Hijos de Tucson

If you look at the people who gave this trash good reviews you will see that this is the only title they reviewed. Its stupid. It would be ok if a 6th grader had made it for a school project.

Gary, Brandon, and Robby Gunderson are brothers who traveled from Jersey to live in an investment home in Tucson, Arizona after their banker father was sent to prison. Ron Snuffkin (Tyler Labine) is a homeless slacker working at a sports equipment store. The boys hire him to pretend to be their father and avoid child services. It starts as a $200 job for a hour-long school meeting but soon becomes a deal for $300 a week and a place to stay. The boys stick Ron in the backyard tool shed. Glenn is Ron's longtime friend and Glenn's bossy wife Angela intends to keep them apart.

It's a lot of wild irreverent hijinx. Labine has always played this brash slacker slob type. This show is the embodiment of Labine's persona. The three boys deliver specific characters who bring chaos into this unusual family. This was canceled after four episodes with nine more in total. One of the things that early episodes missed is the heart. The anger and chaos can overwhelm the show. On a minor note, this show is missing a main female character to balance out the show. It has a few laughs but the audience was never big enough.

I'm a huge Malcolm in the Middle fan, and am actually amazed that show survived as long as it did, since most shows that are based around children as protagonists have a built-in shelf-life (i.e. they usually don't endure long after the main character has to begin shaving his/her face/legs). But while "MIM" had incredible writing, sharp timing/editing, unique characters and performances and above all a multi-layered sense of comedy that transcended generations (i.e. you could watch it with your kids feeling comfortable they wouldn't "get" certain jokes until they were older) Son's of Tucson had NONE OF THIS. It's evident they poached a couple of MIM's writers and tried to resurrect a formula of 3 embattled yet bonded brothers, but the result was just painful and embarrassing to watch for so many reasons. There's no danger of this ever coming back in syndication (even in Albania) so luckily it will most likely only live on in reviews like these on the internet...and the world is all the richer for it.

This show was great! What a wonderful break from reality T.V. and crap shows like the Marriage Ref. The dialog between the characters was solid and playful...even the kids are fun in this show. It didn't leave you feeling like you wasted time watching mindless television, but instead it always did it's job and left you feeling light and ENTERTAINED (something the masses have been missing for awhile now). This show would have done well if given the chance to blossom. Oh but alas the all knowing powers that be think they know what we want to see and cancel every show I enjoyed like... Reaper, My Name is Earl and Sons of Tucson. Well I hope that Tyler Labine continues to get great roles. I'll be watching and hoping they don't cancel the next show. One day the world might enjoy something other than pure garbage...what a shame

This is a clear rip-off of Malcolm in the Middle (which I actually liked, as other posters here stated as well). Anyone who can't understand this is simply stupid. Three of the writers of MIM were behind this farce; Matthew Carlson, Andy Bobrow and Michael Glouberman, as well as 2 of MIM's directors, Todd Holland and Peter Lauer. And to drive this point home, Justin Berfield (whom I actually respected before this) was the Executive Producer here. Justin in fact proves to the world that you simply cannot regurgitate a formula (i.e. 3 brothers against adults) and expect it to work just because a previous hit used it. And sadly, Justin just couldn't resist a spot in FRONT of the camera in the last episode, playing some obnoxious neighbor who everyone is instantly supposed to revile...even though there was no set-up or motivation to do so before this episode...which means it doesn't work. With all disrespect to the brain-dead, clueless wannabe "film critic" here whom no one has ever heard of, listens to or cares about in any way, this mess could only be appreciated by someone too stupid to understand the difference between good and bad comedy.