En un mundo mejor

This film is recommended.

"For every action, there is an equal and opposite reaction."

• Isaac Newton

Two Danish families, worlds apart in their ideologies and circumstances, come together in Suzanne Bier's Oscar winning foreign film, In A Better World. Screenwriter Anders Thomas Jensen takes two parallel stories about parallel lives that converge. Although the screenplay doesn't consistently mesh the duality of its concept, with scenes of African turmoil in sharp contrast with idyllic Danish villages, it does provide thought provoking mediation about the subject of revenge and its impact on violence, death, and day-to-day hardships faced by some minorities in our global realm.

Family No. 1: Anton (Mikael Persbrandt), a Swedish doctor who works in Sudan treating victim of war crimes, tries to be a principled and ethical pacifist, an idealist lost in an ungodly world. He confronts conflict at work and in his private life as his marriage to Marianne (Trine Dyrholm) is floundering. His son, Elias (Markus Rygaard), is dealing with bullying at school and his parents' possible divorce at home.

Family No. 2: Claus (Ulrich Thomsen), a recently widowed and grieving father and his son, Christian (William Johnk Nielsen), who blames his father for his mother's death and cannot adapt to the loss of his mother. Both troubled souls move from London to start a better life.

When Christian defends Elias from the school bully, both boys become instant friends and begin a dysfunctional bonding to survive a world that they perceive as riddled with injustice. Later, an disturbing incident occurs between Anton and another parent which triggers the two boys into righting a wrong in a most extreme way. No longer wanted to be victims, they instead become the oppressors.

Complex issues abound in this film. At some point, each character's action causes an act of retribution, a penalty for their misconduct, but not always the most deserving of punishments. In this unfair world of ours, the turning of a cheek may result in injury rather than reward. Karma is at work and actions decide our fate. We witness the ill treatment of people victimized with global acts of mistreatment and persecution in each country and are unprepared for the film's stark reality. It is the universal atrocities that prevails in our lives that rankles the core of this film and give the film its undeniable power.

This is definitely a Message Movie with a capital M, although sometimes the message is a mixed blessing, becoming a sermon at the pulpit in Bier's skillful hands. The scenes from Africa seem a bit heavy-handed and just don't correlate with the majority of the more interesting story set in Denmark. It also becomes a tad melodramatic in the end. Yet, one has to admire the noble effort and deeper personal vision of this film as it tackles major issues that are so scarce in today's cinema. The acting, especially the young actors, is exceptional.

In A Better World could have been a better film if the story would have concentrated more with the family dynamics and the psychological effects that compound a child's indefensible adult world. But Bier's film is still one of the better example of filmmaking that will more that satisfy the intellectual and more serious-minded moviegoer today. GRADE: B

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Is there any subject more mistreated in movies than retaliation? No, I don't think so. There's a dishonourable and long history about it and calling some of the stuff redneck and primitive is being unfair to the whole redneck movement.

Susanna Bier puts other dimensions to it. The boy being bullied at school is also an old subject, but here the real painful questions about so called pay-back are thrown in our faces. A revenge is seldom just a revenge; it brings other consequences too. That sounds like a cliché, but Susanne Bier says it in a way which concerns us. Like vengeance movies seldom do.

Great performance by Mikael Persbrandt, well known for misusing his talent too many times. But not here.

A good movie is a good movie. But I seldom have seen such a fantastic movie from Scandinavia. The photo, the locations, the casting, the music, the acting, a strong story and Susanne Biers touch of directing.

I was really glad to see Mikael Persbrandt in this kind of roll, hoping to see more of this... The two young boys, playing the main characters, wow! We have not seen the last of this young men!

A strong story on many levels, a beautiful sadness from the Nordic country's, with a high recognize level for most people...

You really need to see this film, one of the best ones I have seen in years.

I wouldn't be surprised if this movie wins a ton of awards.

Susanne Bier, you have made a lot of good films before this one, but for this one I really salute you.

Thank You!!

Each with a young son who is being severely bullied at school. The idea of bullying is the point of departure for a look at related issues, especially the idea of revenge. The original Danish title was actually that single word---revenge. It was changed (the new title is somewhat of a stub ) for the International release, probably for the better, at least for the USA since the original title would probably conjure the notion of an action film with a minimum of delicacy instead of what it is, a rather heavy-hitting soap opera that deals with the inevitable emotional upheaval with a modicum of nuance here and there.

The movie asks how does one handle this sort of humiliating experience. This theme is enlarged by the fact that one of the fathers is a doctor who treats patients at a Sudanese refugee camp and has to deal with roving warlords. Back home this father makes what what comes across as a wise decision in turning the other cheek when he himself is bullied and lightly pushed around by a neighbor mainly because the offense was relatively light weight but could have escalated into something of a serious and perhaps far-reaching consequence.

So what do you do when such discretion is lost on your 10-year-old son who thinks you're a coward and calls you a wimp? The teleplay makes clear that domestic corporal punishment or no dessert for a week is not the answer, it wants to mean business and point to a more non-visceral response. This episode is thematically important and hits home with its direct simplicity and urgency but is subservient in scope to what these two young boys are up to.

There is backstory where a mother has died of cancer in one family, and a separation is in progress in the other, both that take a toll on the two young boys. Danish actress Trine Dyrholm pulls off an incredibly charged scene where she stumbles upon the neighboring boy in the hall of a hospital towards whom she has an uncontrollable and justifiable anger when she suddenly realizes that she is talking to a child, a child the same age as her own. The struggle in betraying a sudden compassion in such a circumstance is extraordinary.

Wisely, the teleplay imposes an interruption to the scene, otherwise the whole thing might have been ruined by either over sentimentality or rank incredulity. As is, it is terrific and I still have not been able to quite get it out of my mind.

Like anything, people will offer their own view of things. This is my own.

There are many films out there that focus on bullying and its effect on the children that experience it. A few will go further to picture the consequences to those children as they become adults, some of whom will never overcome that.

But it was the first time, from my perspective, that a film ventures to show bullying by an adult. As the stories (in Africa and in Denmark) run in parallel, it makes one wonder what the child bully would become if he were not stopped.

Brilliantly told, it left me with a sense that in our days we are still not taking bullying as seriously as we should. So how can the bullies ?