From Black
- 2023
- 1h 40min
CALIFICACIÓN DE IMDb
5.0/10
2.5 k
TU CALIFICACIÓN
Una drogadicta en recuperación, desesperada por cerrar el caso y agobiada por la culpa tras la desaparición de su hijo, recibe una extraña oferta para conocer la verdad sobre lo sucedido y a... Leer todoUna drogadicta en recuperación, desesperada por cerrar el caso y agobiada por la culpa tras la desaparición de su hijo, recibe una extraña oferta para conocer la verdad sobre lo sucedido y arreglar las cosas.Una drogadicta en recuperación, desesperada por cerrar el caso y agobiada por la culpa tras la desaparición de su hijo, recibe una extraña oferta para conocer la verdad sobre lo sucedido y arreglar las cosas.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Eduardo Campirano
- Noah
- (as Eduardo Campirano III)
Alicia S Mason
- Simmons
- (as Alicia Mason)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I really like horror movies and liked the premise of this movie very much, but it could have been way better.
The directing and sets are good, the story is good, the soundtrack is good, the special effects are good, but....
I don't know if it's the writing or Anna Camp's acting, but at no point did I find her character believable. John Ales was really the stand-out actor is this movie, and even Jennifer Lafleur who played Anna's sister put on a good performance. Every time Anna had any dialog though, it just slapped me in the face and popped me out of the atmosphere.
Anna has a number of acting credits, so maybe it's the writing, but it just seemed like she was monotone and her emotions didn't seem reasonable, nor matched the dialog correctly.
It's funny, I only watched this movie with actors I never heard of because it was rated a whopping 9.0, but by the time I finished the movie it had already fallen to 4.5 which is a bit harsh. I would say this is what I expect from the low 6's.
The movie is worth watching because the premise of the movie is kind of cool, but don't expect too much. Honestly, this could have easily been more on the level of the movie Seven if they had some more seasoned actors, or possibly writers.
The directing and sets are good, the story is good, the soundtrack is good, the special effects are good, but....
I don't know if it's the writing or Anna Camp's acting, but at no point did I find her character believable. John Ales was really the stand-out actor is this movie, and even Jennifer Lafleur who played Anna's sister put on a good performance. Every time Anna had any dialog though, it just slapped me in the face and popped me out of the atmosphere.
Anna has a number of acting credits, so maybe it's the writing, but it just seemed like she was monotone and her emotions didn't seem reasonable, nor matched the dialog correctly.
It's funny, I only watched this movie with actors I never heard of because it was rated a whopping 9.0, but by the time I finished the movie it had already fallen to 4.5 which is a bit harsh. I would say this is what I expect from the low 6's.
The movie is worth watching because the premise of the movie is kind of cool, but don't expect too much. Honestly, this could have easily been more on the level of the movie Seven if they had some more seasoned actors, or possibly writers.
A Dark Song is one of the most surprising movies I've ever seen. Its intense atmospheric buildup, flawed characters, and absolutely beautiful cinematography draw you in, but the film's attention to detail and reverence for its subject matter are what truly stand out.
From Black is such an obvious ripoff of A Dark Song that it's embarrassing. From bits of score that seem ripped directly from the latter film, to poorly recreated scenes, to a nearly identical story it's more than clear what inspiration the filmmakers were drawing from. If this film had absolutely anything interesting to add to that concept, I would have been extremely interested to see where it went. But it doesn't. In fact, it's almost impressive how this film butchers every single aspect of its inspiration.
The beautiful scenic vistas of Ireland are replaced with drab, ugly views of Mississipi. The old house with so much character and detail is instead a boring modern build with white walls and bland dark wood. The lighting is universally bad, with overlit exteriors and incompetently simple keylights for anything on a set. All of that is bad, but the acting is truly what ruins this film. The delicate performances of A Dark Song really draw you to the characters, who start so harsh and guarded but slowly reveal more and more of what they're truly seeking.
At their core, both films are about broken mothers desperately desiring to see their children one last time. Except From Black is afraid to even commit to that. Cora expressed trepidation at every single step of the way, too afraid and completely unresolved to actually see the ritual through. Where we see the painstaking detail of the incantation in A Dark Song - a process almost impossible to master with months of work and heavy risks - the ritual in From Black seems all too easy, with our characters connecting almost instantly with the other side.
There is truly nothing about this film that succeeds at what it sets out to do. The atmosphere is cheap, the acting is awful, and the only major change from A Dark Song (which I won't spoil here) is a truly horrible deviation from the story that steals away any tiny bit of meaning or growth our character could have. Do yourself a favor and don't waste 90 minutes of your life. Just watch A Dark Song.
From Black is such an obvious ripoff of A Dark Song that it's embarrassing. From bits of score that seem ripped directly from the latter film, to poorly recreated scenes, to a nearly identical story it's more than clear what inspiration the filmmakers were drawing from. If this film had absolutely anything interesting to add to that concept, I would have been extremely interested to see where it went. But it doesn't. In fact, it's almost impressive how this film butchers every single aspect of its inspiration.
The beautiful scenic vistas of Ireland are replaced with drab, ugly views of Mississipi. The old house with so much character and detail is instead a boring modern build with white walls and bland dark wood. The lighting is universally bad, with overlit exteriors and incompetently simple keylights for anything on a set. All of that is bad, but the acting is truly what ruins this film. The delicate performances of A Dark Song really draw you to the characters, who start so harsh and guarded but slowly reveal more and more of what they're truly seeking.
At their core, both films are about broken mothers desperately desiring to see their children one last time. Except From Black is afraid to even commit to that. Cora expressed trepidation at every single step of the way, too afraid and completely unresolved to actually see the ritual through. Where we see the painstaking detail of the incantation in A Dark Song - a process almost impossible to master with months of work and heavy risks - the ritual in From Black seems all too easy, with our characters connecting almost instantly with the other side.
There is truly nothing about this film that succeeds at what it sets out to do. The atmosphere is cheap, the acting is awful, and the only major change from A Dark Song (which I won't spoil here) is a truly horrible deviation from the story that steals away any tiny bit of meaning or growth our character could have. Do yourself a favor and don't waste 90 minutes of your life. Just watch A Dark Song.
From Black (2023) is a movie that was released on Shudder last week. The storyline follows a woman who became a drug addict after her son mysteriously disappeared. As she is released from the clinic and begins adjusting to society she is approached by an individual who offers to tell her what happened to her son that day, but at what cost?
This movie is directed by Thomas Marchese (Fallen) and stars Anna Camp (Pitch Perfect), John Ales (Euphoria), Jennifer Lafleur (Nope) and Travis Hammer (Godless)
This is another one of those movies where nothing happens for over an hour into the movie. The storyline, acting and dialogue were all mediocre to bad. There's some scenes that were not needed at all (the baby daddy scene). I will say the first action scene was really good. The mask, makeup and costume of the villain was solid. As the movie progresses and the main character evolves, this ends up concluding better than it starts.
Overall, this is a very average addition to the horror genre with nothing new. I would score this a 3.5/10 and only recommend it to diehard horror enthusiasts.
This movie is directed by Thomas Marchese (Fallen) and stars Anna Camp (Pitch Perfect), John Ales (Euphoria), Jennifer Lafleur (Nope) and Travis Hammer (Godless)
This is another one of those movies where nothing happens for over an hour into the movie. The storyline, acting and dialogue were all mediocre to bad. There's some scenes that were not needed at all (the baby daddy scene). I will say the first action scene was really good. The mask, makeup and costume of the villain was solid. As the movie progresses and the main character evolves, this ends up concluding better than it starts.
Overall, this is a very average addition to the horror genre with nothing new. I would score this a 3.5/10 and only recommend it to diehard horror enthusiasts.
Fairly cliched plot. Grieving parent, wanting to bring child back. Obviously things go wrong.
Actors did good. Detailed scenes featuring the ritual creates good intrigue. But that's all there is in the movie. A lot of build up, but it doesn't go anywhere. No real scares, pretty disappointing on the horror front. (The ritual reminded me a little bit of Fullmetal Alchemist.)
The movie also starts in the present and goes back and forth, with the main character telling us the story, but that didn't really serve any real purpose, I'm fairly certain the movie would've played out better if it was linear. The movie is primarily in the past, a flashback, and cutting back for very brief moments to the present didn't add anything to the plot.
Overall, some good moments in the beginning, but ends in disappointment. 4/10.
Actors did good. Detailed scenes featuring the ritual creates good intrigue. But that's all there is in the movie. A lot of build up, but it doesn't go anywhere. No real scares, pretty disappointing on the horror front. (The ritual reminded me a little bit of Fullmetal Alchemist.)
The movie also starts in the present and goes back and forth, with the main character telling us the story, but that didn't really serve any real purpose, I'm fairly certain the movie would've played out better if it was linear. The movie is primarily in the past, a flashback, and cutting back for very brief moments to the present didn't add anything to the plot.
Overall, some good moments in the beginning, but ends in disappointment. 4/10.
Think this movie deserves higher than its current low rating. The plot, cinematography and effects were all top notch.
While in a drug addicted haze Cora's 5 year old son ends up disappearing and is never found again. Fast forward 7 years and Cora leads a life of sobriety incase her son ever did come home, she wants to be sober. Through a grief support group she meets a man who used dark magic to get his deceased daughter back and offers Cora the same chance for her boy.
By the end it's hard to believe Cora would just snub her nose and refuse to complete the final "payment" and ritual in getting her son back. Especially after going through so much preparation. This was about the time where I felt it got a bit tedious. Cora's character needed to remain steadfast in her dedication.
The plot of this movie reminds me of A Dark Song. Between the two A Dark Song is the clear winner. But this one is still worth watching, at least once. It will keep you entertained.
While in a drug addicted haze Cora's 5 year old son ends up disappearing and is never found again. Fast forward 7 years and Cora leads a life of sobriety incase her son ever did come home, she wants to be sober. Through a grief support group she meets a man who used dark magic to get his deceased daughter back and offers Cora the same chance for her boy.
By the end it's hard to believe Cora would just snub her nose and refuse to complete the final "payment" and ritual in getting her son back. Especially after going through so much preparation. This was about the time where I felt it got a bit tedious. Cora's character needed to remain steadfast in her dedication.
The plot of this movie reminds me of A Dark Song. Between the two A Dark Song is the clear winner. But this one is still worth watching, at least once. It will keep you entertained.
¿Sabías que…?
- TriviaThe quote from the start of the movie is was originally from the Star Wars. Episodio III: La venganza de los sith (2005) novelization. The full quote reads: "The dark is generous and it is patient and it always wins - but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars."
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- How long is From Black?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Kara Ayin
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 383,784
- Tiempo de ejecución1 hora 40 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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