El gran Gatsby

I like Luhrmann's take on films and soundtracks usually - but this film's strange annoying choice of music style was really off-putting. It was so mismatched like they were trying to MTV it with advertising Coke or something mainstream. Shame, would be great to see this with a soundtrack that suits the style of the storytelling/theme.

Maybe it's not possible to portray one of the greatest books ever written on the silver screen. This is at least the third time and I've been really disappointed all three. Neither DiCaprio or Redford (both of whom I really like) catch the true sense of the mysterious Gatsby. At least Redford was a bit detached. His failures of the past are in his head. DiCaprio (or the script he must follow) make him seem like a giddy love soaked schoolboy. He is so obsessed as to appear weak and maudlin. Another issue, however, is with the portrayal of Nick Carraway. Tobey Maguire is just too cute. I never pictured Nick as the little boy seen here (Sam Waterston, while not perfect, at least seemed like a possibility). Again, I like Maguire in other roles, but here he seems nothing more that Gatsby's toy. He's still physically lacking as a leading man. Mostly, it just lacked a bit of pizazz. Luhrman seems to think he can do it all visually, but this is a story of lost souls, trying to recover something they can't seem to reach. It fades and fades and in the end, it's hard to care much. Also, the portrayals of Daisy and Jordan just don't seem to draw us in.

The sound director of this movie should never find work again.

Only a poor soundtrack filled with contemporary music spoiled this latest version of The Great Gatsby for me. In a tradition of blond Gatsbys, Leonardo DiCaprio steps into the shoes of Alan Ladd and Robert Redford in essaying the part of the social climbing bootlegger from the Roaring Twenties. All that will make Jay Gatsby's life complete is the love of Daisy Buchanan whom he courted before his service in World War I. The problem is that she's slightly married to upper class Tom Buchanan. Daisy is played by Carey Mulligan and Buchanan is played by Australian player Joel Edgerton.

In fact except for DiCaprio and Tobey Maguire as Nick Carraway the whole cast is mostly Australian which is to be expected since most of the production was shot there. I have to say that the Australian studio did a marvelous job in recreating New York of the Twenties and the ritzy and glamorous part of Long Island where most of the story takes place.

As the book is written in the person of Nick Carraway it was also a good move to have Maguire narrate the story. Tobey's narration gives us the background of the story and Carraway's character functions as he should.

Leonardo DiCaprio does a wonderful job playing the social climbing Gatsby who weaves his own legend as he gives fabled parties on Long Island where the illegal liquor flows freely. Beneath his self assurance there is a bit of a frightened edge like this is all going to be taken away from him so enjoy while you can.

Perhaps the producers thought that no one would see a film with old music in it. There is some there, Gershwin's Rhapsody In Blue comes to mind. But the contemporary music on the soundtrack is jarring and out of place.

But overall this is a good telling of F. Scott Fitzgerald's tale of the Roaring Twenties.

The use of modern music (rap, EDM, etc.) that sounds nothing like the Roaring '20s is jarring. It rips you from the story, and it's hard to get back into it afterward. In some scenes, it's like watching a parody because the mismatch is flat-out laughable. Using era music for an era piece would've added a lot of character to the movie. And this movie, which I otherwise loved, deserved better.

Don't get me wrong; I do like those songs, and I get why the soundtrack was a hit. They just shouldn't have crashed a movie that's set in the 1920s. The distraction they caused did nothing but damage -- lots of it.