break the status quo and make such a bold movie.
¿Sabías que…?
- TriviaSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- Citas
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Créditos curiososIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Versiones alternativasThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- ConexionesReferenced in Unstoppable with NBK: Wildest Episode (2023)
- Bandas sonorasArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
Selecciones populares
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 15,004,482
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,524,534
- 3 dic 2023
- Total a nivel mundial
- USD 92,850,083
- Tiempo de ejecución3 horas 24 minutos
- Color
- Relación de aspecto
- 2.39 : 1