Kumari

It's been years since a horror fantasy mystery (like Ananthabhadram) in Mollywood. Kumari may not be a watch for all but for me it was a bliss ✨. Apart from small trails and non understandable dialogue delivery of Shine Tom Chacko It was a pure joy of wonderful screenplay ,music and great performances of all the cast. Everyone was beautiful in every screen notably the main cast . Eventhough ,it was a beautiful theatre experience it was underwhelming to see vacant seats on the third day of release . It is a must watch for all those who love to hear stories of the land and to escape from the real world to a world of mysticism ,witchcraft which hasn't lost its relevance even today...

An amazing concept, but fails to impress in execution.

First 15 minutes of the movie, I was very hopefull that this is going to be a nice movie. The concept of the folklore story was very exciting. The movie nicely establishes the plot but failed to emotionaly invest me in the story. The visuals were amazing. The cinematography by Abraham joseph was a big positive. Aishwarya lakshmi was good. The songs were nice, especially the one introducing kumaris character. Amazing set designs. The technical department did a great job. All the actors who came as extras did a good job.

As a fantasy movie, the movie fails to set the rules in the world. So feels pretty inconsistent in most parts. Shine tom chakos character did not work for me (his sound modulation didnot work either). Could have focused on writing a little more.

Good effort, nice concept, but misses the mark somewhere.

Kumari, produced by Prithviraj, promises a lot of intrugue, mystique and thrills in the trailer. It succeeds in providing the intrigue and the mystique but fails in the thrills dept. The movie is the fable of a woman named Kumari who gets married and travels to a small village steeped in folklore and the tale of two opposing demons. The first half does a good job of building up the storyline and sets clear expectations of what to expect in the second half. The background score also sets the mood of the film. I expected more horror elements but all you get are a few jump scares which was disheartening.

The second half carries on from the first in much the same fashion and your expectation builds up only to be let down in the climax. Without spoiling, I'll just say that the prosthetics looked cheap and the action underwhelming. Also, what were Shine's dialogues in the movie? He kept mumbling in a raspy voice all throughout and I was not able to understand more than half of what he said.

Overall, the acting is top notch by entire cast. The stand out performance for me was Surabhi Lakshmi. Absolutely amazing. She also had to learn a weird malayalam dialect which required subtitles for the viewers to understand.

6/10.

A decent attempt to make Tummbad in a traditional Kerala household setting, which unfortunately ended up becoming a cheap replica of the original, with a few redeeming qualities.

The visuals were enchanting but anyone who has seen Tummbad can make the connection within the opening act (my 5 yr old daughter could spot it by then.)

Shine Tom and Aishwarya were majestic but the Demigods were reminiscent of the 80's Hollywood creature-flick atrocities, which kind of made the final few shots unpalatable.

The movie has taken inspiration from a variety of sources but managed to incorporate them beautifully, the character development and atmosphere building were impeccable.

If it hadn't been for the lackluster climax, this would've been a spiritual successor to the genre defining cult classics like "Manichitrathazhu" and "Anandabhadram", alas, it wasn't to be.

If you haven't seen Tummbad, brace yourself for a memorable watch that will stay with you for a long time, both for it's aesthetics and pitiable climax sequences.

Overall, a decent attempt at recreating the on-screen magic of Tummbad.

I'm confused on so many levels about this movie. On the one hand, the visuals and the music together make a great atmosphere throughout the movie making the horror fantasy feel of it almost perfect. On the other hand, the dialogues are horrendous with a stage drama-like style to them and the direction of the actors seems to make it worse. It's only when the actors deliver something beyond the dialogue, some things they are already comfortable with outside of this movie, that the acting works very well. Shine Tom's recent unhinged interviews now feel like an extension of this character. Either you will love it or you will hate it. I loved his performance in this movie so much that no one else deserves a mention about their performances after his one in this movie.

There is an attempt to use folklore and bring it to a western sensibility without losing our perception of such folklore. That aspect is clearly inspired by Tumbbad but it doesn't really translate beyond the basic idea and some creature designs used. Due to this attempt, there are a lot of things in the movie that doesn't make a whole lot of sense but the movie doesn't really want us to think that deeply either.

Overall, I think Kumari is a decent attempt despite its shortcomings as a horror fantasy. It could've been easily a better experience just by trimming around 30 minutes out of the movie.

By making Ranam and Kumari, placing both films on extreme ends of the spectrum in the visual landscape and making both of them aesthetically stunning yet lacking something in the writing department, Nirmal Sahadev proves his aesthetic sensibilities and the need for a better screenwriter for his stories.