La inventora adolescente Riri Williams crea el traje armado más avanzado después de Iron Man.La inventora adolescente Riri Williams crea el traje armado más avanzado después de Iron Man.La inventora adolescente Riri Williams crea el traje armado más avanzado después de Iron Man.
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I'll start off with 1 positive: visual effects were not too bad. Um, now here we go...the acting was horrendous, the storyline appears to be written by a 5 year old; predictable and basically non interesting to watch. It's frustrating to me that people got paid for putting out this garbage. I can't imagine that this was screened in advance for consumer feedback. If you write garbage, then that is what you will see on the screen. I think that any run of the mill marvel super fan could have put together a way better storyline that what was produced. The acting is terrible, I don't expect this series to continue...
I am a black woman and marvel fan from the top of my head to the bottom of my feet. I tried to give this a chance when RDJ gave her well wishes on someone's show. This didn't keep my attention at all. The story doesn't make sense or add up. I left it alone thinking maybe I was already preoccupied to give it my full attention. That wasn't it! How are you doing crimes in a suit that more than your college, neighborhood, colleagues, the news, family, and random people on the street know about? Marvel throws people together.... I love me some Manny Montana (Good Girls- iykyk) and Anthony Ramos is cool but who are the rest of these people? It seems like Marvel falls short when it comes to women in their movies (Captain Marvel, Madame Web) besides Wanda and Widow. Anyway... I have no plans to finish watching it and removed it from continued watching on Disney plus. It's a No for me!
I wanted to like Ironheart; I truly did. The idea of a new generation stepping into the world of armored heroes, inspired by the greatest innovator the MCU has ever known, is brimming with potential. Yet, as I watched the series unfold, my initial excitement curdled into a persistent annoyance that lasted until the final credits rolled. For me, the show failed on several fundamental levels, creating a frustrating experience that felt less like an homage and more like a betrayal of the very universe I've been invested in since the beginning. My core issues aren't with a new character taking the spotlight, but with a protagonist I couldn't root for, a shocking disrespect for legacy, and a complete waste of fantastic villains.
My primary struggle was with the main character, Riri Williams. Throughout the entire series, I found myself baffled by her choices. It felt like I was watching a repeating cycle: she would make a reckless, ill-advised decision, and then, when the inevitable negative consequences arrived, the narrative would frame her as the victim. This isn't the complex, flawed heroism I've come to love from Marvel. Think of Peter Parker's constant struggles to balance his life, or Wanda Maximoff's grief-fueled mistakes. Those characters face the weight of their actions and we see them grapple with accountability. With Riri, it felt like the story consistently absolved her, expecting my sympathy without her ever truly earning it through growth. A hero's journey is defined by overcoming their own faults, but I felt Riri's were consistently excused.
However, the moment that turned my annoyance into genuine anger was the show's treatment of Tony Stark's legacy. Have the writers at Marvel forgotten their own story that started it all? The line that essentially dismisses Tony Stark, saying he wouldn't be Iron Man if he wasn't a billionaire, felt like a slap in the face. It's a fundamental misunderstanding of the character and the entire point of his arc. We all saw him in a cave with a box of scraps, building his first suit out of desperation and sheer genius. His wealth was a part of his story, but it wasn't the source of his heroism. His intellect, his grit, and his ultimate sacrifice were what made him Iron Man. To reduce his entire journey to his bank account felt like the show was deliberately tearing down a foundational hero just to prop up a new one, and I found it deeply disrespectful.
As if these problems weren't enough, the series completely ruined great villains. I was thrilled at the prospect of seeing a complex antagonist like The Hood brought to life. In the comics, he's a compelling and dangerous figure. In Ironheart, he was rendered almost toothless, a shadow of his potential. But the greatest disappointment for me was Mephisto. After years of fan theories and palpable anticipation for his arrival, his depiction was one of the most anticlimactic events I can recall in the MCU. This powerful, manipulative, and terrifying entity was reduced to a shallow caricature, robbing the story of any real sense of stakes. Great heroes are forged by fighting great villains, and when the antagonists are this poorly handled, the hero's own triumphs feel hollow.
By the end of it all, I was left feeling deflated. My problem isn't change or the introduction of new faces. My problem is watching a show that seems to hold contempt for its own source material. In my eyes, Ironheart took a compelling premise and squandered it by creating an unrelatable protagonist, disrespecting the legacy of a beloved hero, and defanging iconic villains. It's a frustrating watch that, for me, represents a profound misunderstanding of what made so many of us fall in love with this universe in the first place.
My primary struggle was with the main character, Riri Williams. Throughout the entire series, I found myself baffled by her choices. It felt like I was watching a repeating cycle: she would make a reckless, ill-advised decision, and then, when the inevitable negative consequences arrived, the narrative would frame her as the victim. This isn't the complex, flawed heroism I've come to love from Marvel. Think of Peter Parker's constant struggles to balance his life, or Wanda Maximoff's grief-fueled mistakes. Those characters face the weight of their actions and we see them grapple with accountability. With Riri, it felt like the story consistently absolved her, expecting my sympathy without her ever truly earning it through growth. A hero's journey is defined by overcoming their own faults, but I felt Riri's were consistently excused.
However, the moment that turned my annoyance into genuine anger was the show's treatment of Tony Stark's legacy. Have the writers at Marvel forgotten their own story that started it all? The line that essentially dismisses Tony Stark, saying he wouldn't be Iron Man if he wasn't a billionaire, felt like a slap in the face. It's a fundamental misunderstanding of the character and the entire point of his arc. We all saw him in a cave with a box of scraps, building his first suit out of desperation and sheer genius. His wealth was a part of his story, but it wasn't the source of his heroism. His intellect, his grit, and his ultimate sacrifice were what made him Iron Man. To reduce his entire journey to his bank account felt like the show was deliberately tearing down a foundational hero just to prop up a new one, and I found it deeply disrespectful.
As if these problems weren't enough, the series completely ruined great villains. I was thrilled at the prospect of seeing a complex antagonist like The Hood brought to life. In the comics, he's a compelling and dangerous figure. In Ironheart, he was rendered almost toothless, a shadow of his potential. But the greatest disappointment for me was Mephisto. After years of fan theories and palpable anticipation for his arrival, his depiction was one of the most anticlimactic events I can recall in the MCU. This powerful, manipulative, and terrifying entity was reduced to a shallow caricature, robbing the story of any real sense of stakes. Great heroes are forged by fighting great villains, and when the antagonists are this poorly handled, the hero's own triumphs feel hollow.
By the end of it all, I was left feeling deflated. My problem isn't change or the introduction of new faces. My problem is watching a show that seems to hold contempt for its own source material. In my eyes, Ironheart took a compelling premise and squandered it by creating an unrelatable protagonist, disrespecting the legacy of a beloved hero, and defanging iconic villains. It's a frustrating watch that, for me, represents a profound misunderstanding of what made so many of us fall in love with this universe in the first place.
The word superhero has lost all meaning. This character is just a selfish thief. Everything she does serves only herself. She doesn't do anything good for anyone and the story is a compilation of stereotypes. Right off the bat it leans into her being a bad person and feigning decency. I can't believe this got made.
I won't be finishing this series, i have no one to root for. How can you make a protagonist that is so unlikable and expect a different result?
I hope this is a wake up call for the studio but I doubt it. They keep churning out this processed slop and attack the fans when they don't like it.
I won't be finishing this series, i have no one to root for. How can you make a protagonist that is so unlikable and expect a different result?
I hope this is a wake up call for the studio but I doubt it. They keep churning out this processed slop and attack the fans when they don't like it.
It looks slick but it suffers from the same issue all the new marvel stuff does.
It's emotionally flat as a pancake and doesn't connect with the people watching.
It makes the same mistakes of going for making a statement at the cost of the story and characters.
Neither the character development or the story are developed remotely enough to make us care and in fact do the opposite much of the time.
Someone likely realized this which is why it got shelved so long.
It's not acolyte or snow white levels of bad its just meh.
It's a shame really the people involved deserved better but they may have already know it was bad.
It's emotionally flat as a pancake and doesn't connect with the people watching.
It makes the same mistakes of going for making a statement at the cost of the story and characters.
Neither the character development or the story are developed remotely enough to make us care and in fact do the opposite much of the time.
Someone likely realized this which is why it got shelved so long.
It's not acolyte or snow white levels of bad its just meh.
It's a shame really the people involved deserved better but they may have already know it was bad.
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- TriviaThe series was largely filmed in Chicago, Illinois, which is Riri Williams' hometown in the comic books. To create an authentic feel, an effort was made to incorporate iconic Chicago landmarks and culture into the series.
- ErroresThroughout the show, the N.A.T.A.L.I.E. projection is presented as looking and sounding like a human physically present in the room, except for the occasional glitch and (not consistently) another character passing between her and her source.
Despite being a projection, a 360-degree view of her is always given, she somehow has a shadow, and her voice emanates from wherever she is sitting or standing, rather than the source she's projected from (the suit, the necklace, etc.). Additionally, whenever the necklace is partially or fully tucked away, the projection remains undisturbed.
SPOILER: There's a theory that Mephisto used N.A.T.A.L.I.E. the whole time (including causing her creation in the first place), to bring Riri ultimately to him, and to use her loss as a way of manipulating Riri. So one can try to hand-wave the projection's incongruities as "magic." But Riri is a scientist, and would have absolutely noticed all the impossibilities that the projection presented.
In short, several plot points required N.A.T.A.L.I.E. to appear convincingly human, so that's how the showrunners presented her, even though it makes no sense.
- ConexionesEdited into Leyendas de Marvel: Riri Williams (2025)
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- How many seasons does Ironheart have?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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