Eesho

I saw this movie rating was dropped below 6 on second day of release , but after 2 days 100s of 10 rating pumped in to make the rating high !!

BGM by Rahul raj and editing by shameer has done some justice. Nadhirsha making is decent that's all.

Main issue is after 15-20 mins when Jayasurya appear, rest of the story is too predictable. Not much suspense left. Jafar and Jayasurya done decent job. The baby actress Akshara was excellent. Others are fine

May be due to covid they could not shoot elaborately. That is quite visible thru out.

If you like Jayasurya Jafar Nadhirsha , you could give it a try!

Nadirshah is a familiar name to Malayalee who appreciates humor and parody. When he started making movies few years back, naturally we expected the genre which he is well versed with. However, in Amar Akbor Anthony, he told us a story which was of social relevance, and it was appreciated. Now again Nadirshah has come out with another subject socially relevant today - Defection of witness is cases especially in high profile sexual abuse and murder. Movie is a very good watch and leaves an impact in minds of general public. Role of Jayasurya is not a challenging one for him though there are instances where he has done exceptionally well. Notable character is Jaffar Idukki. Over last few years he is becoming one among the finest actors of Malayalam industry. I won't be surprised if he bags a state level award or national award soon. Director has left some room for suspense but not to the level of a thriller. Background score is soothing though I have felt that the music of the only song is a repetition of director's older movies.

The oddly-titled Eesho benefits from the solid performances of Jayasurya and Jaffer Idukki, but the storytelling style is a major letdown. The script doesn't carry even a tiny bit of suspense, and the average thriller-viewer should be able to decipher every twist and turn in the plot very easily. Nadirshah harks back to a hot button issue he presented in his first film Amar Akbar Anthony, and this time, chooses to give it a more serious treatment. But Eesho fails as a thriller because its plot beats have absolutely nothing new to offer. Roby Varghese Raj's visuals give the night scenes a very saturated look, making these portions somewhat more interesting (at least to look at!). Rahul Raj's score is strictly average.

Very much predictable story. Never ever this film can be classified as "thriller". Jaffer Idukky performed very well but again another "high range" role of helpless father. If anyone still planning to watch the movie, watch it with 2x speed in mobile. By halftime you will understand the story. I am wondering how it got 8.1 rating in IMDB. Hopefully it will go down. The female lead actress Namitha Pramod has nothing to do. Hope Jayasurya will get some good story soon.

This a good example of how a thriller should not be made. We need to give some credits to the producer who had guts to make a movie from such a pathetic script.

Comedian-singer turned filmmaker Nadirsha had a promising start as a director in Malayalam, delivering back to back superhits in the slapstick comedies "Amar Akbar Antony (2015)" and "Kattappanayile Rithwik Roshan (2016)". The talented auteur has however, hit a bit of a rough patch off late, with "Mera Naam Shaaji (2019)" and more recently, Dileep-starrer "Keshu Ee Veedinte Nadhan (2022)" coming across as dull affairs, panned by critics and fans alike. It is perhaps because of this that he pivoted genres, moving away from his trademark comedies to a broodish, atmospheric thriller in "Eesho" that is alas, watchable only in parts.

National Award-winner "Jayasurya" stars as the eponymous "Eesho" a mysterious truck driver who chances upon a seemingly chance encounter with the night watchman of an ATM, Ramachandran (Jaffer Idukki) after his vehicle breaks down. Ramachandran is coincidentally, the star witness in a scandalous rape case with the main accused being an influential businessman. With his life under constant threat and his key secret testimony set for the next morning, how the duo navigate the trials and tribulations that come their way on this fateful night form the rest of the story.

Sub-par filmmakers mistake subject-oriented films for just being preachy vehicles where they can shamelessly push their ideas and propoganda. While the film's heart is in the right place, talking about child abuse, the way it is presented comes across as inorganic and contrived and the dialogue resorts to mere sermons for long stretches. Jayasurya and Jaffer Idukki are both seasoned performers and excel in their roles, but the writing is unable to match up to their levels in many places.

Eesho's predictable plotline is another major eyesore, with the so-called twist in the final act obvious to the audience from the get-go, not providing any real surprise element or thrills requisite of a well-made thriller. Nadirsha has made a brave attempt in going for a genre he is not well-versed in but is unable to backup his novel idea with immersive writing in an era where Malayalam is churning out superb thriller like "Attention Please (2022)" and "Bhoothakaalam". You can watch "Eesho" for superb performances from Jayasurya and Jaffer Idukki, for there is not much else to savour. The film is now streaming on SonyLIV, in its original Malayalam as well as in Hindi, Tamil, Telugu and Kannada dubs, all with English subtitles.