Los Cinco Diablos

The Five Devils: The eponymous devils are actually five mountain peaks which provide a backdrop to the events in this French feature. Vicky (Sally Dramé) is a precocious, solitary child who is bullied at school. She has an extraordinary sense of smell, even able to track down her mother in a forest. Her mother Joanne (Adèle Exarchopoulos) is a swimming instructor, fed up with her firefighter husband Jimmy (Moustapha Mbengue), she reflects on her past glories as a swimming champion and local beauty queen. Vicky uses her facilities with scents to create copies of those of people close to her. She enters trances, travelling back in time, experiencing the events as they occurred. Things become even more fifficult for the Solers when Julia (Swala Emati), Jimmy's sister, comes to live with them. Why Julia left the the mountain town ten years ago and how it affected Jimmy, Joanne and another teenager, Nadine (Daphne Patakia) is central to the narrative. A dark film in places, entering into the slipstream of horror. Vicky seems to indirectly influence events in the past and bring physical objects back. Sally Dramé is wonderful as Vicky, accepting her abilities, not put out by her time travels but upset by her parents' deteriorating relationship. Adèle Exarchopoulos potrays the still beautiful and fit Joanne, but longs for her lost teenage years and perhaps more. She swims in an icy mountain lake for twenty minutes each day, almost as a self punishment, a great performance. Emati's fiery Julia is haunted by demons, not just of her past but those she encounters now. Mbengue;s Jimmy tries to be the anchor for this unhappy family. A story of love, guilt and elements of darkness and horror. Directed by Léa Mysius, who co-wrote the screenplay with Paul Guilhaume. 8/10.

Without assistance, teaching, learning you've acquired, certain skills that take you back to times expired, with your jars of concoction, your magic causes a motion, that can take you back to places you desire. What you find, seems to defy, cause and effect, and the paradox is a mystery and detracts, as your appearance would affect, all the outcomes you'd expect, chicken, egg, just takes you to a disconnect. So you scratch your head, your chin and raise your brows, as you determine all the why's and where's and how's, all the acting is quite fine, Adele is always so divine, but there are better ways to engage and arouse.

The Five Devils is a very nice looking film. It is full of artsy compositions and colorful scenery. It is well performed; the actors are very naturalistic, and no one is over the top or feels unrealistic. The story, on the other hand, is not for everyone. It follows a family at a crossroads when someone from their past returns to town. How each character handles this reappearance makes up most of the runtime. There is a fantastical element, as one character is able to enter moments from the past, but almost everything else is handled very realistically. I was very neutral towards this movie. I was definitely wanting to see where it went, but once it was finished, I was ready to move on. I didn't feel compelled to reflect on what I had seen. I was hoping for more tension or emotion of some sort, but it was all pretty subdued. My opinion is that this one is skippable.

This incredible french drama delves deep into a genre breaking experience in very interesting ways.

The actors and the script is incredible, and so is the cinematography, cutting and. It is simply a very beautifully and uniquely put together piece.

Overall, an incredible and acclaimed film that is very much recommended for any lover of film.

The effects, and the overall idea and execution works very fluidly. The end result is a very unique piece that stays with you for a long time.

Overall, yet another testament to the greatness of french cinema, and how you can bend genres and conventions in very appreciated and interesting ways.

Les Cinq Diables, from director Léa Mysius, begins with intrigue but never fully delivers on its concept. Adèle Exarchopoulos is magnetic in every scene, and Sally Dramé rivals Hushpuppy (Quvenzhané Wallis) as the cutest kid ever. If this movie shines for any one reason, it is that we get to spend 96 minutes with these two.

The story and storytelling, however, are the weakest links. For a good chunk of the film, the story sort of meanders without any real sort of tension, presumably to tease out the mystery. Some plot points end up going nowhere, the climax that gets supernaturally pieced together doesn't pack the punch it seems it is going for, and I think a lot more could have been done to bring the themes home and make it far more powerful. In a way it reminds me of a Jacques Audiard film in the way it unloads a lot of rich theme but does not tie it down neatly for the viewer--which may be frustrating for some audiences and thought-provoking for others.

Les Cinq Diables is an ambitious film that lays decent groundwork but never seems to find its footing. It may leave enough for some interesting discussion on the interface between sexuality and relationships through the eyes of the innocent, but its clever approach more often gets entangled in subpar storytelling and a loosely-threaded plot.

Watch it for the cute kid and for the goddess Adele. Skip if you desire a more cohesive narrative.