Main Street

This could remind one of a Steven Soderbergh snore fest. It is a lingering, slow moving, vaguely interesting story of the modern American condition that promises much but delivers almost nothing.

It is a character study of realistic people in a realistic situation forced to make difficult choices that come from a changing society. But it is all very vapid and the plot points are as unresolved and unanswered as is the finality of it all.

The ending is so anti-climactic and the "change of mind and heart" from the "villain" of the piece is just abrupt and embarrassing, as is the final narration that is nothing but consummate corn-pone. The storage of hazardous waste in a formerly hazardous to your health tobacco facility is the one and only irony and the film is just uninspired.

At first glance, MAIN ST. would seem to have all the ingredients for an absorbing piece - a top-notch cast (with two Brits doing very creditable Southern accents), a strong sense of place (Raleigh, North Carolina), and a taut, spare script by veteran Horton Foote. Then why is the movie such a disappointment? Its subject-matter is a pertinent one: the decline of American urban life and the schemes hatched by entrepreneurs to regenerate it, which might not necessarily please the existing residents. However the production is particularly slow-moving: the camera spends a long time focusing on tight close-ups of the protagonists, especially Ellen Burstyn as Georgiana Carr. This would be a perfectly acceptable strategy, were it not for the consciously showy nature of the performances: the actors are allowed to get away with the kind of theatrical gestures and facial movements that would not seem out of place in Victorian melodrama. As a result, we end up not really caring about the characters at all. Matters are not helped by the treacly soundtrack (from the normally reliable Patrick Doyle) that obtrudes itself on several occasions. Perhaps the material might have been better if another director had handled it.

I gather that Horton Foote chose Durham, N.C., as the setting for his MAIN STREET screenplay because of its symbolic value as a city that has undergone substantial changes in its economy in the past half-century, and he wanted to write about people trying to deal with change being imposed on them. I am not going to comment on the overall quality of the film here, except to say that, given the anemic screenplay, the reputable cast seems flat and largely listless, as if they realized once the shooting started just how bad the script was.

No, what I want to address is the portrayal of my hometown, to which I chose to move and in which I have lived for the past twenty-five years. At the risk of sounding like Joe the Civic Booster, the city of Durham portrayed in MAIN STREET bears only faint, surface resemblance to the actual place. Anyone who manages to sit through this movie should NOT think they've learned much about the actual Durham. For one thing, Durham is not a small town but a city of more than 200,000 residents, part of a larger metropolitan area (Wake, Durham, and Orange counties) exceeding 2 million.

Yes, downtown Durham is struggling. It was struggling before the Great Recession and it continues to struggle with reinvigorating itself as a vital city center. It needs more retail businesses, more reasons for the suburban middle-class to come downtown and enjoy the urban ambiance. In that respect, it's hardly alone among U.S. cities, small and large. Other parts of Durham – notably, the older working class neighborhoods within a mile or so of downtown – also are hurting.

The downtown area is only part of the city. Moreover, downtown Durham has snapped back in the past few years. At least as far back as the early 1980s, old tobacco industry structures in the inner city were being rehabbed. Durham held its last tobacco market (where farmers would auction off their crop) in 1986, and the huge American Tobacco complex closed the following year. By 2001, the last cigarette plant in the city (Liggett Group) had gone. In the past decade, despite a slow start and the general downturn of the U.S. economy, many downtown buildings have been renovated and repurposed as residential, office, and retail spaces, or are in the process. The old tobacco warehouse district has become the Durham Central Park, and there is a growing bar and restaurant scene downtown.

Downtown Durham also is the site of much new construction over the past two decades, including the Durham Bulls Athletic Park, the Durham Performing Arts Center, the new urban transit center and a new Durham County legal complex. There's a big, modern Marriott hotel and convention center there, too, rather than the seedy little hotel in which Gus LeRoy stayed in the film. New, privately funded construction has complemented the new public structures, as well as refurbished buildings that originated in the early 20th century and before (such as the Carolina Theater, where MAIN STREET was shown here).

As I said, downtown is only part of Durham. MAIN STREET makes no mention of Durham's two thriving universities. Duke, with its world-class medical center, is the city's largest employer. N.C. Central University is regarded as a leader among the nation's historically black state universities. (Harris Parker, the cop in MAIN STREET, could have been attending NCCU's School of Law, one of six university law schools in North Carolina and the only one where a student can earn a law degree at night while working his or her day job.) The film also makes no mention of Research Triangle Park, which since the 1960s has been providing jobs for thousands of residents of Durham and other nearby counties at such employers as GlaxoSmithKline, Cisco, Merck, BASF, Intel, and the National Institute for Environmental Health Sciences, as well as at IBM's largest U.S. operation. The city has numerous suburban residential developments and shopping areas as well as several well-preserved old neighborhoods and commercial districts closer to downtown.

Durham is well-integrated into the metropolitan area known as the Research Triangle. Raleigh, Chapel Hill, Cary, Carrboro, UNC-Chapel Hill, N.C. State University are indeed nice places for Durham residents to visit -- as well as places where many of them work --and relatively easy to get to. I missed MAIN STREET when it opened in Durham, but I caught it at a theater in Cary, an easy thirty-minute drive from my Durham home.

Please – I know I sound like a Chamber of Commerce flack (which I am not), but Durham is NOT some isolated urban hellhole full of desperate, blue-collar types and faded aristocrats lamenting the passing of the city's tobacco heyday and wondering where their next job is coming from. Unfortunately, there are several other small cities and towns in North Carolina that resemble the Durham of MAIN STREET, places whose former textile and furniture mills have gone overseas and left downtowns devastated, hungry for industry and development. Durham is always after new companies and more jobs as well – especially in the current economy – but, again, it only vaguely resembles the city depicted in MAIN STREET. And, believe me, if Gus LeRoy came to town proposing to truck "hazardous waste" from Louisiana to Texas via Durham (?), the public outcry would be deafening.

Review: Personally, I couldn't see the point of this movie. All the way through the film I thought that there was going to be a major twist, especially with Firth's character, but nothing really happens. Its about a small community which used to be the main producers for cigarettes and Firth company decides to rent some space in the town to store hazardous waste. The lady that he is renting the space from, has severe money problems and she is scared about losing her house so she is relying on the rental money to keep her house. Once her niece realises that the company is storing waste, she decides to take action but after a bad accident with one of the trucks that was transporting the waste, Firth decides to leave the business. I honestly found the movie cheap and really boring. The cast sounded promising, with Colin Firth and Orlando Bloom taking the lead, but the movie was a waste of time and money. The acting isn't that bad from the cast but I didn't like Bloom and Firth's terrible deep South accents and I didn't find any of the characters that interesting. I'm glad that the director didn't make it into a 2 hour epic movie because the storyline really does dry up after a while, which is a shame because it would have been half decent if there was actually a point to the characters individual stories. Disappointing!

Round-Up: After the successful Lord Of The Rings and Pirates Of The Caribbean movies, I thought that Orlando Bloom was going to be a major star but I haven't really seen him shine in any other movies. At the age of 38 he still has a chance to prove that he can really act, away from the big budget movies, but I'm yet to see him do anything that great. As for the award winning Colin Firth, this just has to go down as another bad day at the office but he really does need to make some better choices in the movies that he takes on. In this film, Bloom and Firth only really cross paths once so the director really didn't take advantage of the cast. He also could have made some use of Andrew McCarthy, who has been missing from the big screen for ages but he only had a little part which wasn't that memorable. At the end of the day, I really didn't enjoy this film but I will give it a couple of stars, just for Ellen Burstyn's performance.

Budget: N/A Worldwide Gross: $2,560 (Really Terrible!)

I recommend this movie to people who are into their dramas about a small town which is promised a prosperous future after a company rents an available warehouse to store hazardous chemicals. 2/10

This movie is a perfect example of what can go wrong when you elevate someone to "national treasure" status. People have suggested that Horton Foote would be embarrassed by this last effort of his. I maintain that he is the primary cause for that embarrassment. I'm from a small town. I understand the value of this type of subject matter and how it should be undertaken. I completely comprehend "character studies" and "place studies". This movie is a very poor example of all the above. Simply put, Horton Foote has written a very bad screenplay. What's worse, director John Doyle not only doesn't seem to realize it but he has no sense of pace let alone story---hence this is his only big screen credit. This screenplay is so bad, it is reminiscent of a high school student effort right down to the embarrassing overused bad last line. A gifted cast (although Colin Firth is totally miscast) is wasted. Orlando Bloom and Patricia Clarkson seem the only ones trying to navigate without benefit of a road map. The so-called moral of the story is so defeated by the vagueness and dreary boredom of the storyline that there winds up being no moral at all.