Mira cómo corren

I try to avoid trailers and promos so much so that I thought this was going to be a movie involving trains somehow like a biopic of whoever invented them, all I knew was Saoirse Ronan was in it. She was one of the few upbeat characters in it so she lit up the screen whenever she was on.

It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.

It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.

It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.

Q. When is too much split screen too much?

A. See How They Run.

I was so looking forward to this that i can't help feeling a tinge of disappointment. Towards the end of See How They Run, i was feeling almost nauseous with the use of split screen. It's every 5 minutes, and i'm not joking.

The movie thinks it's a lot cleverer than it is (telling us how the movie will end, the clever wink winks all the time). Some of the humour is great, mostly involving Saoirse Ronan who shows she's gifted in physical comedy and slapstick as well as everything else she puts her mind too.

The movie, for a whodunit, fails to fill the story with credible suspects and towards the end i had mostly lost interest in who the murderer was even going to be. Adrien Brody is great for the amount of screen time he receives but whenever he, Sam Rockwell or Saoirse aren't on screen, the movie drags.

Tom George's direction isn't the best and it makes me wonder what the film could look like if in better hands. Outside of the split screen issues, quick cuts are another constant but just makes me think of better directors and the lifting Tom George is taking from superior movies.

I went in to this hoping for another Knives Out but sadly this is nowhere near it.

It's no wonder, but for me it was worth the time watching. The film is reasonably entertaining, has a cool vibe, and a great performance by Saoirse Ronan, as usual.

It's a relatively short movie, around 1h30, it goes by quickly, it doesn't take much time and it serves as a pastime if you don't have anything else interesting to see.

Despite being a "whodunit", the mystery surrounding the killer itself does not hold much attention, the script is silly and the solution to the case is not impactful at all, what really counts in the film is the fun atmosphere and the actors' performance. Typical movie that in 6 months you won't even remember it properly.

6 out of 10.

It doesn't pretend to be high art. It's silly and enjoyable and was the equivalent of enjoying a good piece of cake - pleasurable but soon forgotten.

The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.

If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)

A murder-mystery with Sam Rockwell and Saoirse Ronan as the investigators. Who could resist such a premise? Not me. Since watching it I've heard it described as a very 'Wes Anderson' type film. I'm glad I didn't hear that before going in because I can't stand Anderson's films. I did quite enjoy this one though, so it would've been a false warning.

The chemistry between Ronan and Rockwell is what sells this. They nail it. I could watch these two on screen for a hundred more movies. The humour in the film is very clever. It may not make you laugh out loud all too often, but it will certainly bring a smile to your face.

The actual whodunit mystery itself is good, without being mind-blowing. It suffices in keeping the audience interested and curious while also giving the lead characters plenty of room to do their thing. This was a good one. 7/10.