I am not one to watch many series, nor have I seen much of Disney+'s offerings after having been a subscriber from the company's inception. Imagine my surprise when I casted this onto my TV to keep as background noise while I got some work done. Whether fortunate or unfortunate (depending on who you're asking), I got very little work done, as I was immediately drawn by this show's warm sensibilities, and dialed-in art style. After two episodes, I can frankly say that this truly came out of left field (pun unintentional, but welcome). The show's patiently reliable Pixar style seems to be riskier than films from eras past-with safe, predictable choices forfeited for visual gags and endearingly awkward punchlines that seem to come a mile-a-minute. This seems to be a show with a lot of hearts. Plural is apt here, as it seems to take the approach of unfolding the lead-up to a single calamitous event by unfolding the trajectories of each character's week leading up to the night in question. This, I believe, is where the show seems to take shape and really shine. As a watcher, I get the sense that one of the most challenging things to do for movies/series in the vein of "Win or Lose" lies in striking a correct tonal balance between being complex, sincere, and dynamic enough to win over mature audiences, whilst being simple and funny enough to not alienate the children who may be watching. Thus "family" humor seems to be something that is very hit-or-miss (there are the surprise baseball puns again). The subject matter of the episodes seem to draw from previous offerings like Inside Out-with an anthropomorphic depiction of insecurity and anxiety in one character's vignette-and Onward-with an unapologetically nerd-core game approach to "love" and "building up walls" as with another character. It seems to swing for the fences in every regard, oscillating between painfully human encounters with magical realism punchlines that blur the lines between what one person is experiencing in their inner world and what is actually happening. In this sense, it reminds me very much of Apple TV's "The Afterparty", to any of those who managed to find the stylings of that show appealing, if not varied in quality.
The cast of characters even seem to have adopted the successes of "Turning Red", opting for characters who ooze a winsome kind of awkwardness that feel neither forced, nor derivative. Episode 2 ends with an overture, rather than a crescendo-Billy Holiday's "No Regrets". After just two episodes, I decided to create an IMDB account, if merely to add my voice to the choir about how much I enjoy this show, after just two episodes. They hit it out of the park, bases loaded, with this one.
