The Combination

This is a little Aussie movie that packs a punch. With a not particularly original storyline (older brother gets out of jail and tries to stop younger brother from going down the gangs - drugs – crime – jail path, a la "American History X"), the film puts the story in a Lebanese-Australian context. These Lebanese have a Christian background yet are still treated as aliens by the Anglos. Not surprisingly gangs form and are exploited by local criminals (the police, by the way, are pretty well on the sidelines).

What gives the story its power is the mapping out of the relationship of the older brother, former pro boxer John (George Basha) with his errant sibling Charlie (Firasss Dirani), and the effect of external pressures on their bond. John also develops an emotional relationship with a beautiful Anglo girl, Sydney, (Clare Bowen) but this is mild compared for the feelings he has for his family. There is plenty of headline stuff here, knifings in the street, drive-by shootings, teenage drug-dealing (cocaine seems to be the drug of choice these days) set against TV footage of our very own race riots at Cronulla in 2005.The ending, however, is not quite the disaster one might have expected.

One interesting question raised is: just what are Aussie values anyway? John as a migrant kid finds that his Lebanese relatives see him as an Australian, while fellow pupils see him as Lebanese. His Anglo girlfriend's father spouts the assimilationist line, but by the end Sydney seems to have gone over to the Lebanese side. Charlies' school is an ethnic battleground and relationships between the ethnic groups do not seem to be improving. John, however, shows every sign of climbing out of the mire and the film ends on a hopeful note.

David Field, a veteran character actor who specializes in downtrodden ocker types, has as a first time director come up with the aid of George Basha's script with a colorful, noisy dramatic, and yet authentic, story. He is aided by some standout performances from his leads and from a goodly number of not well-known but talented and experienced actors in some of the key supporting roles roles,. Doris Younane as John and Charlies' widowed mum Mary, John Brumpton as Sydney's dad and Michael Denkha as the local crime boss are particularly good, and the cinema photography and editing are first rate, though as I saw it screened there was a peculiar flicker.

The script is pretty crisp, but some of the characters could have done with a little more of their back story. How did Zeus the gang leader (the burly Ali Haidler, very convincing) get to be such a menace, for instance? What happened to John and Charlie's dad? There was also a surprising gap in the storyline when, about a third of the way through the gang is involved in the knifing of another student. They flee the scene but are arrested by the cops at gunpoint. In the next scene Charlie is free as if nothing has happened, and there is no further reference to the incident.

Even so, this is a bright start to Aussie movies for 2009, and the kerfuffle over it being withdrawn from some cinemas will have given it some much-needed publicity. Compared with "Underbelly", for example, this is a very honest piece of work.

The name says it all. A lesson in life & also the ups & downs of being in a hate group. I mean this movie is a good example of showing that nothing good comes from being racist & thinking your better than everyone else. I personally thought that the acting was excellent & its a true blue Aussie made movie. Racism & hatred will never stop because lets face it cause we're not living in a cartoon. Some people might say that this movie influences Lebanese gangs & makes them proud, but i believe that there's always the other side to a story & this being that treat everyone equally. My rating for this is 8.5 / 10. Should win some awards.

The Combination was for me, a refreshing surprise of a flick, initially banned, I believe, which would of been such an injustice, as it would deprive movie goers of what is a first rate, independent flick, directed by acting great, Field. This film and it's ferocity, really surprised me, it was that engrossing. It's one film I just couldn't turn off, and finish watching the next day. Not many films focus on the Lebanese community, and here racism still runs high in the inner suburbs of Sydney. An older brother has just got out of the joint. There's much conflict between him and little brother (Firass Dirassi) who's heavily mixed up in crime, where he's heading in the same direction. Not only this, but he's clashing with another student, not Lebanese, at high school over a girl, where a small gang war breaks out. This movie is more take the gloves off high school flick, which can really show what happens with two cultures clash, and the tragic results can culminate. For me, Dirassi's fate was pretty mapped up, where I knew it wasn't gonna end well for him. There's many lessons illustrated in this film, where The Combination is one of the most impressive and searing Aussie films I've seen, and one that must be seen. The same can be said about explosive new talent, Dirassi. Thank you Mr Field, where you've now impressed me as a movie maker.

When Australia makes any dramas set in the burbs they generally always have the feel of being written by someone with not only a separation from suburban life but utter contempt for it as well. The characters are flagrant stereotypes, the dialogue has the feel it was written by a 5 year old trying to sound tough and the stories always generally deal with the idea that growing up in the burbs gives you 2 opportunities. Mundane blue collar jobs or pursuing criminal enterprise.

While the combination does include the final element in it's story, it does not offer it as the only choice for the burbs either. And it skillfully shows that each person has a choice and must take responsibility for their actions.

Well written, starring an amazing cast and finally giving a sense of realism to suburban life in Australia, The Combination is a great film.

Being a Sydney 'westie' I can't get over the aspect of dialogue in this film. Finding an Australian film that does not come across as a parody in the way characters interact with each other is nearly impossible. Even within a great film like Two Hands if you watch the movie again note the absence of free flowing dialogue that feels real. This film has it down pat. The characters seem undeniably real. George Basha has done a great job. Let's hope he is not a one trick pony and can use his skills for further great Australian films in the future.

THE COMBINATION is the first Australian film to be shown in it's country of origin this year and it's already become a news story - not for it's quality but because there have been incidents between what we are told are Lebanese gang members and theatre staff.

It would be nice if the film were to prove something substantial. What it is however is a passable gang warfare subject, made without undue sensationalism (it is particularly timid with sex) and preaching anti violence. The inclusion of recent race riot TV actuality tells us they want to be taken seriously.

The film takes a predictable multicultural line with old Australia dismissed as football, beer and meat pies, as against the leather lounges and sumptuous Arab meals with music to which hard man writer-star Basha introduces so blonde object of his affections Bowen, who comes from a family where scotch on the rocks seems to be the main food item. The Lebanese gang has one Asian kid, though he does back off when it's time to face off with the so mean (white) drug pushers. Basha gets a job in a gym run by stand up aborigines. The white kids spit and mug solitary members of the other gang.

The dynamic of school yard gangs is better, though we can't but wonder when the kids get to do any study, even though younger brother Dirani does once make it as far as the library.

One note performances are strong and the Western Sydney setting is effective and still unfamiliar. Particularly choice are the pusher's neighbors urging Basha to blow the low life away in the film's most inventive scene.

It would be nice to say this independently financed item was a break away from the blandness of funded filming here. However it is formula and lacks the dynamism of US films that covered this area - the work of Phil Karlson or young Scorsese and particularly American HISTORY X which appears to have inspired plot elements.

Those involved attack with a determination that it would be nice to see rewarded with worthwhile careers but they have the dis-spiriting history of Astralian production against them.