Agrega una trama en tu idiomaThe mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.The mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.The mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie has a very relevant socio-political references , though it fails to develop from anything more than a mere reference. VJS and Nithya Menen have done their best , but the roles are nothing challenging for them. Nithya dubbing sounds terrible.
The political reference had so much opportunities to create an impact . How ever the story is stuck around nithyas uneventful life getting tangled with something very important. It's not just her life, the whole movie is quite uneventful thru out.
When the police team ,especially when Indrans , stepped in I had high hopes that the movie would now lead to something more. But it then goes back to same path. Why did they even have Indrans name in poster and his role ?
Super slow movie, only 1.45hrs but it felt like taking ages to finish. I wouldn't recommend watching even for the good cast.
The political reference had so much opportunities to create an impact . How ever the story is stuck around nithyas uneventful life getting tangled with something very important. It's not just her life, the whole movie is quite uneventful thru out.
When the police team ,especially when Indrans , stepped in I had high hopes that the movie would now lead to something more. But it then goes back to same path. Why did they even have Indrans name in poster and his role ?
Super slow movie, only 1.45hrs but it felt like taking ages to finish. I wouldn't recommend watching even for the good cast.
Big fan of Vijay sethupathi movies in this movie the director didn't give him importance this movie had that potential only Nithya menen dominated but her dominance couldn't up to the mark.
Ing Nithya Menen , Vijay Sethupathi in lead role. Also starring Indrajith Sukumaran, Indrans, Srikant Murali.
Written & directed by Indhu VS Streaming on Disney + Hot star from 29th July 2022
Good decision to release on streaming platform or else in box office it would be a biggest disaster.
The title of the movie represents to right to freedom of speech and expression & that's what the movie is all about but 1hr 47 min is pity too long as the story travels through extreme lagness.
The story begins with the life of Nithya Menen the central character who runs a Xerox shop for livelihood. One fine day a customer comes to her shop, hand over a note and promises that he will return to collect it but not. After few days, it came to know that the customer who came to her shop was shot murdered and its none other than a renowned writer "Gauri Shankar" played by Vijay Sethupathi.
Post this incident, how Nithya Menen, finds a way to publish the note which is in her hands which have a relevant social message forms the rest part of the story.
Although the movie throws light on the topic of freedom of expression, politics of colour, the politics of discrimination but the screenplay designed in such a way that it just test the patience of the audience as notion comes " 1 hr 47 min is too long ".
Vijay Sethupathi & Nithya Menen subtle performances. Something more expected from Vijay but that didn't spark well.
Indrajith Sukumaran presence was immaterial as the story shows the connection with Vijay sethupathi but was it that required, a question aroused to me.
Overall, a movie to watch making it pause multiple times.
Written & directed by Indhu VS Streaming on Disney + Hot star from 29th July 2022
Good decision to release on streaming platform or else in box office it would be a biggest disaster.
The title of the movie represents to right to freedom of speech and expression & that's what the movie is all about but 1hr 47 min is pity too long as the story travels through extreme lagness.
The story begins with the life of Nithya Menen the central character who runs a Xerox shop for livelihood. One fine day a customer comes to her shop, hand over a note and promises that he will return to collect it but not. After few days, it came to know that the customer who came to her shop was shot murdered and its none other than a renowned writer "Gauri Shankar" played by Vijay Sethupathi.
Post this incident, how Nithya Menen, finds a way to publish the note which is in her hands which have a relevant social message forms the rest part of the story.
Although the movie throws light on the topic of freedom of expression, politics of colour, the politics of discrimination but the screenplay designed in such a way that it just test the patience of the audience as notion comes " 1 hr 47 min is too long ".
Vijay Sethupathi & Nithya Menen subtle performances. Something more expected from Vijay but that didn't spark well.
Indrajith Sukumaran presence was immaterial as the story shows the connection with Vijay sethupathi but was it that required, a question aroused to me.
Overall, a movie to watch making it pause multiple times.
The casting was great for the most of the major roles. Love to see Nithya Menen back. Missed her movies in Malayalam. Good directing and lot more to see in future. Story line is very thin with a small concept that could have done as 30 min documentary/art film. There is a 15% story in the movie and the rest 85% is to be figured out by the viewers by their own which is the similar concept which we have seen in other movie in the similar category. There was more room for the characters to build, especially for the Nithya Menen character. Felt that this movie had a flat line pace till up the end.
Come on, everyone knows this is what Malayalam cinema does best; a minimalistic effort, mostly set in the same lush locations that supplements the simplicity of the storyline and characters. In recent times, Malayalam cinema has taken advantage of the OTT space and churned out so many films and few have been a clear reflection of the political, economic, social and cultural crisis. Here we have another film, a slow burn drama chronicling the events that follows after the murder of Gauri Shankar (Vijay Sethupathi), a writer and human rights activist. The name rings a bell, right? If you have no clue, look up Gauri Lankesh online!
But trust me, there is so much to say which is both the positive and negative of this film. There are directors who entertain or exacerbate or educate (maybe all the e's in equal parts) when handling a controversial theme. Take for example "Gargi" which deals with a sensitive theme, constantly challenging the audience with good writing.
Well, 19 (1) (a) doesn't hold up or belong to none or any of the aforementioned categories. There is more to this as the film rubs shoulders with subplots, existential themes, political contexts and this mixture tries to alternate with flashback, visual motifs, with very little backstory for each character, including Nithya Menon and her dad, their relationship and the past. Amongst all, I really liked the sequence of Gauri and his friend, who are two opposites and don't agree on the definition of writing. Gauri is a writer who found his passion during his childhood while he sat down under the tree and scribbled his thoughts, like the artsy ones you see in a writer-esque mood with glasses, books in a sophisticated coffee shop.
Coming to the performances, Vijay Sethupathi is here in his usual naturalistic forte that never hits a false note. Nithya Menon role is a layered one as she slips inside a state of fear. In the middle of the silences, pauses and worried moments, she somehow manages to switch between emotions accompanied by different tones.
Although I liked the movie in parts, I see many problems here. The film doesn't quite flow and in several scenes, including the songs, there was no need for it. The idea sounds great, but unfortunately, it doesn't add anything. This might have benefited from better writing and Direction. I really wish the director would have taken an Ivan Ayr or Sajin Baabu approach in the writing process. I wished for an experimental approach like the works of Prathap Joseph, Ekta Mittal, Payal Kapadia and Udita Bhargava, it might have been a satisfying watch.
Regardless, it is an average watch and for the masses, this will be a total sluggish and a boring film. I liked how the director manages to connect the bike sound bgm in the initial title drop of the film and the same is used in the end. It literally grabs you,when you guess the outcome by just hearing the sound of the bike.
But trust me, there is so much to say which is both the positive and negative of this film. There are directors who entertain or exacerbate or educate (maybe all the e's in equal parts) when handling a controversial theme. Take for example "Gargi" which deals with a sensitive theme, constantly challenging the audience with good writing.
Well, 19 (1) (a) doesn't hold up or belong to none or any of the aforementioned categories. There is more to this as the film rubs shoulders with subplots, existential themes, political contexts and this mixture tries to alternate with flashback, visual motifs, with very little backstory for each character, including Nithya Menon and her dad, their relationship and the past. Amongst all, I really liked the sequence of Gauri and his friend, who are two opposites and don't agree on the definition of writing. Gauri is a writer who found his passion during his childhood while he sat down under the tree and scribbled his thoughts, like the artsy ones you see in a writer-esque mood with glasses, books in a sophisticated coffee shop.
Coming to the performances, Vijay Sethupathi is here in his usual naturalistic forte that never hits a false note. Nithya Menon role is a layered one as she slips inside a state of fear. In the middle of the silences, pauses and worried moments, she somehow manages to switch between emotions accompanied by different tones.
Although I liked the movie in parts, I see many problems here. The film doesn't quite flow and in several scenes, including the songs, there was no need for it. The idea sounds great, but unfortunately, it doesn't add anything. This might have benefited from better writing and Direction. I really wish the director would have taken an Ivan Ayr or Sajin Baabu approach in the writing process. I wished for an experimental approach like the works of Prathap Joseph, Ekta Mittal, Payal Kapadia and Udita Bhargava, it might have been a satisfying watch.
Regardless, it is an average watch and for the masses, this will be a total sluggish and a boring film. I liked how the director manages to connect the bike sound bgm in the initial title drop of the film and the same is used in the end. It literally grabs you,when you guess the outcome by just hearing the sound of the bike.
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- How long is 19 (1) (a)?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 48 minutos
- Color
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